From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.

Artist-run galleries, Claes Oldenburg, Jean-Luc Godard, Sanya Kantarovsky, Tania Candiani...

Sibyl's Mouths is the most recent in a series of publications by Pure Fiction, a writing and performance group with shifting members active since 2011.

An exploration of the realities of environmental and social catastrophe through art practices.

The second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

Interviews with Valérie Vivancos, Alexis Degrenier, Lao Dan and Li Jianhong; what modes of travel for experimental music? by Heddy Boubaker; the French collective Muzzix, by Gérard Rouy; Antoine Freychet by Grégoire Bressac; focus on Fou Records; about sixty reviews of records and books...

Listening as a creative and critical force, relational capacity, philosophical, political and ecological proposition, and research method.

The second issue of the annual journal dedicated to science-art dialogue.

A collection of reflections by pioneering scientists, artists, and thinkers about the ocean environment, fusing art, science, and education, offering a diverse and interdisciplinary perspective on those threatened ecosystems and the crucial role they play in our adaption to climate change.

The archives of the 1960s.

Live performance of the artists Jacopo Benassi (voice, guitar, dildo and japanese axe), Michele Lombardelli and Luca Scarabelli (guitar and analog devices) at the RetroStudio, Fiorenzuola d'Arda, 11 July 2022. Including a 16-page booklet of photos by Jacopo Benassi.

A life, between art and cinema (the Swiss film curator’s visual autobiography, with guest appearances from Fassbinder, Warhol, Waters and many more).

Matthias Groebel's machine paintings from 1989 to 2001

An artist's book dedicated to the "bestiary of objects" designed by Israeli-born artist Tamar Hirschfeld during a two-year residency at the Cirva (International Glass and Visual Arts Research Centre) in Marseille, rooted in the culinary imagination of everyday life in France and Provence.

A series of images made along the rivers by the Switzerland-based French photographer, meeting the fishermen of the canton of Fribourg: an investigation giving birth to a visual tale based on the realities of river fishing.

Interviews with a group of pioneering artists' book publishers: herman de vries, Michel Durand-Dessert, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Maurizio Nannucci, Maurizio Spatola.

Interviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson.

Maurizio Nannucci's "auto(biblio)biography" (artist's book).

138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner).

The Stoneware Jug is a collection of poem-comics by Stefan Lorenzutti (words) and John Porcellino (pictures), in which American comix legend Porcellino (King-Cat, Thoreau at Walden) "pours" the adapted poems into his pen-and-ink panels, as if into a handmade vessel. 

Publication based on Roee Rosen's film Kafka for Kids, a cross-generic film combining a fiction drama with a documentary and a musical. The law as a central motif in Kafka's writings, and the fact that the film, supposedly, addresses children, lead to an exposition of the complex and troubling ways in which childhood is legally defined in the Palestinian occupied territories.

Recording of the evaporation of 785 grammes of water, namely the average quantity of water that a body loses during an office working day, according to Carrier thermal balance statistics.

New monograph, centered around a temporary work in situ by Daniel Buren, allowing to further explore the close relationship that the artist weaves with architecture, landscape but also points of view.

Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.

The partitions, to be activated by the reader, by Ludovic Bernhardt, Anaël Castelein, Garance Dor, Frédéric Forte, Linda Hayford, Léa Henry, Anabelle Hulaut, Dominique Jégou, Violaine Lochu, Frédéric Mathevet, Vincent Menu, Karim Ould, Pauline Picot, PPAF éditions (Adrien Chacon and Julien Molland), Matthieu Saladin and Yoann Thommerel.

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

A novel that captures the glancing intersections of a loose group of artists and lawyers, restaurateurs, philosophers, wine-makers, and boxers.

The intimate and unpublished portraits of the American artist's partner.

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

Morton Feldman's last composition, performed by dissonArt Ensemble.

A new series of very large-format drawings, the ideal entry point into the world of Mad Meg.

The book begins with one single verse of poetry on "Abdallāh - The Slain" (Abdallāh al Qateel), a poet who was killed by the last thing he saw: the columns of the castle as palm trees. The rest of the book is footnotes on each word in this verse, and on the works of this poet, who only exists on the margins of the arabic literary canon.

This publication features a selection of photographs by Lisetta Carmi, documenting the social transformations of Genoa during the 1960s. Carmi witnessed the economic boom of the city, but also its everyday life, including her famous photo series of transvestites which caused a scandal at the time (new edition).

A project by architects Hamed Bukhamseen and Ali Karimi questioning geopolitical strategies related to the development of Kuwait's global oil distribution.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

An Ongoing-Offcoming Tale comprises abstractions, subversions and poetic ruminations, housed within essays that engage with the lives and practices of over 30 artists.

A set of sculpture-paintings, paintings and drawings of the artist made over the period 2020-2022, accompanied by a text by fashion historian and artistic director Olivier Saillard.

A workbook by Flatform, a "collective artist" in the field of video and media art, at the border between experimental cinema and contemporary art, conceived and curated by Giuliana Prucca.

Monilola Olayemi Ilupeju's debut collection of writing.

Sound American #29 celebrates Art Ensemble of Chicago founder and American iconoclast, Roscoe Mitchell.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

The 11th issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne, on the theme of new fictions for architecture: how does fiction renew itself in contemporary architectural issues and approaches?

Publication based on a cycle of exhibitions and events conceived by curator and art critic Elsa Vettier, inspired by the narrative arc of Bruce Sterling's 1980 science fiction novel of the same name, around questions of visibility, artificiality, control, surveillance, seduction and disappearance.

The status of the face in a society of images.

The second issue of the magazine Bagarres, made of constraints and rules of the game.

A transdisciplinary investigation and a choreographic performance, between Umeå and Oslo, about ecological grief, cultural panic, and a feeling of collapse.

The best of 2022: a renowned group of critics, artists, and curators from around the world take stock of the year in art.