Artist Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

This catalogue surveys the literature on our relationship to a world of machines, new technologies, and electronic devices. It brings thoughts on automation and its promises, primarily the end of labor. The publication unfolds a bibliography and chronology on the subject.

In a junction of artist's book, illustrated sci-fi story, and a glossary of sculptural objects Ludovica Carbotta explores the concept of “fictional site-specificity” through different media, authorships, and descriptive strategies: a site-oriented practice that considers imaginary places, or real places within fictional contexts, to recover the role of imagination in the process of constructing knowledge.

Conceived by Sigismond de Vajay, this artist's book combines 70 of his drawings with commissioned essays by Mexican novelist Mario Bellatín, French biologist and glaciology researcher Bruno Jourdain, and geography and biotechnology expert Elizabeth R. Johnson. Together, thanks to their intertwined dialogue around reality, fiction, science, knowledge, and the power of artistic approaches, they express a subjective vision of our changing times.

Two new musical encounters.

Two new musical encounters.

This catalogue is conceived as a continuation and circulation of Saraceno's eponymous sound project: The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider's silk, but also the spider's sophisticated mode of communication through vibrations. Saraceno recorded jam sessions between arachnids and musicians, included in this publication, as well as documentation, essays, and a manifesto.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this theoretical publication investigates educational processes and what it means to teach and learn fine arts in a city such as Zurich. It also reflects on the field works made by the MFA students in 2017 in Athens, Beirut, and Lesbos.

Composer/organist/musicologist Eva-Maria Houben's most compelling piece to date.

Current technological issues and new boundaries of human corporeality.

This catalogue / artist's book inaugurates a new series dedicated to the site-specific installations exhibited in the nave of the CAPC. The eponymous project by artist Leonor Antunes is a sculptural ensemble influenced by textile and architectural works, thus recalling the commercial past of the nave as well as the cultural legacy of modernism. The publication features an interview with the artist and a text by textile artist Anni Albers.

Armen Avanessian's Miami chronicles: An inventory of the self in the second person, intertwining thoughts on the art world and interrogations on our digital times.

This catalogue is the first survey of the art and practice of Art+Positive, a significant affinity group of ACT UP New York during the early years of the AIDS epidemic. The publication presents previously unseen archives featuring artworks, documents, protest ephemera, and meeting notes, as well as commissioned essays and unpublished writings.

Rita Mcbride, Julia Scher, Lu Yang, Michael Stevenson, Alexandra Pirici, Martin Arnold, Erika Verzutti, Julia Phillips & Aaron Gilbert, Simphiwe Ndzube, Diego Marcon, Tiona Nekkia Mcclodden, Diamond Stingily, Meriem Bennani, Siri Aurdal, Asad Raza, Lydia Ourahmane…

A companion to his previous book, Colour in Contextual Play, Joseph Kosuth's Neon in Contextual Play continues the artist's investigation of the interplay between language and reality, words and objects, color and light. Within these pairings, early neon works by Kosuth interact with those by Arte Povera artists who also used the industrial medium.

Three Double Tales is the first monographic publication on Aurélien Froment's work. Published in three languages and designed in collaboration with Åbäke, the book revisits the artist's interest in the questions of translation and wordplay. A photography book, an exhibition catalogue as well as an artist book, Three Double Tales unites three projects that share the use of photography, and whose sources – places and fantasy – have structured Froment's work for the past fifteen years.

Two-volume box set documenting a 2013 eponymous international festival reflecting on the impact of technologies in our present and future lives. Inspired by a seminal 1966 Stockholm festival, this event featured both lectures and artistic acts. The publication gathers the catalogue and proceedings of the 2013 event, archival materials, and includes unpublished correspondence by John Cage, and Buckminster Fuller, and texts by Alvin Lucier and Nam June Paik.

The first publication dedicated to the work of fashion illustrator and artist Kelly Beeman. Drawing her inspiration from lookbooks and catwalk shots, Kelly Beeman creates paintings that plunges the viewer into a fantasy world of rare delicacy, tinted with subtle references to interior design, architecture, music and literature.

Comparative Studies of Neo-Avant-Gardes in a Bipolar World.

Fiction as Method brings authors into dialogue with artists, technologists, theorists and filmmakers in order to examine the diverse ways in which fiction manifests. The aim is to explore the concept through direct and indirect means, ultimately considering how fictions proliferate, take on flesh and come to act in the world.

This catalogue is a visual journey through the artist's show at Mudam Luxembourg. It centers on Almond's series of cosmos-inspired abstract paintings Timescape. Produced in conjunction with the publication, the record All Things Pass highlights the musical dimension of the artist's eponymous video installation. The soundtrack embodies both the tradition of music in Northern India and an experimental approach, expressing links between cosmic and human existence.

Exhibition catalogue documenting the eponymous sculptural project showcasing silicone impressions of Berlin's bullet-ridden facades from the Second World War. These architectural traces embody trauma and time, from the war to nowadays. The publication catalogues these facades and focuses on the making of the project. It features a text by writer Deborah Levy.

Issues 5 to 8 of the critical review dedicated to Graphic design. Compilation includes studies on the following subjects: an Instagram post by studio Experimental Jetset for the Paradiso cultural centre in Amsterdam; a series of gestures, from Harun Farocki to L'Architecture Aujourd'hui; the publication Parallel Encyclopedia by Batia Suter; Charles Mazé & Coline Sunier's residency at the Villa Médicis.

Fascinating and unreleased before music by Otto Sidharta, pionneer of Indonesian electronic music. Electronic compositions from 1979 to 1984 that integrated natural sounds and urban sounds to this extent were extremely rare at the time, which gives them a unique form of intensity.

Fascinating and unreleased before music by Otto Sidharta, pionneer of Indonesian electronic music. Electronic compositions from 1979 to 1992 that integrated natural sounds and urban sounds to this extent were extremely rare at the time, which gives them a unique form of intensity.

A compendium of essays, scripts, poems, and proposals compiled by the anonymous collective Studio for Propositional Cinema for their eponymous show at the Kestner Gesellschaft in Hannover. It investigates notions of script and staging in exhibition display. It features reknowned contributors such as Paul Chan, Keren Cytter, Irena Haiduk, John Miller, Cally Spooner, Lawrence Weiner et Christopher Williams.

An historical account of walking as an artistic practice inside Surrealism, the Situationist International, and Fluxus.

In recent years, most diverse disciplines have been stressing the importance of matter within the web of relationships of culture and nature. This publication focuses on this new material phenomena in arts in relation to the humanities and social sciences and brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

Never released before recordings from Logos Foundation live sessions in Brussels, on May 7, 1977. Toop and Burwell's association, which ran during the seventies, was a good mixture of musical decomposition through free improvisation, bioacoustics, environmental sound, raw musics, anthropology, and esoterism.

Eight essays on the German avant-gardes (Hugo Ball, Max Beckmann, Marcel Breuer, Franz Marc, Merzbau, Expressionnism, Dada…).

In February 2016, French astronaut Thomas Pesquet produced aboard the ISS an artwork by Eduardo Kac, entitled Inner Telescope. This film documents the conception and the realization of the very first artistic performance in Space.

An anthology of texts selected from Obrist's contribution to the weekend supplement of the Swiss Tages-Anzeiger newspaper: a survey of contemporary art and cultural world of the 2010s, written in the style of a diary. This publication offers 80 entries written between 2012 and 2017, a series of drawings by British artist David Shrigley, and an index listing the names and places mentioned in the columns.

Contemporary perspectives on artists' publications twenty-three interviews with twenty-five artists who make publishing an artistic practice).

The third volume of a five-chapter publication series, this catalogue celebrates a new iteration of the artist's color spectrum series that congregates his art, the architecture of the Cincinnati Contemporary Arts Center, and the public as collaborators in an all-encompassing experience.

This catalogue celebrates the work of a major artist whose practice is situated in between contemporary art and cinema. It gathers a large selection of still films in high quality, a text by art historian Fabien Danesi, and an alphabet book drawing on Leccia's art through personal memories, anecdotes, and working issues.

Sam Anderson's body of work examines the existential conditions of human life on the basis of her own biography and stories from her social milieu. This catalogue documents her first solo shows at SculptureCenter in New York and the Kölnischer Kunstverein in Cologne. It features both new and older works, including sculptures, installations and video works.

As a child in the 70's Daniela Comani travelled with her parents in their car where they used to past time jotting down the cars that drove by. 40 years later she found one of these old notebooks and researched photographs of the cars. The project now takes the form of this artist's book, which can be seen as an interesting social and historical study on style in the pre-globalized world and, above all, a kind of self-portrait.

First comprehensive monograph dedicated to minimalist pioneer and postcolonial artist Rasheed Araeen. The publication gives an overview of 60 years of career, encompassing Araeen's visual art, writing, editing, and curatorial work. It includes scholarly essays, surveys, and documentation spanning every aspects of the artist's oeuvre, from his early works to his political engagement to today's ongoing Homecoming series.

This January Artforum looks at The Uses of Power: to picture our current life and imagine possible lives otherwise, Artforum invited seven artists and two writers—Nan Goldin, Adrian Piper, Sable Elyse Smith, Kia LaBeija, Donald Moffett, House of Ladosha, K8 Hardy, Johanna Fateman, and Paul B. Preciado—to consider how we can and should use power. Plus new Editor David Velasco on the Power of Good-bye, Azikiwe Mohammed talks with Claudia Rankine about Jimmy's Thrift of New Davonhaime, a preview of more than 40 spring shows worldwide, and more.

The third issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, featuring Frédéric Acquaviva, Lieutenant Caramel, Jean-Baptiste Favory, Joël Hubaut, Andy Ingamells, Eduardo Kac, Maurice Lemaître, Loré Lixenberg, and Christoph Ogiermann.

In its third edition, Diaphanes probes the (im)possibilities of coming to visual and conceptual grips with the present, and brings together artistic, literary, and critical positions and perspectives on imperative contemporaneity and absolute nowness (with Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Maël Renouard, Esther Shalev-Gerz, Gilles Rotzetter, Alexander Kluge, Lucy McKenzie, Markus Proschek, Philip Topolovac, Ko Murobushi, Stephen Barber, Elena Vogman, Marcus Quent, Wolfgang Plöger, Jso Maeder, Luc Meresma, Dieter Mersch, Penelope Umbrico, Christine Tauber).

Publication gathering 49 posters representing photographs and film stills by the Danish artist. It also includes a booklet with comments by Villesen, and an essay by Joerg Franzbecker.

This publication is charting the Allan Sekula's research into and investigation of the oceans. It intersperses essays from scholars, historians, and thinkers with a selection of the artist's seminal texts and excerpts from his private notebooks.

The proxy—an intermediary for requests from clients—has become an emblematic word in our networked age. Edited by the Research Center for Proxy Politics, this publication uses the term as a dialectical figure to examine today's post-democracies politics.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

A collection of new writing and curatorial projects stemming from the activities of the Kunsthal Aarhus, Denmark, from 2013 to 2014. These projects reflected on the conditions for making curatorial “events” that are extended over longer durations to connect their constituent elements—exhibitions, texts, projects—across space and time.

The first comprehensive survey of video artist and filmmaker Theo Eshetu's extensive body of work. It provides documentation and critical analysis of Eshetu's practice, in which he examines the imagery of the collective unconscious, exploring cultural identity and challenging official media narratives through a complex interplay of signs and symbols.

The fourth of a five-chapter publication series by Ugo Rondinone, this catalogue documents the iteration of Ugo Rondinone's Vocabulary of solitude at the Berkeley Art Museum and Pacific Film Archive in the summer of 2017.

New technologies today make it possible to translate raw data into graphic representations. This action of translation has become essential in the era of big data. It forms the core of this publication, which presents the outcomes of an experiment conducted by conceptual artist Tyyne Claudia Pollmann at the Charite CrossOver Institute Berlin Mitte since 2013.