The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

Brunhild Ferrari returns to Black Truffle with her first duo with the legendary figure in underground music Christoph Heemann.

Fulton and Höpfner's long-term correspondence on art, landscape, and the aesthetic and political dimensions of walking.

The height entry in Blank Forms' ongoing series of anthologies is devoted to the Amercian experimental musician/composer/intermedia artist Jerry Hunt.

The final album released by the composer-performer Jerry Hunt before his death, Ground: Five Mechanic Convention Streams is a rare and foundational audio document of Hunt's compositional process.

Loopworks 2 expands Istanbul based audio/visual artist Kantarcioğlu's sampling pool to Turkish records as well as snippets from 70's TV and 80's new age and jazz tapes. This disparate material is mangled and glued together with Koray's very personal sampling techniques.

Francisco López offers a brand new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020.

An exploration of the performativity of the law within Egypt's spectral legal reality.

Julia Reidy's 7th album is an intimate set of songforms using just intonation guitar, electronics and voice: both rigorously experimental and emotive, World in World is undoubtedly the finest work yet of the prolific Berlin-based guitarist-composer.

First monograph.

New release of the first album of American Gamelan composer Daniel Schmidt.

New release of the third album of American Gamelan composer Daniel Schmidt.

Previously unpublished performance of the internationally renowned dance band Selten Gehörte Musik (on this occasion: Christian Attersee, Gerhard Rühm, Oswald Wiener) at the closing event of the "Literanover" Festival at the Kunstmuseum Hannover, on November 16th, 1980. Close to two hours of very rarely heard dance music, indeed.

First monograph devoted to the postcolonial feminist approach of the Berlin-based South African artist.

First comprehensive monograph of the Swedish queer and feminist performance artist.

Vinyl reissue of the third album of the Japanese "screaming philosopher" (1977), the culmination of his introspective approach to the search for a "music of the self".

Vinyl reissue of Kazuki Tomokawa's seminal album (1975), that introduced one of the most singular voices of the post-war Japanese music scene.

Vinyl reissue of Kazuki Tomokawa's second album (1976), having imposed him on the Japanese avant-garde/avant-folk scene.

Selina Trepp's "dirty drawings".

An analysis of the relations created by the curatorial—relations that also constitute it.

Box set gathering the first three albums of Kazuki Tomokawa (1975-1977), retracing the rise of the Japanese "screaming philosopher" and providing a complete introduction to his singular world, between folk experimentations, existential and introspective meditations and psychedelic rock.

A monumental study of the life and times of the late Armenian-Egyptian photographer Van Leo (1921-2002), one of the most singular twentieth-century studio photographers in the Arab world.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.

The new meaning of craft.

On textstar+ Jan Jelinek brings together the material from the CMYK series, four seminal EPs he released between 1999 and 2002 under the pseudonym Farben, on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period.

Autobiography by Thomas Hirschhorn is a visual autobiography that through some selected images, narrates the story of the life and career of the artist.

The third volume of the Wattis Institute's annual reader is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

The 15th issue of Nakako Hayashi's graphic journal, celebrating the 20th anniversary of the project.

An acoustic mapping of colonial history.

An intimate dialogue between the works of the two artists over four decades.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

The 2023 Toilet Paper wall calendar.

The very first major monograph of Paul-Armand Gette.

The history of the contemporary art center of Metz.

Urban Kitsch, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalisation of the Indian economy.

The fifth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the tourist.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

This text is the script of a performance by Claude Closky, which took place in February 2022 at the Pernod Ricard Foundation. Invited by Jill Gasparina to an Interview on Art, Claude Closky twisted the exercise by writing a text-partition, based partially on interviews given by the artist since the 1990s.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

An overview of the work of the Chilean-born artist, through numerous reproductions, a conversation between Enrique Ramírez and Marta Gili and two essays by Louise Déry and Nelly Richard.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

A collection of writings by Alina Popa and Florin Flueras written over a seven-year period (new expanded edition).

Through a message of love, the writer evokes the memories and places of his own childhood and expresses a pessimistic and painful thought of a Tunisia adrift, which currently offers to its youth a dark future—while hoping that the light returns.

A history of the museum of modern art, exhibitions and discourses on art and its public in the 20th century, from the trajectory of Jean Cassou (1897-1986), writer, resistance fighter, art critic, poet and chief curator of thenational museum for modern art of France from 1945 to 1965.

An investigation into how the discovery of "India" disrupted Western mimesis between 1800 and 1850, thereby contributing to artistic modernity.

A how-to manual for free improvisation music.