Travis Jeppesen's Bad Writing is a collection of interconnected essays and “fictocriticisms,” many appearing in print for the first time, that etches a pathway for a truly radical “bad” modernism in art and literature. Erudite, witty, and occasionally controversial, Bad Writing reinvigorates the too-often staid medium of art criticism as an iconoclastic and inventive literary art form.

Interviews with Mary Weatherford, Nanfu Wang, Lee Quiñones, Venkatachalam Saravanan, Tyshawn Sorey, Ben Whishaw, Édouard Louis, Geovani Martins, Prageeta Sharma, and James Thomas Stevens.

An history of the artwork and the image first apprehended as an act and a process.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

Artist's book: a catalogue of Alex Hanimann's photographic explorations over the past twelve years, with interview by Hans Ulrich Obrist and two essays.

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

Published on the occasion of the 58th Venice Biennale and curated by Hyunjin Kim, History Has Failed Us, but No Matter explores the history of modernization in East Asia through the lens of gender and the agency of tradition.

Fanzine / artist's book.

A short story by Pierre Loti (1850-1923), which tells the irremediable separation of a couple of beggars who have lived together for a long time, illustrated by a sound piece by Quentin Rollet and Romain Perrot (Vomir).

The singer Christophe puts to music Olivier Mosset's interviews.

Guillaume Dustan; Japanese playgrounds; dance and pornography; Patrick Bouchain; Raffaella della Olga; Mohamed Bourouissa...

Sofi Hémon; interviews with Maria Chavez, Tori Kudo, Rudolf Eb.er and Anne-Laure Pigache; arcticles on Max Neuhaus and Tetsuo Kogawa...

The Fevered Specters of Art is the final chapter of a long-term project curated by Edit Molnár, Lívia Páldi, and Marcel Schwierin that started with a group exhibition at Edith-Russ-Haus für Medienkunst, Oldenburg, in 2016. The show looked back on the epoch of Cold War radicalism and anti-colonial revolution, an era characterized by a proliferation of ideas about how radical social change might permeate the globe.

This book traces Jennifer Caubet's work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019.

New book on Maya Schweizer's moving image works and complex montage aesthetics, with six essays.

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Sugimoto's majestic images of classic modernist buildings.

This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

Unreleased rarities from Ariel Kalma's personal archives recorded in the legendary GRM's Studio 116 during the 1970's.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

Cura. 31 is devoted to 22 women artists—among the most representative of the new generation—and explores the plurality, diversity, and complexity of today's artistic practices. This issues continues the previous investigation on the powerful presence and key role of women artists within the contemporary art scene, re-affirming and pointing out the basic rights of equality and pluralism.

New monograph: an overview of Andrea Pichl's sculptural, drawn and photographic work, with four essays.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

First monograph.

The 5th experimental novel by French artist Béatrice Cussol.

A collection of essays and lectures that aim to provice insights, analysis and reflections about global identity dynamics, with particular attention to cultural production, the hybridization of languages and postcolonial narratives.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

First monograph.

New monograph.

The Japanese master's new large-format artist's book: a graphic hallucination on 40 pages of Bichrocolor collage drawings.

Documenting Pope.L's exhibition at La Panacée, this catalogue's content comprises texts from the curators, Nicolas Bourriaud and Noam Segal, and photographs of the show. Pope.L worked in close collaboration with graphic designer Johanna Himmelsbach on this editorial project.

Palais magazine is devoting its issue #29 to the exhibition “City Prince/sses”, presented at the Palais de Tokyo from 21 June to 8 September 2019. Artists, fashion designers, filmmakers, musicians, DJs, tattoo artists, experimenters: about fifty creators coming from Dhaka, Lagos, Manila, Mexico City and Tehran are investing the Palais de Tokyo which has become an imaginary city, multiple and complex, open, messy, thundering and creative.

Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.

An unprecedented transdisciplinary study dedicated to the deathly relationship between sharks and surfers, initiated from a thorough analysis of newspaper obituaries.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

New monograph.

An eclectic musical journey through Latin American experimentalism.

This Summer Artforum reflects on Stonewall at 50: to celebrate the occasion, Artforum invited 24 gorgeous artists and writers to share an early or particularly vivid memory of a gay bar. Plus 5 artists and curators consider the legacy of Okwui Enzor, William E. Jones on the art of James Bidgood, Derek McCormack on Thierry Mugler, Molly Warnock on Gilles Aillaud's Rhinocéros, eau et rochers, exhibition reviews from Paris, Berlin, Athens, Tirana, and much more.

Artist's book.

Boxset containing a book and ten artist's films (Mali Arun, Ismaïl Bahri, Hicham Berrada, Antoine Danis, Maïder Fortuné, Ana Maria Gomes, Daphné Hérétakis, Joachim Olender, Clément Postec, Dania Reymond) on DVD.

Art, destruction and creation.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

This book traces this evolution of Laura Lamiel's work. It presents a chronology of her exhibitions from the last 20 years alongside an anthology of critical writings, a previously unpublished interview with the artist and two original essays that offer a new analysis of her work.