A curatorial and research project that aims to move beyond insanity as the opposite of sanity, and imagine a space beyond what is understood as sane, i.e. ultrasanity—not a romanticization of madness or mental illness, but an effort to reconsider and challenge the notion of madness and the stigmas labelled on the so-called mad.

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

A rereading of the work of the great Franco-Swiss graphic designer, pioneer of minimalism and precursor in terms of typography.

A protean project embracing a reflection around the photographic medium and modes of understanding the world (artist's book).

A project developed by American artist Marianne Vitale around the history of an American hospital built in France during the First World War (with an essay by Rachel Valinsky).

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

A publication project about listening and sound relations.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

An unusual vantage on the history of cinematic production in the twentieth century.

Oh mio cagnetto is the artist's first book of writings, conceived as an artwork. It is a collection of 81 little poems that revolve around the missed and mourned figure of a puppy.

The early work of the doyen of Italian photography paint a striking portrait of Italy in the 1950s.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

An overview of the Israeli artist's photographic production.

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

Artist's book.

A series of recent drawings by London-based artist Faye Wei Wei.

This book examines the modes of execution in contemporary art from the viewpoint of production, by means of a series of eighteen interviews. It presents a plural and polyphonic thinking, bringing together the words of different participants concerned with the realisation of artworks and several generations of artists.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

An anthology of the artists' zine.

Since 2015, Yann Toma and Antoine Mandel have been bringing artists and mathematicians together at the Sorbonne. From these encounters between the two extremes of the conceptual were born the texts presented here which highlight new forms of creation, representation and action on the real.

The efficiency of art in common.

New performative activities in the age of lockdown.

Double issue, including a dossier devoted to the case of Philip Guston's cancelled exhibitions.

Black Sifichi, Radio renversé by Elena Biserna & Carole Rieussec, Asmaa Azaizeh, Diamanda Galás, De l'utilisation de la musique sur les ondes by Jérôme Noetinger & Alphonsine Houëves, Cornelius Cardewby Matthieu Saladin, Lawrence D. “Butch” Morris, Akira Sakata, Le conservatisme musical (et la musique à venir ?) by Kasper T. Toeplitz...

A book about art, publishing and collaboration.

A history of the concept of data.

First comprehensive monograph.

The General's Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare in the Middle East from a bird's eye view.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A photographic series that portrays details of the clothes of passers-by glimpsed along the streets of Manhattan (artist's book).

A kaleidoscopic peek into the traditional circus of Riga.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

The first comprehensive publication to cover the artist's output from the last ten years.

New monograph / catalogue.

An extensive overview of Olivier Mosset's six-decade painting practice.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

This catalogue demonstrates the complexity of Diego Perrone's practice with a thorough analysis of his work from the beginning to the present day.

An in-depth introduction to the artistic practice of Lea Porsager.