This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.

New monograph, featuring American–Canadian artist's latest work, in dialogue with a museum collection.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

Unreleased rarities from Ariel Kalma's personal archives recorded in the legendary GRM's Studio 116 during the 1970's.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

Cura. 31 is devoted to 22 women artists—among the most representative of the new generation—and explores the plurality, diversity, and complexity of today's artistic practices. This issues continues the previous investigation on the powerful presence and key role of women artists within the contemporary art scene, re-affirming and pointing out the basic rights of equality and pluralism.

New monograph: an overview of Andrea Pichl's sculptural, drawn and photographic work, with four essays.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

First monograph.

The 5th experimental novel by French artist Béatrice Cussol.

A collection of essays and lectures that aim to provice insights, analysis and reflections about global identity dynamics, with particular attention to cultural production, the hybridization of languages and postcolonial narratives.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

First monograph.

New monograph.

The Japanese master's new large-format artist's book: a graphic hallucination on 40 pages of Bichrocolor collage drawings.

Documenting Pope.L's exhibition at La Panacée, this catalogue's content comprises texts from the curators, Nicolas Bourriaud and Noam Segal, and photographs of the show. Pope.L worked in close collaboration with graphic designer Johanna Himmelsbach on this editorial project.

Palais magazine is devoting its issue #29 to the exhibition “City Prince/sses”, presented at the Palais de Tokyo from 21 June to 8 September 2019. Artists, fashion designers, filmmakers, musicians, DJs, tattoo artists, experimenters: about fifty creators coming from Dhaka, Lagos, Manila, Mexico City and Tehran are investing the Palais de Tokyo which has become an imaginary city, multiple and complex, open, messy, thundering and creative.

Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.

An unprecedented transdisciplinary study dedicated to the deathly relationship between sharks and surfers, initiated from a thorough analysis of newspaper obituaries.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

New monograph.

An eclectic musical journey through Latin American experimentalism.

This Summer Artforum reflects on Stonewall at 50: to celebrate the occasion, Artforum invited 24 gorgeous artists and writers to share an early or particularly vivid memory of a gay bar. Plus 5 artists and curators consider the legacy of Okwui Enzor, William E. Jones on the art of James Bidgood, Derek McCormack on Thierry Mugler, Molly Warnock on Gilles Aillaud's Rhinocéros, eau et rochers, exhibition reviews from Paris, Berlin, Athens, Tirana, and much more.

Boxset containing a book and ten artist's films (Mali Arun, Ismaïl Bahri, Hicham Berrada, Antoine Danis, Maïder Fortuné, Ana Maria Gomes, Daphné Hérétakis, Joachim Olender, Clément Postec, Dania Reymond) on DVD.

Art, destruction and creation.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

This book traces this evolution of Laura Lamiel's work. It presents a chronology of her exhibitions from the last 20 years alongside an anthology of critical writings, a previously unpublished interview with the artist and two original essays that offer a new analysis of her work.

Summer issue, featuring Yuji Agematsu, Genesis Belanger, Adam Gordon, Candice Lin, Jannis Marwitz, Kaari Upson...

Comprehensive monograph.

The catalogue of the Italian Pavilion at the 58th Venice Biennale investigates and develops the theme chosen by the curator Milovan Farronato for the exhibition: the labyrinth.

Anniversary special issue: a return on 25 years of reviews.

Richard Roe is the fictional memoir of a legal person. The name is one of the oldest used in English law when the real name of someone is withheld, or when a corpse can't be identified. Richard Roe is a known unknown, a one-size-fits-all, a potentially everyone and actually no one.

Art beyond good and evil.

The portfolio of the exhibition at the Jeu de Paume – Château de Tours.

Dialect melodies are passed along since time immemorial and yet are only spontaneously available in the moment. Before caught and preserved they have to be released. Antje Vowinckel reflects upon this paradox through a collection of dialect recordings which are then imitated by humming musicians who try to catch the correct melodic lines.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

Masayuki Takayanagi's legendary “lost” album.

Artist's book.

A portrait of Derek Bailey (1930-2015), by another great figure of sound experimentation.

Artist's book.

The summer issue of Flash Art is an attempt to map the ecological breakdown> that is restructuring our belief systems, forcing us to conceive of new relational modes that reappraise our centrality in the world and advocate for a new continuity with the other.

The script of Harmony Korine's new movie The Beach Bum.

As part of the 2016 edition of the Printemps de septembre, British artist David Shrigley designed a tailor-made project for the Institut supérieur des arts de Toulouse by providing all the elements needed to organise a music festival.

Performance art with a “low artistic coefficient of visibility”.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

Blanquet's new notebook of fantastic and phantasmagorical drawings, in red ink mixed with green.