An artistic exploration of the political and emotional stakes of translation in the context of asylum law, through the lens of rarely heard testimonies: those of interpreters.

The social, political, and anthropological implications of image production by machines, which permeate all spheres of existence and reconfigure the visible.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

A seminal exploration into screens' crucial functions and profound impact on human culture.

A critical examination of the aesthetic, social, and political dynamics of fascism, questioning its appeal and ideological mechanisms.

On the occasion of Seasons, Maurizio Cattelan's exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument.

Stéphane Blanquet's new facsimile sketchbook: drawings made on trains, public transport, notes, drawings everywhere.

The catalog of a curatorial project devoted to Wolfgang Tillmans' books and magazines: an inventory as an invitation to literally take a different look at Tillmans' work, in print.

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

First monograph devoted to the explosive and colorful abstract paintings of the Iranian artist.

The first English-language catalogue dedicated to the Guangzhou-based artist.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

The third of three projects to engage the resource industries of Vancouver Island, this publication responds to oceanic environments through contemporary art and writing.

Emerging from the curatorial project FUORI! (Bologna, 2022-2023), this book brings together a series of interviews with theorists, artists, and performers. It focuses on the political, social, and community-based role of contemporary art.

How does photography depict our environment? How does it contribute to its destruction? This book explores this paradox through the analysis of the work of fifteen contemporary artists.

Eiscafé Europa is a cartwheeling essay collection by Enis Maci on the culture, media, and politics of Europe. Comprehensive in its targets, the author mixes the personal and political to skewer and expose the media strategies and fascist lineage of the Identitarian Movement.

Reflections by Alexandra Midal, Thierry Chancogne, and graphic design duo Syndicat on books and printed surfaces, based on the hundred or so publications produced by MAC VAL over two decades of commitment to contemporary graphic design.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

Álvaro Urbano by Javier Montes, Togar by Hung Duong, Kerry James Marshall by James Meyer...

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

Index #8 features all e-flux's commissioned pieces from March–May 2025. It includes contributions from 142 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic snapshots.

The catalogue of the manifesto exhibition that seeks to lay the foundations for the conceptualisation of 21st-century extra-terrestrial art.

The editorial extension of a long-term art and performance program in Cologne's public space, on and around its seven bridges over the Rhine.

The fourth and final issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

Spike #86 rehabilitates the entire younger generation.

The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and Carla Lonzi, curators and art critics, as well as Seth Siegelaub

A non-relationalist anthropological approach to singularity.

An in-depth look at Carlos Bunga's multifaceted practice through a number of essays and a rich iconography including previously unpublished photos that reveal his working process.

Artist's book printed in risograph in a limited edition of 250 copies.

A retrospective tracing seventy years of work by Mario Ceroli (born in 1938), a central figure in 20th-century Italian sculpture.

An overview of the French artist's film remakes over a decade.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Lorenza Longhi unfolds her strategies of subversion/reappropriation of the visual signs and codes of the society of control and consumption in the spaces of the Kunst Museum Winterthur.

First comprehensive publication devoted to Turkish performance artist Moni (Salim Özgilik).

An artistic stroll with Vanessa Morisset.

"Para- hosting" as a cooperative methodology for arts institutions.

This first monograph on Italian artist Emilio Prini (1943–2016), a key figure of Arte Povera, explores his radical approach to art across five decades of work through texts, archival research, and artist interventions.

Reference monograph: a large retrospective of the work of Norwegian painter Leonard Rickhard (1945-2024) spanning more than half a century.

A photographic reflection on place and borders (artist's book).

Created for instrumental ensemble, electronics and film, Castle Terraces in Barry Lyndon is a spacious and quietly enigmatic work by composer and writer Zeynep Toraman, bringing together clarinet, cello, violin, electric guitar and electronic textures with a subtly unfolding visual layer.

The sixth volume in the collection published by the Antoine de the Galbert Foundation, dedicated to the artist Diego Vecchio.

The first ever published monograph on Gus Van Sant's paintings brings together a wide overview of his works.

The latest, massive volume in the Solution series of collected all-new and most recent landscape paintings by Aleksandra Waliszewska.

Over a decade’s worth of essays: movies of America in parallax view.

A reflection on what becomes of and what is produced by images displayed in public spaces.

A series of short sound interventions, in pairs, in public spaces in Paris, both outdoors (passages, squares, esplanades, parks) and indoors (bridges, tunnels), from the Bois de Vincennes to La Défense, between May and October 2025.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.