Five rare pieces from the minimalist "rhythmic drone" period of the early 1980s of the ensemble founded by Paul Panhuysen, Remko Scha and Jan van Riet, reissued for the first time.

First French translation of José Esteban Muñoz's field defining work—an intellectual inspiration for a generation of LGBTQ scholars.

First monograph on artist and photographer Aurélie Pétrel.

A counter-plunge into the thousands of annotated books in the personal library of the painter Jean-Luc Poivret.

First monograph of the French-Swiss artist Delphine Renault, presented by a critical essay by Karine Tissot.

A posthumous duo LP featuring text and music by Conrad Schnitzler, music by Wolfgang Seidel, and artwork by Matt Howarth.

Drawings and paintings.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

A retrospective of the last ten years of the Italian artist's graphic and sculptural work, often deployed in extensive programmatic ensembles concerned with memory and archaeology, a sense of history and passing time, that highlights his major contribution to the reconstruction of a trans-Mediterranean imaginary.

Jack Smith (Michael Krebber, Felix Bernstein, Enzo Shalom, Branden W. Joseph), Gary Indiana, Bruce Hainley and Sohrab Mohebbi, Jean-Luc Godard by Ferdinand Gouzon, Leilah Weinraub by Juliana Huxtable, Nina Könnemann by Megan Francis Sullivan, Louise Lawler by Nick Irvin, Claire Fontaine by Anita Chari, Robert Malaval by Valentin Gleyze, Afuma (Stefan Tcherepnin & Taketo Shimada) by Keith Connolly, Park McArthur by Noah Barker, Ken Okiishi by Felix Bernstein...

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

Limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author.

First monograph on artist and photographer Aurélie Pétrel.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

The first artist monograph featuring the work of Swiss-Guinean artist Namsa Leuba.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

A series of failed, rejected, or unused animals from Rop van Mierlo's archive; the reserve bench animals.

The photographs of Christophe Brunnquell, a French multidisciplinary artist, photographer, designer and artistic director, capture models whose faces he has covered with paint, creating a strange, fantastic universe, both morbid and comic.

Xavier Veilhan's drawings.

Retrospective monograph.

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

The masterpieces of classical antiquity revisited by Daniel Arsham: pursuing his fictitious archaeological approach, the American artist offers through his reappropriation of the Venus de Milo or Michelangelo's Moses a reflection on our relationship to time.

A new set of sculptures created by Daniel Arsham from the vast collection of molds produced by the Ateliers d'Art du RMN - Grand Palais.

A reference book containing all the transcripts of Simone Forti's News Animations.

The report of the third edition of The Experimental Education Protocol, an alternative educational model imagined by the artist Angelo Plessas, organized in the form of a sailboat cruise in the Aegean Sea.

Conceived in close collaboration with Shimabuku, this new publication tells of the poetic actions conducted during his travels, between his native Japan and Monaco via Brazil, Australia, and many other lands (with texts by the artist, Nicolas Bourriaud, Claire Le Restif and Rirkrit Tiravanija).

The history of Arabic calligraphy.

Travis Jeppesen revisits Éric Rohmer's The Green Ray; ten shortfictions by Nick Currie on works by Joachim Bandau; Patricia L. Boyd speaks with Dora Budor on probing the architectural, emotional, and psychological boundaries of an institution; Fahim Amir in conversation with Sohrab Mohebbi; focus on Julie Becker; Andrea Viliani on Giuseppe Desiato's autonomous, experimental, and both intimate and radically political practice; Tarek Lakhrissi in conversation with Hans Ulrich Obrist; Ella S. Mills on Ingrid Pollard...

A collective book that proposes to question human and non-human existence in the current social context, spanning different cosmogonic views.

A critical analysis of the format of the curatorial residency as a research model.

The history of Soviet and post-Soviet art from 1970 to the present through the essays of thirty authors and the works of more than fifty artists.

The catalogue of the 12th edition of Sonsbeek, centered around labour, and its sonicities, connects a millenary history crossing times and geographies to the present moment, through a multitude of voices, sounds, and ripples.

This reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

Drawing as a sculptural medium.

Window / Spacetime is a portrait of the city of Berlin. A variety of shops that have names of countries and cities refer to different faraway places and invite the reader on an imaginary journey. Dis- and misplacing distant memories of the past triggers a yearning sense of other destinations within the everyday scenarios.

First monograph.

A bucolic pictorial / photographic project by Julien Carreyn around a French watermill.

New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

A sculptor's life: on the career and innovations of Makoto Fujiwara.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

This monograph dedicated to the sculptor Klara Kristalova is a tribute to her whole work, revealings on the one hand her drawings and on the other hand her sculptures, sometimes in various exhibition places.

A poem first published in 1975 by Bern Porter, presented in alphabetical order, with the same number of acts for each letter. This new edition presents an additional introduction, transcribed from a reading given by Bern Porter on May 19, 1985, in Madison, Maine.

Michele Sibiloni photographs the harvest of bush crickets in Uganda, between local traditions and questions about a global future.

A series of over 1200 close-ups of advertising posters in Zürich photographed by Anna Stüdeli.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Liu Xiaodong's series of paintings from the Texas-Mexico border.

The 2022 Toilet Paper wall calendar features food-themed photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their cult and obsessive image-only magazine.

Gabriele Basilico's previoulsy unpublished photographs in the strip-tease theaters and nightclubs of Milan in the 1970s reveal a new dimension of his oeuvre.