Bastien Aubry's sculptures.

A series of drawings, sculpture, and a new film, in which the artist explores the ideas of transformation and metamorphosis.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

Visual Cultures as Time Travel proposes a notion of time travel in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of wildfires and floods, of lost and co-opted futures.

New monograph.

This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

The posthumous catalogue of one of the most personal curatorial projects of Igor Zabel (1958-2005).

The first publication in French of the Saudi poet.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

Deluxe boxed set of Graham Lambkin's remastered first four solo records, including an expansive 42-page book with unseen photos and reproductions of artworks as well as essays and anecdotal recollections.

Bundle (special offer for the purchase of six issues of the contemporary art journal about sound).

Catalogue of a virtual exhibition of works by contemporary artists in response to the famous Neapolitan love song.

First issue of the annual review of the École des arts décoratifs de Paris, devoted to the challenges of contemporary decor.

A “minimal encyclopedia” for ideas and visions beyond the pandemic, that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.

Change Agents is the seventeenth print issue of PARIS LA magazine. The special 300-page edition features a portfolio of work by fifty contemporary artists whose practices reflect our current times as they move the culture forward. Plus: a collection of conversations, visual essays, and texts.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

Contemporary poetry in Arabic: Maya Abu-Alhayyat; "Jean-Michel Jarre or the time of the jesters", by Jérôme Noetinger; Takayuki Hashimoto; Louis Moholo-Moholo; Simon H. Fell; Titania Tapes; 60 album reviews...

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

This publication brings together some of the most representative authors of Saudi Arabian poetic modernity, in its widest scope. Translated by the Tunisian poet Moëz Majed, it is the first anthology of contemporary poetry from Saudi Arabia to be published in French.

Art, environment and climate emergency.

Thinkers revisit INTRA SPACE, an artistic research project that experiments with the substances, constructions, and manifestations of our bodies.

Artistic production as a tool of political and diplomatic influence during the Cold War.

Interviews with Addie Wagenknecht, Antonia Hernández, Elisa Giardina Papa, Finn Brunton, Mario Santamaría, Sung Tieu; articles: Muzak that listens, Just Say No...

A review dedicated to drawing, that leaves the artists fairly free. A field for play, expression and creation based on a single color, the volume celebrating the 10th anniversary of The Drawer brings together around twenty artists and designers (Grégoire Alexandre & Christophe Brunnquell, Jacques Pyon, Fabio Viscogliosi, Philippe Dupuy, Ronan Bouroullec, Giorgio Griffa, Guillaume Leblon, Mathis Collins, Pierre Knop, Jeff Ladouceur, Siro Cugusi...).

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The call is clear: Museums must change. Amid an ongoing global pandemic and growing demands for decolonization, racial justice, and economic parity, culture needs new tools for structural transformation. In the first of two special issues focusing on this urgent topic, Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve.

How the organization of time structures the creative process and more broadly our relationship to the world.

A beautiful work that features piano, electronics, processing, and field recordings.

A metaphysical poem divided into 21 chapters inspired by a series of researches performed among Iran, Armenia, and Ethiopia.

Can we recognize a book by its silhouette? (an artist's book about artists' books).

An uncanny electroacoustic composition that incorporates field recordings, synthesis, and acoustic sources, among Carlos Casas's most ambitious and accomplished musical endeavors to date.

First comprehensive monograph.

This edition, printed in serigraphy, delivers the reworked transcription of a recorded interview between musicians Jacques Demierre and Louis Schild, in which the notion of surveying and measurement is examined, among other things and in a conversational manner (with a musical transcription and a contribution from the playwright Michèle Pralong).

A heterophonic musical piece for performative concert, composed by the choreographer Lotus Eddé Khouri.

Retrospective monograph, aiming to merge the artist's multifaceted output, playfully encouraging imagination and changes in perspective.

Tom Bishop traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Tom Bishop traces his career and intellectual path through conversations with Donatien Grau.

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

Post-isolationist, deep ambient & folk classic Murder Ballads (Drift) by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

Changes in Direction – A Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives.

The male nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

The female nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

Swiss photographer Christian Lutz documents right-wing populist people, movements and hot spots all over Europe.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

This journey, this slowly drifting sonic meditation, is an "inner soundscape", a dialogue between the senses, the conscience and the world, inside / outside, interconnected. Like waking up from a long dream, and being stuck into its echo. The April Sessions immerges the listener into a drone-ish universe, full of random acousmatic events, inner monologues and a vast and unwritten subjective map to be drawn.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.