Over the past decade, 21 poets have come to La Kunsthalle Mulhouse to immerse themselves in the art and spend time within the space composing original texts reflecting on their experiences and vision of the work surrounding them. These writings are now collected in this volume.

A series of drawings considered the starting point of the artist's mature work.

Zurich-based photographers Peter Gaechter and Bettina Clahsen document hairstyles from Switzerland's upscale salons, tracing hairstyle trends from the 1970s to the 1990s. The book collects their photographs along with texts by Bettina Clahsen and Swiss art historian and journalist Joerg Scheller.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

Images of the Umbrella Revolution in Hong Kong by Italian photographer Lele Saveri.

This publication reflects upon the exhibition of Stefan Brüggemann's nihilist statements read, sung, and screamed by Punk icon Iggy Pop, sculpting aurally the spaces of a seemingly empty gallery covered in densely painted black paneling paintings.

Sylvie Auvray's first publication, between an artist's book and a monograph.

Art in the Borda psychiatric hospital in Buenos Aires; in the ruins of the Soviet industrial dream in Georgia; the young Martinique artistic scene; Milo Rau and the NTGent theater; La Ribot; Mati Diop; Camille Blatrix; Clément Cogitore; Fanny Taillandier; Baptiste Lanaspeze and Éditions Wildproject...

Pati Hill, Greer Lankton, Lil Picard, Bern Porter, Tomás Cunha Ferreira, Alexandre Estrela, Wade Guyton, Seth Price & Kelley Walker, Merlin James, Carlo Pittore, Anne Turyn, Martin Wong...

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

New monograph (works from 2011 to 2019).

The publication developed from the exhibition and research project The Place Is Here (2016–19), which traced the urgent and wide-ranging conversations taking place between black artists, writers, and thinkers in Britain during the 1980s.

The ToiletMartin PaperParr wall calendar 2020 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

A closer reading of the late poetry of Jean Hans Arp (1886-1966), major figure of the Dada movement in Zurich, a friend of the surrealists, painter, sculptor, also author of an important bilingual poetic work, which covers more than half a century of creation (with a choice of poems previously unpublished).

The “Sounds Journals” by the composer and visual artist Louis Roquin, made during travels in Asia over twenty years (1998-2016), constitute a kaleidoscopic homage to writing, image, text and sound.

The “Sounds Journals” by the composer and visual artist Louis Roquin, made during travels in Asia over twenty years (1998-2016), constitute a kaleidoscopic homage to writing, image, text and sound. This limited edition, numbered from 1 to 20, contains an unique signed collage.

Celebrating the 90th anniversary of Luc Ferrari's birth, Photophonie, unpublished archives, spanning 1973-1992, is a revelatory collection of commercial, commission and secret music by the electroacoustic music pioneer.

Special 30th anniversary issue, including an audio CD.

New monogaph.

Igor Grubić's project for the 58th Venice Biennale, Traces of Disappearing in Three Acts (2006–19).

Stud compiles photographs that Aurélie Jacquet and Aurélien Mole shot while they were students at the French National School of Photography.

The second volume of a diptych dedicated to the question of the memory of works in dance.

The first volume of a diptych dedicated to the question of the memory of works in dance.

A sound and photographic project about the disappearance of the Aral Sea in Kazakhstan.

An idiosyncratic investigation of curatorial practice.

Diaphanes is conjuring the ghosts of the avant-garde for its Summer 2019 double issue, including a 80-page insert with 155 photos by Antoine d'Agata and an essay by Mehdi Belhaj Kacem.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

The catalogue of Alban Muja's project for the Kosovo Pavilion at the 58th Venice Biennale.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman, The Arcadia Center is published in conjunction with the exhibition of work by Ben Thorp Brown, which calls for an architectural experience inspired by ancient mythology and the fields of psychology and neuroscience.

Catalogue of Driant Zeneli's multidisciplinary film and sculpture installation for the Albanian Pavilion at the 58th Venice Biennale.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Published on the occasion of the 58th Venice Biennale and edited by curator Hesperia Iliadou de Subplajo-Suppiej, Maleth / Haven / Port is inspired by the Odissey and provides a contemporary reinterpretation of our timeless need of seeking Haven, most strongly experienced in times of crisis.

A curated collection of essays by art critics, philosophers, curators, designers, researchers and conservators, whose considerations address the transformations in the contemporary landscape of fruition and production of art.

Published on the occasion of the 58th Venice Biennale and edited by Magalí Arriola, Acts of God by Pablo Vargas Lugo reflects upon faith beyond the confines of religion, and finds its traces, in different forms, in our contemporary world.

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.”

First monograph dedicated to the American artist, offering an in-depth investigation of his work. The book assembles more than 65 artworks and three essays, by Kenneth Goldsmith, Jo Melvin and Balthazar Lovay, as well as an interview with Gene Beery by Gregor Quack.

The story of fifty years of the international festival of photography.

Prominent voices of the debate on transdisciplinarity in a transdisciplinary manner.

An autofiction by Erik Niedling, interpolated by manifestos and proposals by Ingo Niermann and expanded by Austrian-American poet Ann Cotten and German novelist Jakob Nolte.

This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art's relationship to knowledge.

Horizons presents a group of approximately seventeen large-scale works from the last thirty years by British abstract artist Ian Davenport, from the earlier pieces made with industrial materials of the '80s, till the more complex multicolored works of the last years.

Interdisciplinary and cross-border collaboration between Belgian architect Inessa Hansch and German artist Susanne Kühn: a work that combines architecture and painting, around space and its representation, which questions the idea of the inside and the outside.

An extensive overview of Scott Reeder's production from the 1990s until today.

An artist's book that reflects Sophie Jodoin's ongoing preoccupation with the interaction of language with images.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

Magic Centre revolves around the Indonesian publishing company of the same name, which was mostly active in the 1960s. It serves the artist as a lens through which he examines the social and political changes that reshaped his country during the years Magic Centre was in business.

New monograph, featuring American–Canadian artist's latest work, in dialogue with a museum collection.

Post-empire in the new Middle Kingdom: what once was America is now China. After his Insert Coins project (2016) about the decline of Las Vegas, Swiss photographer Christian Lutz set off to explore the world's new gambling capital, Macao, where everything revolves likewise around money, luxury, surfaces.