La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to July 2021: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for almost a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to July 2021: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for almost a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to July 2021: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for almost a year...

A collective and transdisciplinary study of the representation of plants and their powers to reflect on the question of animation, cinema, photography and, more broadly, image, in the Anthropocene era and in the context of the "vegetal turn" at work in the human sciences as well as in contemporary art.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to July 2021: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for almost a year... The first issue gathers 12 large format drawings by Blanquet.

A retrospective.

A transformational issue offering multiple trajectories.

The “catalogue dé-raisonné” of all the printed matter produced by tThe independent publishing house Beau Geste Press, that federated visual poets, neo-Dadaists and international artists affiliated with the Fluxus movement from 1971 to 1976.

Featuring interviews with Martine Syms, Erica Baum, Billy-Ray Belcourt, Carolyn Lazard, Trenton Doyle Hancock, Nathalie Léger, and Rufus Wainwright.

The interdependence of artistic production and social class.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

"Alter-" is Automatisme's reaction to altermodernism in sound art.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.

First comprehensive monograph.

First monograph.

A manifesto for possible future music.

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

Artist's book.

This book revolves around the cycle Topography of Terror, initiated by artists Elisa Caldana and Diego Tonus in 2017, and presents the making-of process behind Topography of Terror (19.12.2016) and Never Again, the first two episodes of the cycle.

First monograph.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

A collection of photographs and drawings retracing the founding Californian experience of the artist.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

Reference monograph, collecting the past 10 years of Marcos Lutyens' research and career, with two essays and detailed introductory texts for each project.

The expanded anastatic reprint of the Italian designer's sulphurous catalog of 1973.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

Émilie Notéris focuses her analysis on artworks created by women in the twentieth and twenty-first centuries, in a book that is at once literary, aesthetic and political.

An extended drone work performed on organ, building from a peaceful single note to a harmonically rich and subtile combination of tones.

This retrospective monograph, with a dozen previously unpublished texts and a long interview with the artist, reveals the challenges of Portuguese artist Diogo Pimentão's resolutely expanded practice of drawing, informed as much by dance as sculpture or performance.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

The new project of Hervé Zenouda (Stinky Toys): a sophisticated and rustling electronic music.

From 1970s to his death in 2000, scientist, artist and art collector Andreas Züst spent time in Greenland, photographing ice in its most diverse forms. This publication gathers a selection from this extensive collection, alongside contextual essays.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

The 65th issue of Spike, devoted to the theme of plants.

A manifesto for possible future music.

Salmon: A Red Herring questions what colours we expect in our "natural" environment. It asks us to examine how our perception of colour is changing as much as we are changing the planet. Adapted into the eponymous Turner Prize-nominated exhibition at Tate Britain, this book launched an international campaign against salmon farming.

Artist's book.

First monograph dedicated to Pierre Leguillon's Museum of Mistakes: a traveling exhibition gathering a collection of mass culture artifacts and craft objects, questioning with humor and subversivity the mechanisms of today's visual culture.

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

The fifth and last issue of the erotic journal.

Carceral Aesthetics: Nicole R. Fleetwood in conversation with Rachel Kushner; Where We're At: Bulletins from around the globe; Artist Project: David Velasco introduces Stanley Whitney; Blasted Allegories: Fabrice Stroun on the art of Steven Parrino...

Jan Jelinek's album Tierbeoachtungen in a limited pressing on vinyl for the first time.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.

The composition Radio Music Extended, performed by Opening Performance Orchestra, draws upon the concept John Cage brought to bear in his piece Radio Music from 1956.

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

A study on the role of research and knowledge production in today's contemporary art, and the growing relevance of art as conduit of knowledge.