For its fall issue, Flash Art looks at how artists navigate and draw upon the creative industry known as "fashion".

A retrospective of the first ten years of the NY-based radical art, publishing and multimedia collective 8-Ball Community.

Second pressing of Recital's vinyl edition from 2015, perhaps the most approachable and beautiful in all of Loren Connors' catalog.

2022 reissue of Fennesz's beautiful 4th solo album, originally released in 2008.

This new monograph from Niko J. Kallianiotis presents photos taken in and around Athens, the city in which he grew up. The images reflect the artist's eagerness to assimilate back into a home that feels at once foreign and familiar.

An indispensable introduction to the wonderfully moving and expressive parlour music of Dominique Lawalrée (1954-2019).

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

The long term project of the Italian artistic duo around the trajectories of sound through the Mediterranean sea.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

Autobiography by Ignasi Aballí is made up of 64 "años" (years), one for each of the 64 pages. Casually, the artist was born in 1958, it means that he has 64 years old at the time of the publication of the book.

As a cofounder of Cabaret Voltaire in 1916, Emmy Hennings, with her partner, the Dadaist Hugo Ball, is recognized as having established and environment for collective experimentation. This book gathers an extensive collection of Hennings's writings, ephemera, and art, to give shape to a practice and an individual so ofter flattened for the sake of art historical narrative.

Persistence of Sound publishes the new solo record by Natasha Barrett, known internationally for her intense explorations of the movement of sounds through space.

A retrospective of immersive performances and installations with which the Israeli sound and visual artist, composer and musician explores the physicality of sound.

A lavish, riveting and monumental collection of works and exhibition from 2007–2021, accompanied by newly commissioned texts, on 500 pages (new edition).

Adam McEwen's inkjet-on-sponge paintings, collected here in their entirety for the first time.

A survey of the abstract and contemplative work of Pakistani artist Imran Mir (1950-2014), with fifteen essays.

Collection of recordings made at the Friedrichshof commune between 1982 and 1990. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.

Persistence of Sound presents a new album from one of British sound art's most original voices.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

The catalogue of the 15th Triennial of Small Sculpture Fellbach exhibition, curated by Elke aus dem Moore.

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

One Thing I Know is Pati Hill's third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to "quit writing in favor of housekeeping".

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

The current crisis of museums and the future of Institutional Critique.

Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

Pauline Oliveros' first solo recording, available on LP for the first time since it was originally released in 1982.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A retrospective of the "retinal" painter's work, since the early 1980s.

A proposition opened up by Umashankar Manthravadi in his practice as an acoustic archaeologist, bringing together writers, choreographers, composers, actors, dancers, musicians, field recordists and sound, light, and graphic designers who engage and transform each other's work.

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

An anthropologist's view of contemporary African creation.

Premodern acoustic traces as the basis for new communities of thought in the present (a project responding to the work of the self-taught acoustic archaeologist Umashankar Manthravadi).

Through four case studies, Curating beyond the Mainstream researches decolonial and other non-hegemonic approaches to the profession of curating in Sweden from the 1960s to the early 2000s.

Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s.

Summer issue, featuring Rhea Dillon, Ufuoma Essi, Matthias Groebel, Saodat Ismailova, Karla Kaplun, Reba Maybury, Michel Majerus, Niklas Taleb...

The archives of the 1970s.

A collection of contributions and works of about 15 international artists around the concept of "biomedia" developed and contextualized by Peter Weibel (ZKM), providing insights into mutual correlation between ecosystems and technology, and possible ways in which organic and inorganic life forms can coexist.

A collective reflection on the notions of sympathy and care in the context of the environmental and epidemiological crisis.

A radio creation around the materiality of sound and air.

The French musician, composer and instrument builder returns to Discrepant label and brings an astonishing array of instruments from different cartographies and legacies.

Tennis Courts IV completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

The return to Lithuania of Francesco Cataluccio.