This journey, this slowly drifting sonic meditation, is an "inner soundscape", a dialogue between the senses, the conscience and the world, inside / outside, interconnected. Like waking up from a long dream, and being stuck into its echo. The April Sessions immerges the listener into a drone-ish universe, full of random acousmatic events, inner monologues and a vast and unwritten subjective map to be drawn.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.

The new collection of drawings by the Portuguese artist.

A short essay on the concepts of "latent images" and "latency" based on the philosophy and history of the work of French artist Aurélie Pétrel.

The Polish artist's memorial archive traces a history of homosexuality and queer culture in Eastern Europe and opens up possibilities for the future.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

Unreleased 25'06 side A track (1979-80) + selected works circa 2000 by a key composer of Belgian electronic music.

A new interpretation of the explosive frog breeding phenomenon.

A series of visual documents and theoretical inquires around the work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella's genetic code into a fabric, using the 19th century Jacquard loom.

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

The tenth issue of the journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts, with & about Sara de Chiara, Moyra Davey, Jana Euler, Sylvie Fanchon, Jim Fletcher, Alexander García Düttmann, Jeanne Graff, Martin Laborde, Liz Magor, Nick Mauss, Edith Schloss, Albert Serra, Pierre Thévenin, Emily Wardill...

Created by the author-poet Frédéric Forte, the "Questions obliques" cards, with their three levels of difficulty, question the visitor of an exhibition on his perception of an artwork.

A polyphonic investigation that reveals the potential of fictional and philosophical suggestion of the animation of things, questioning the persistence of forms of animism within the project of modernity, in the horizon of a questioning of the anthropocentric foundations of the Western culture.

A study of representations of HIV and AIDS in American and European art, that opens up a vast political, economic and social history of two decades fatally haunted by the catastrophe.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

A poetic and scientific meditation on the artist's iconic cinematic installation exploring post-human mythologies, future archaeology, and the invisible structures that enfold us, from the cosmic and geologic to the ecological and political.

Cao Fei, Fatima Al Qadiri, Caterina Barbieri, Will Benedict, Cecilia Bengolea, Giulia Essyad, Roe Ethridge, Jenna Gribbon, Ru Kwok, Lydia Ourahmane, Heron Preston, Emily Segal...

A small selection of Ronan Bouroullec's ballpoint pen drawings.

A small selection of Ronan Bouroullec's recent drawings.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

A polyphonic evocation of the American saxophonist through the testimonies of some forty international musicians.

An anthology.

The partitions, to be activated by the reader, by Mette Ingvartsen, Violaine Lochu, Sonia Chiambretto, Garance Dor, Aurélie Noury, Melaine Dalibert, Didier Aschour, Roland Sabatier, Vincent Menu, IKHEA@SERVICES, Florent Delval & David Liver, Pierre di Sciullo.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

French edition of the compelling narrative that goes behind the scenes with the world's most important living artists to humanize and demystify contemporary art.

The fiscal cliff according to Erlend Peder Kvam.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

Accattone #7 deals with open-air domesticity and the diplomatic hospitality of land. It presents intellectual and architectural projects, both contemporary and historical, for alternative modes of living.

The power of art to anticipate future social and technological developments inspired the new issue of Cura. to investigate the notion of futurity through the work of some of the most visionary and promising artists of the contemporary landscape.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

A collection of works, documents, testimonies, recollections and analyses that offers an exceptional overview of the history and life of the New Realist group.

Kilobase Bucharest A-Z is a publication aimed at describing Bucharest through a sort of experimental primer: for each letter of the english alphabet, 26 artists and collectives have chosen a key term that represents a sliver of the Romanian capital. The resulting portrait conveys the essence of Bucharest from a subjective standpoint that captures the infinite facets of the city's life and culture.

Five musicians and producers from Italy and Europe experiment on new sounds together, inspired by a large variety of artistic environments and soundscapes.

An artistic and scholarly inquiry into the  work of Anton Wilhelm Amo (c. 1700–after 1753), an outstanding philosopher of the early eighteenth-century Enlightenment, the first African to earn a doctorate in a European university.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

Mark McKnight, Estelle Hoy, Mitch Speed, Cudelice Brazelton IV, He Xiangyu, Gianluca Concialdi, Samuel Hindolo, Phung-Tien Phan, Trulee Hall, Alex Ayed, Tiffany Sia, Erna Rosenstein, Laura Grisi, Duan Jianyu , Miho Dohi , Stella Zhong , Yalda Afsah, book reviews by Taylor Le Melle...

Issue dedicated to music as work.

Art & microbiology: an essay on the critical, ethical and historical dimensions that result from the entry of microorganisms into the creative process, between art and science.

Italian pianist, performer and composer Giovanni Di Domenico presents 4 new pieces in collaboration with Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto.

First retrospective monograph: an essential resource for any in-depth critical study of Chiara Fumai's work and thought, including a first systematic analysis of her oeuvre.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

First monograph.

Two essentiel works of musique concrète commissioned for and and realised at the GRM by Lionel Marchetti during the mid ‘90s.