Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

The collection of essays on art by the philosopher and critic Boris Buden constitutes a history of post-communism studied through that of works of art.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

The first published collection of the work of playwright and artist Asher Hartman and his Gawdafful National Theater company.

Eiko Ishibashi"s first album for Black Truffle, produced for the 'Japan Supernatural' exhibition at The Art Gallery of New South Wales, Sydney, focusing on ghost stories and folklore from the Edo period onwards.

The catalogue raisonné of Jean-François Maurige's prints produced with Michael Woolworth from 1991 to 2019.

Artist's book / catalogue

Of plants and men.

Monograph dedicated to the set of 70 pieces by Arnulf Rainer constituting the Fonds Michel Foëx, of which Rainer Michael Mason presents the first study.

Artist's book.

The transcription of a lecture by Fanny Drugeon on three installations by Japanese artist Shimabuku.

Aspirations of Madness, Blank Forms' fifth collection of archival, unpublished, or newly translated texts, considers the work of Masayuki Takayanagi, the poet Louise Landes Levi, musician and writer Joseph Jarman, polymath Catherine Christer Hennix and her one-time student the poet Charles Stein, Russian musicologist Henry Orlov, and Maryanne Amacher—brilliant and overlooked artists whose work Blank Forms will continue to champion in a variety of contexts. Aspirations of Madness features additional contributions by Alan Cummings, Bill Dietz, Peter Kastakis, Art Lange, Leo Svirsky, Satoru Obara, and Tomoyuki Chida.

This large monograph presents a new set of sculptures by the artist, installed in the lagoon facing the museum designed by Jean Nouvel in Doha, Qatar, and the different stages of their production.

Seven musicians and producers from East Africa and Europe experiment on new sounds together, inspired by a large variety of artistic environments and soundscapes.

The archives of the 1990s.

“In This Lingering Twilight Sparkle” finds Mark Leckey stitching together a fantasy travelogue made up of found sounds, spoken word and dismantled tunes like some hallucinogenic mixtape; part audio diary, part YouTube session taking in fairytale folk musics, iMessage notifications and gothic horror...

Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside.

Recorded at INA GRM and Steamroom, covering a period of thirty years, the gap between the two visits Jim O'Rourke made to the GRM, featuring Eiko Ishibashi on piano, Atsuko Hatano on violin and viola and Eivind Lonning on trumpet, Shutting Down Here is considered by O'Rourke himself as his “most meaningful” release.

The 24th issue of the New York music magazine focuses on the figure of Sun Ra.

Catalogue of the last solo exhibition of Ettore Spalletti (1940-2019).

The soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack on CD, and an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky.

The first reissue of Wounds by David Toop and Paul Burwell, originally released in 1980 on Toop's Quartz! label, a representative album of a seminal moment within the British music scene evolved around the London Musicians Collective in the late 1970s and early 1980s.

The figure(s) of Cindy Sherman as the plot of a personal narrative by Jean-François Bory.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

Walls of Sounds is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally (works by Alvin Lucier, Phill Niblock, John Cage, John Duncan, James Tenney, Terry Riley, Lee Ranaldo, Philip Glass, Steve Reich, Boris Hegenbart, Ulrich Krieger, Zbigniew Karkowski).

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

Aurel Schmidt's drawings.

Contemporary dictatorships and tyrannies.

Bruce McClure / Contemporary Arabic-language poetry: Soukaina Habiballah / Isabelle Duthoit / Jacques Brodier / Kazuo Imai / Evan Parker...

One year in the art world: Art Basel's official annual publication captures and documents the exhibitions in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, portfolios, essays about contemporary art, and personal highlights from artists, curators, collectors, and museum directors.

This publication explores the pioneering role of 19th century photographer Eadweard Muybridge in the development of moving-image projection. The study also maps the exceptional influence of his experiments on contemporary world's visual form.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to July 2021: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for almost a year...

How have artists over the past 150 years related to migration and exile? And what role can a museum play in times of mass migration?

The theme of this issue, put together back on the pandemic, is an examination of a new sort of figuration in painting that has emerged in recent years.

Artforum asked 20 artists, writers, and collectives to contribute essays and projects reflecting on the pandemic and the worlds it may make and unmake.

Bri Williams by Harry Burke, Virginia Overton by Ian Wooldridge, Pati Hill by Maurin Dietrich, Ann Greene Kelly by Andrew Berardini, On psychotic images and other visual symptoms by Aurélien Le Genissel, Todd Haynes's Dark Waters and new new left cinema, Larry Bell by Marie de Brugerolle, Pierre Guyotat by Estelle Hoy, Gabriel Kuri by Chris Sharp, Suellen Rocca by Hans Ulrich Obrist...

The Imaginary Republic is an artistic research project focusing on questions of social practice. In particular, it considers the creative and restless imaginaries underpinning our political selves and argues for a deeper engagement with what Elena Loizidou terms “dream-action”: the figurative and poetic staging of world making activity (with Tatiana Fiodorova, Brandon LaBelle & Octavio Camargo, Sala-manca group and Joulia Strauss).

Summer issue inclues interviews with Amoako Boafo, Nicolas Party, Brenda Goodman, Odili Donald Odita, Jenny Offill, Craig Taborn, Ricardo Phillips, and Jibz Cameron; poetry by Safia Elhillo and Nathaniel Mackey; prose by Lydia Davis, Marie-Helene Bertino, and Saidiya Hartman; and more.

Photo documentary set in a deserted Geneva during the G8 counter-summit in 2003. The series stages the abandonment of the urban space and its transformation through the deployment of defense barricades.

52 short poems, written in a nervous prose during periods of trance. A response to the “disease of globalization.”

Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.

New edition of an artist's book first published in 2009, gathering essays, short stories and images (leporello ). The publication reflects the artist's long-term critical interrogations on archives, historiography and institutions.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

A series of drawings that retrace a trip to California, where the multiplied and labyrinthine architecture invites the visitor to wander between reality and fiction.

First monograph by Charlie Engman, the rising star of fashion photography: a vast series of pictures (500 images) of his mother, made over the course of more than a decade. With texts by Rachel Cusk and Miranda July.

The 14th issue of Nakako Hayashi's graphic journal, on the theme of collage.

An exploration of the work of sculpture and conceptual artist Carol Bove, by art critic Martin Herbert.

A new artist's book that goes far beyond the mere reproduction of photographs and masterfully reflects huber.huber's artistic practices in the special medium of the book.