Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

A surrealist anticipation novel by the Indian artist.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Dedicated to the activities of the Association for the Palliative Turn (APT), The Palliative Turn Number 1 proposes a fundamental shift in our attitude towards art and culture, informed by the practices of palliative medicine and care.

Narok (“hell” in Thai) shows the various reinterpretations of Thai hell’s gardens done by a myriad of artists from all over the world.

Antoine Bernhart returns with a new army of skeletons and other infernal creatures to populate his intimate theater of cruelty.

A collection of Antoine Bernhart's automatic drawings.

Illustrators / comic book makers / funny people Johnny Ryan and Frédéric Fleury started insulting each other by posting obscene, crude, hilarious drawings to each other. As they are both proud young men and also profoundly disturbed in their brains, they kept this going for, like, six months or something. Finally, here is the book that collects all those comics.

A photographic dive into a New York City at the height of its decadence and its cultural importance.

Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

First monograph.

Yves Scherer's Tatami mats series.

This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

Hannah Baer and Monica Huerta on the Year in Hell; best of 2021: a renowned group of critics, artists, and curators from around the world take stock of the year in art; "Illiberal Arts" by David Joselit; Anne Imhof by Caroline Busta; five celebrated cineastes select the top films of the year; five musicians and critics choose the year's outstanding titles...

A travel diary of a handwoven poncho with the keynote of interconnectedness.

The political potential of art.

Reference monograph on the work of one of Belgium's most discreet, yet most important, female artists.

Artist book / first comprehensive monograph.

Facsimile edition of Stephanie Oursler's 1975 artist's book.

The BOM DIA weekly planner for 2022.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

A documentation of the participatory project inspired by calligraphic batik initiated by the artists Ada Van Hoorebeke, Maartje Fliervoet and the manoeuvre platform.

Catalogue / artist's book.

Composed in collaboration with the Fabbula research group, this issue deals with the question of the virtual and its interweaving with the real. It begins by referring to the notion of "worlding", initiated by Donna Haraway.

The renunciation of art / the art of renunciation.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet, David Watson and the Phoenix Ensemble Basel.

The 42nd and last issue!

A history of southern surrealism, between Monaco and Alexandria: a journey that defies established cartographies, far from the nationalistic landmarks of a European-centric history of modernity.

The final chapter of Discrepant's Anthology of Atypical Portuguese Music, a series of volumes focussing on new strains of Portuguese music with an (un)characteristic foot in the past musical traditions of the country.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

An initiatory drift through the complex, multiple and singularly innovative sound art of Frédéric Acquaviva.

Télescope intérieur narrates the creation of Inner telescope, an artwork by Eduardo Kac, realized aboard the International Space Station.

Belgian soprano Sarah Defrise dedicates her first new music album to the American mezzo-soprano Cathy Berberian, featuring exclusively a capella pieces which were written for Berberian by some of the most prominent composers of her time.

An overview of the wide-ranging oeuvre of paintings and sculptures by the Chilean-born Swiss-based artist.

What happens when social scientists write about artworks? How does it affect the academic environment of a business school and how does it change the perception of art? Can it be used as a novel scientific method in the business studies?

Monograph dedicated to the film series incorporating central Neanderthal figures produced by British artist Nathaniel Mellors since 2012.

15 years of conversations between Caribbean philosopher Édouard Glissant and his friend Hans Ulrich Obrist.

Spanning 1966-1993, Mémoire Magnétique Vol. 2 is a revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani.