The Contour Biennale offers a platform to curators and artists working with different forms of moving image, from film and video to installation. This reader accompanies the 8th edition of the biennale, dedicated to the notions of evidence and testimony. It includes texts and illustrated contributions by international artists, writers, poets, anthropologists, and filmmakers.

2 CD set gathering instrumental pieces from this last five years. Christophe Guiraud uses old instruments such as the Hotteterre flute, the viola da gamba or the viola bass, combining them with electronics.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art, with an original collage signed by the artist.

The 10th issue of Nazi Knife takes the form of a vast album covering a dozen iconographic sequences of unclassifiable aesthetics.

How to talk about his art as an artist? A series of discussions with Jan Verwoert and artists and composers of the Graduate School at the Berlin University of the Arts. In parallel, the book presents a careful selection of original artistic contributions by the participants.

Double QR-Code LP (an empty sleeve with no discs), edition of 100 copies. The recording to listen online is a 5-hour composition for computer voice, first presented in Paris on March 25, 2000: a deepening of the idea of a dematerialized disc.

This catalogue combines a short story written by artist Alain Fleischer with an iconographic ensemble featuring a selection of his works. The publication also includes eighteen epistolary texts addressed by choreographer Daniel Dobbels to Alain Fleischer.

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs, with an original artwork signed by the artist.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

The catalogue of the Irish Pavilion at the 57th Venice Biennal presents a video project by Jones in which Korean actors reenact a 1970s documentrary of a “conflict resolution therapy session” with individuals who experienced the conflict in Northern Ireland.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

Two-volume publication gathering a booklet accompanying Pierre Bismuth's 2015 solo exhibition at Kunsthalle Wien, and a catalogue raisonné indexing his typically serial and often humorous work of the last three decades.

Companion book to a project by the artists Annie Vigier and Franck Apertet (les gens d'Uterpan), which emanates from the analysis of individual or collective attitudes and behaviors produced in the public space of a given city.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

The third volume of Rémy Zaugg's complete writings (1972-1978): analysis and critical evaluation of forms of representation and of perception.

The fourth volume of Rémy Zaugg's complete writings (1973-1980): a collection of texts on Donald Judd and minimalist sculpture.

The first volume of Rémy Zaugg's complete writings (1963-1968/1988): entitled The Making of a painting, this transcript of Zaugg's diary revolves around the notion of artistic discourse, and how it is directly influenced by paintings.

The tenth volume of Rémy Zaugg's complete writings (1982-2004): the publication gathers texts, interviews, and correspondences on ethics, as well as a series of interviews on cross-cutting themes and projects. It features also a chronology, a list of exhibitions, and a bibliography.

The second volume of Rémy Zaugg's complete writings: five texts from the 1970s which highlight the influence of semiology (de Saussure, Barthes, Levi-Strauss…). on Zaugg's theoretical thought and practice.

The fifth volume of Rémy Zaugg's complete writings (1980-2005): a series of texts of utmost importance, related to the great pictorial and philosophical researches of the 1980s. Alongside these texts, the publication features a collection of interviews and letters to friends, colleagues, art dealers, curators, and art collectors.

The sixth volume of Rémy Zaugg's complete writings (1982-1993): featuring some of the most influential texts written by the Swiss artist on art museum.

The seventh volume of Rémy Zaugg's complete writings (1984-2004): the publication brings together texts that formulate a practice and a criticism of exhibition that goes beyond genres and mediums, using concrete projects in given architectonic situations.

The heighth volume of Rémy Zaugg's complete writings (1988-1989): a portrait of Jean-Christophe Ammann.

The ninth volume of Rémy Zaugg's complete writings (1986-2005): a reflection on the artist's projects for public spaces, illustrated with personal statements and sketches.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig, addressing the complexities of palm oil and “the enormous transformations, human, and ecological, that this crop engenders” (Taussig) in two disparate geographical locations, Southeast Asia and South America.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before (limited marbled vinyl edition).

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before.

This 3CD set gathers the complete work by Luc Ferrari for films  from 1960 to 1984 including electronic pieces, concrete music made in GRM and some hybrid including traditional instruments. These rare and for the most part unpublished recordings comprise collaborations with Jean Cocteau and Jean Tinguely.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

Recounting a partial history of our relation with matter, this reader explores how the crossover between cosmological narratives, the spatial revolutions of concrete poetry, and hypertextual and territorial fictions might have an impact on the recognition of human agency in a time that calls for our action on environmental policies.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The catalogue is the first comprehensive survey about the works and projects by the Brazilian artist and activist, spanning 1991 until 2015. It also includes unpublished artist's text by Alves, and essays by Pedro de Llano and T. J. Demos.

Limited edition, accompanied with an exclusive Toilet Paper satin scarf.

Collection of artists' writings on video art, which revisits and reevaluates the early days of the practice, from 1970 to 1990. Including AA Bronson, Peter Campus, Antoni Muntadas, Nam June Paik, Martha Rosler, Bill Viola, and much more.

The origins of the digital in architecture in 14 case studies from the late 1980s to the early 2000s.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

A very cinematic improvised instrumental session by Thierry Müller (Ilitch) and Quentin Rollet.

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

Analyzing the theoretical and aesthetic thought of the founder of Lettrism in the intellectual context of the post-war and up to 1968.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

Originally released in 1979 on the experimental label Cramps, I Fiori del Sole is a composition for organ and piano by the Italian duo Michele Fedrigotti and Danilo Lorenzini. This is the first vinyl reissue ever.

The 2018 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

An insurrectional youth in quest for alternative words: a poetic and visual work by photographer Sadie von Paris and writer Véronique Bergen.