A collective essay focusing on the intersections between contemporary dance and literature.

Music score for four toy pianos, revolving around four notes—A, B, C, and E. Inscribed in the minimalist aesthetic of contemporary music, the piece was inspired by the rhythm of traditional Moroccan ceremonial music. With an essay by video artist and writer Laëtitia Laguzet.

The fourth issue of the annual research book-magazine at the intersection of architecture, art and economy, explores the figure of the living as the key to contemporary challenges. Contributions by experts in different fields of knowledge offers the opportunity to rethink our relationship to the ecosystem and the new technologies, and to bring forward the essential notion of cohabitation.

The monochrome paintings of Stéphane Bordarier are the result of a research based on the quality of the pictorial surface and the founding role of color. This monograph offers an overview of recent works, followed by two interviews with the artist.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

This November Artforum looks at Art and Virtual Reality: Douglas Coupland talks with Daniel Birnbaum about the future of technology and desire and Alyssa K. Loh discusses virtuality and empathy. Plus Cheryl Finley on “Soul of a Nation: Art in the Age of Black Power,” Greil Marcus on Slash: A Punk Magazine from Los Angeles, 1977-80; Jackie Neudorf on Donna Deitch's Desert Hearts, and more.

Celebrating the 100th title in the “L'art en écrit” series, this leporello by Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst.

Fifty years of graphic and editorial production of one of the most visionary artists of his generation—Enzo Cucchi. The catalogue includes more than a hundred plates, ordered chronologically, photographic reproductions, detailed information, and a series of essays by reknowned contributors.

This issue celebrates the 50th anniversary of the magazine. It features texts and interviews that reassess key passages in recent art history, in each case using landmark content from Flash Art's archive as a point of departure (Piero Gilardi; Anarchitecture; the Soviet Nonconformist art; Jeff Koons and Maurizio Cattelan; the writings of Peter Halley; revisiting the pioneering exhibition “Aperto '93” with Helena Kontova and Hans Ulrich Obrist; Chinese art today; what's left of the Berlin art scene…).

Accompanying the eponymous exhibition project by Sophie Bélair Clément and Marie Claire Forté, this catalogue continues a polyvocal inquiry into the idea of being called upon and tasked with giving an account of oneself.

This publication documents the first iteration of Belgian artist David Claerbout's project Olympia, a digital simulation of the Olympic Stadium in Berlin.

Halway between the catalogue and the conceptual publication, Road to Victory presents Pittas' re-reading of exhibition designer Herbert Bayer's 1942 eponymous propagandist show at MoMA. It gathers works by Pittas stemming from his reflection on this historical exhibition, archives, and an anthology of essays by acclaimed authors.

A timeless photographic ballad, through a few shots taken in the archeology museum in Athens.

Weekly tear-off calendar featuring 52 drawings of a cartoon dog in a wide range of situations expressing the feelings and conceptions that our modern society associates with Sundays.

Ymane Fakhir's project “The Lion's Share” combines sculptures, video, photography, and text, to narrates the story of a bereaved Muslim family and their share of the inheritance. An algebra lesson in which the Moroccan artist examines the place of women in the Muslim family—and beyond.

A conversation with artist, poet and choreographer Alex Cecchetti, creator of performances and idiosyncratic objects.

An electroacoustic psycho-geographical composition made from field recordings collected from 2011 to 2016.

Published in conjunction with the eponymous exhibition at the Galerie Perrotin in Paris, this monograph features historical works by Julio Le Parc, as well as his most recent paintings, showing an undeniable interest in the study of light and movement. The publication also contains a text by Hans Ulrich Obrist, an interview by Jerôme Sans and a chronology written by the artist.

Anthology of selected commercial ads published within the US Playboy from 1960 to 2003, Boy constitutes a visual commentary on the normative representations of desire and on the masculine consumer's ideal of life at the end of the 20th century.

Celebrating the 100th title in the “L'art en écrit” series, Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst. Published as a leporello, this artist's book features an original artwork signed by the artist.

Monographic catalogue presenting a series of sculptures and a set of photographs by the Belgian artist. The two media enter in close dialogue with each other, thus exploring the potentialities of image and space. With a text by Michel Gauthier.

This book of interviews and conversations with today's most compelling living and resurrected artists and thinkers seeks to address the relevance of Russian cosmism and biocosmism in light of its influence on the Russian artistic and political vanguard as well as on today's art-historical apparatuses, weird materialisms, extinction narratives, and historical and temporal politics.

Sylvain Chauveau plays reworkings of early music from the Spanish Renaissance Repertoire, with the Chant 1450 Renaissance Ensemble.

At the crossroads of an artist book and a graphic novel, Fawda is an ode to Casablanca's life, presented through a non-linear narrative inspired by vox-pops.

In Japan, what is left of Butō?; Qatar, the young painter and the Emir's portrait; John Maus; F. J. Ossang; the new generation of French graffiti artists; interviews with Anders Petersen, Michael Foessel, Vincent Macaigne, Lola Gonzalez; Crowd by Gisèle Vienne; Mount Olympus by Jan Fabre; the oppressive mutations of urban lighting; portfolio by Fumi Ishino & Thomas Koenig.

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.

Bächli & Hattan's publication features the 1:1-scale reproduction of certain pieces exhibited during a joint show at Centre Culturel Suisse in Paris. The reproductions take the form of printed sheets that have been folded and inserted in a plastic sleeve. It comes with a booklet featuring an interview of the two artists by Jean-Paul Felley and Olivier Kaeser, along with a text by Patrick Javault.

Catalogue of the eponymous group exhibition on the theme of romantic relationships in the digital age. Curator Cloé Perrone's introductory text is followed by a series of works by Antoine Catala, Catharine Czudej, Cecile B. Evans, Pakui Hardware, Camille Henrot, Ingo Niermann & Alexa Karolinski, Lili Reynaud-Dewar, Avery Singer and Anna Uddenberg.

This voluminous publication gathers 818 drawings by Dutch artist Michael Tedja, along with a series of commissioned texts by critics and curators. It highlights Tedja's practice as hypersubjective and all-encompassing, as well as predicated on studying the circulation and recycling of images.

This publication is the first outcome of an ongoing series of seminars at the Bergen University of Fine Arts, developping critical and creative perspectives on invisible practices. These essays and works seek to investigate the operations of visibility by highlighting the unseen, the camouflaged, the immaterial and the erased as particular aesthetic strategies, and to reflect on the possible outcomes of such strategies on the socio-political realm.

French translation of the Tulane Drama Review's 1965 issue on the happening (with John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…).

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

A twenty-year survey of works by Julie Mehretu, considered as one of the foremost painters of her generation.

This publication documents a workshop by Atelier Bow-Wow at the Harvard Graduate School of Design. Yoshi Tsukamoto and Momoyo Kaijima of the Tokyo-based firm asked students to create a pencil drawing which would record their considerations on their surroundings. The resulting discussion with professor K. Michael Hays reflected on architecture as a central means of practicing livelihood and on the development of an “architectural ethnography.”

Designed by the founder of Conceptual Art, this elegant and precious artist's book—and exhibition catalogue—serves as a visual analysis of the conceptual structures that interrogate the nature of color, form, space, and time, where the works and writings of Post-war artists such as Castellani, Fontana, Manzoni, and Klein, converse with Kosuth's statements, and the theoretical as well as personal account of curator Cornelia Lauf.

This new record is the re-release of the Belgian cult post-punk band's last cassette tape, reflecting a more raw and experimental side of their work and the beginnings of what was to come. Remastered in 2017.

Since 2009, need and care and desire and admiration have been cross-examined, called as witness, put on parole, and made the subject of caring inquiry by e-flux journal authors. These writings have now been collected to form this comprehensive volume.

The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

Invited to forge a dialogue with the unique context of the Art Deco building of the Serralves Villa in Porto, American artist Nick Mauss created works that reflect an encounter with the social and private choreographies of the formerly grand and domestic spaces of the Villa. The catalogue includes an essay by the American author and poet, Lucy Ives and an interview with Nick Mauss, conducted by João Ribas, the exhibition's curator.

First monograph documenting a three-year research on the mineral mica that became the ground for multidisciplinary outcomes, including poems, intricate drawings, modular sculptures that form systems of display, and performances.

In this publication, various authors reflect on the history of dematerialization and deskilling, the manifold meanings of materials in art and design, and the challenges for education when the innovative power of the artistic process is celebrated.

Compilation album Metaphors contains 14 soundworks carefully selected from the Cinema of the Thai film director. Includes Uncle Boonmee Who Can Recall His Past Lives, Syndromes and a Century, Fever Room and more.

Compilation album Metaphors contains 14 soundworks carefully selected from the Cinema of the Thai film director. Includes Uncle Boonmee Who Can Recall His Past Lives, Syndromes and a Century, Fever Room and more.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

A collection of essays focusing on the notions of invention and image in art.

An investigation on the performative future of cinema, followed by two studies on Lettrist's cinema and on the end of the projectionist.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

New monograph, documenting 21 installations conceived by Haegue Yang during the past decade.

Kim West, Exhibition, Apparatus, and Media, 1963-1977 / Yann Chateigné, 1977 / Richard Parry, London, London / Lotte Arndt on Enquête sur le/notre dehors by Alejandra Riera / Peter Fischli, The Hiking Trail Around the Airport / Liam Considine on “Thinking of readymades belong to everyone®” / Giovanna Zapperi on “Show Me Your Archive” / Oleg Frolov on Tobias Kaspar / Anke Dyes on Till Megerle / Christian Haye on Juliana Huxtable / Camilla Wills on On Charges (The Supplicants) by Elfriede Jelinek / Jeanne Graff, Clifton Clifton.