Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

Monographic catalogue based on the project specifically created by Stéphanie Brossard for her native island of La Réunion: a deconstruction of common narratives and a creolisation of forms and thoughts, in a poetic gesture made up of skilful appropriations and wild reimaginings.

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Two improvised concerts where are woven between the piano and the saxophone subtle games of harmonic textures, appearances of differential sounds, resonances and sometimes some more noisy sequences.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

By means of photographs, videos, installations and sound pieces, Esther Hoareau depicts phantasmagorical landscapes which nevertheless share certain appearances and appeal to a truly collective imagination (monograph).

The intersection of walking and collecting.

First vinyl release of the classic album of 2001, remastered by Stephan Mathieu.

This book takes as its starting point artist Ilona Németh's extensive research into the history of sugar production in Central Europe, from its beginnings in the early nineteenth century.

The 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

The 2020 remaster & CD reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

Mario Pfeifer's most extensive monograph to date.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques (also available in English).

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A collective and transdisciplinary reflection on the notion of distraction, thought both as the stigma of our societies and as its antidote.

Contributions by Milena Solomun, Ben Watson and Jair Rohm Parker Wells, Ghassan Halwani, Doruntina Kastrati, Kaisa Lassinaro, Sezgin Boynik, and Rastko Močnik. Includes as supplement the first translation of Walter Benjamin's text on Lenin, translated and annotated by Esther Leslie.

A subtle expanse of delicate ambiences and long tones, meticulously constructed into an immersive sonorous world.

Artist and writer Jenny Odell speaks about the role of design and observation in a fully virtual commencement ceremony for Harvard University Graduate School of Design.

A new kind of queer art writing.

The relationship between art and cybernetics and their intersections in the past and present.

A collection of essays and honest conversations with practitioners around collaborative practices, at the intersection of art, education, and activism.

Helen Marten, Carl Craig, Anne Imhof, Julie Mehretu, Kaspar Müller, Promising Young Woman, Hito Steyerl, Telfar, Grace Wales Bonner...

A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist. 

10 year anniversary edition of Jefre Cantu-Ledesma's landmark album originally released in 2010 on TYPE records, remastered by Stephan Mathieu.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

Michel Henritzi's collection of interviews provides a rich portrait of the experimental music scene in Japan.

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

This major monographic publication is the first in-depth study of the oeuvre of Swedish artist Ann Böttcher.

An exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

Alan Michael, Jesse Wine, Beth Collar, Peter Fend, Tau Lewis, Robin Peckham, McKenzie Wark...

A curatorial and research project that aims to move beyond insanity as the opposite of sanity, and imagine a space beyond what is understood as sane, i.e. ultrasanity—not a romanticization of madness or mental illness, but an effort to reconsider and challenge the notion of madness and the stigmas labelled on the so-called mad.

Four artist's posters.

This book is a moving tribute to Jörg Binz's work, a selection from a great many paintings, especially portraits, and from his secret sketchbooks. It contains startling, bizarre, sublime works interspersed with literary and biographical texts that engage in an ongoing conversation with the paintings.

Two previously unreleased recordings from Philip Corner's "Gong/Ear" series of works. Side A was recorded on a South German night train ride in 1990, side B in the Alps in 1994.

A selection of recently exhibited works of the Californian artist.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

A complete study of Sylvie Fleury's installation, a tribute to Claes Oldenburg.

A collective publication implementing the itinerant project of the School of non-work developed by the Geneva-based Argentinian artist Patricio Gil Flood, developed in always different forms, depending on the context where it settles and acts.

A number of more or less benevolent considerations on the work of Jacques Halbert.