New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

A sculptor's life: on the career and innovations of Makoto Fujiwara.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

This monograph dedicated to the sculptor Klara Kristalova is a tribute to her whole work, revealings on the one hand her drawings and on the other hand her sculptures, sometimes in various exhibition places.

Michele Sibiloni photographs the harvest of bush crickets in Uganda, between local traditions and questions about a global future.

A series of over 1200 close-ups of advertising posters in Zürich photographed by Anna Stüdeli.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Liu Xiaodong's series of paintings from the Texas-Mexico border.

A poem first published in 1975 by Bern Porter, presented in alphabetical order, with the same number of acts for each letter. This new edition presents an additional introduction, transcribed from a reading given by Bern Porter on May 19, 1985, in Madison, Maine.

The 2022 Toilet Paper wall calendar features food-themed photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their cult and obsessive image-only magazine.

Gabriele Basilico's previoulsy unpublished photographs in the strip-tease theaters and nightclubs of Milan in the 1970s reveal a new dimension of his oeuvre.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

An album created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by—and dedicated to—the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

Retrospective monograph.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

A collection of Michaël La Chance's observations and reflections on performance art in Quebec and on the international scene.

The architectural images of the famous photographer on the island of Procida off Naples in 1972, presented for the first time.

Cylene Suisse Redux documents François J. Bonnet and Stephen O'Malley's Switzerland tour in December 2019, following the release of their first album, Cylene, whose material is re-worked by Jim O'Rourke and Ryoji Ikeda.

Exhibition catalogue.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

The exhibition catalogue for the Château d'Oiron presents more than 170 artworks from the collection of Antoine de Galbert, placed in such a way as to dialogue with the permanent collection of contemporary art Curios & Mirabilia, assembled by Jean-Hubert Martin in 1993.

Binding a deep social and political conscious with rigorous musical experimentation, the Brussels based, Italian pianist, performer, composer, Giovanni Di Domenico, delivers Downtown Ethnic Music, the 4th instalment of Die Schachtel's Decay Music series, focused on inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract music.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

This second issue of the research journal ZINES, the first of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. The corpora presented here add, in their own way, something new to the history and stories of LGBTQI + women and people in contemporary societies.

An critical exploration of the public role of cultural institutions in times of global crisis.

Practices of silence, sound, and orality, between concrete poetry, performance and sound art.

This third issue of the research journal ZINES, the second of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. Contributions in this volume feature themes such as the body, heteronormativity, while showing us the flip side of the conceptualization of queer.

Mahalla – The Survey offers a scientific investigation and an artistic statement which aims at a critical reading and a tentative exploration of a fascinating Uzbek cultural heritage: the mahalla (luxury box set including numerous documents, a 7" vinyl record by Carlos Casas and exclusive art prints by Bas Princen).

Spike's summer issue infiltrates enemy territory, probing the patriarchy and exploring the many forms it takes today.

Fantas Variations features eight reworks of Caterina Barbieri's composition Fantas (Ecstatic Computation, 2019) by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work.

A "poly-autobiographical" musical combinatory poem inspired by the life stories of a group of musicians whose testimonies Alessandro Bosetti has collected, exploring the shifting and multiple dimension of identities through voice expression, between electro-acoustic research, jazz and experimental opera.

This book is a documented and illustrated manual of the turntablism practices developed by Maria Chávez over many years. It encourages experimentation and personal research through numerous examples and detailed instructions.

The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and music scene (Vito Acconci, Matthew Barney, Rhys Chatham, Tony Conrad, Henry Flynt, Milford Graves, Christian Marclay, Phill Niblock, Suicide, Michael Snow, Tom Verlaine, Yo La Tengo...).

First monograph on the work of the French artist Marine Pagès' expanded drawing practice.

A series of essays conncerned with the ethics of writing (about people and art), as well as a reflection on the identity politics of the early 2000s.

Unholy Movie is an edition inspired by the films of Vincent Epplay, associated with an original fiction of Daniel Foucard. An audio K7 is included.

You Got to Get In to Get Out. The Never-ending Sound Continuum is one of the elements that integrate an homonymous curatorial research project that takes place at La Casa Encendida (Madrid) based on the vision of techno as a cultural, social, historical and material entity by curators Sonia Fernández Pan and Carolina Jiménez.

Yann Gourdon's new album (hurdy-gurdy) continues his exploration of places and their history through sound.

Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

The debut full-length resulting from the collaboration between composer/producer Britton Powell and two Berlin-based artists, the British composer/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S), who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary's Electric Studio in Brooklyn, New York.

A crazed narrative of entasy, a free-fall plunge into the vortex of digital introspection and poetic-cum-militant blackness.

Marie Bauthias' poetic collages.

The complete edition of Takashi Homma's acclaimed homage.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.