Issues 42 to 45 of the critical review dedicated to graphic design.

An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others.

A semi-digital audio publication by performance artist and musician from Northwestern Quebec Emilie Roby.

Daphne Dragona, Jussi Parikka, Karoline Sobecka, Superflux, Lise Autogena & Joshua Portway, Open Weather, Jana Winderen, Phase Changers: melting, evaporating, breathing in Meteorological Art, Meta.Morf 2022, Ecophilia...

The first two volumes of the series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

A two-part musique concrète piece by Canedicoda (Ottaven) and Renato Grieco (kNN).

Isabelle Graw reflects on the purposes and struggles of friendship in competitive social milieus.

A panorama of the art of ceramics.

Milk as a bio-cultural substance (texts by Heather Paxson, Esther Leslie & Melanie Jackson, Harry G. West, Vinciane Despret, Chris Fite-Wassilak and Richie Nimmo).

A contemplation on the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

Recent video works by Turkish artist Ali Kazma.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

This first monograph on Swiss artist Louisa Gagliardi introduces her specific voice within the landscape of contemporary painting.

Claudia Comte's "autobiography" (artist's book).

A sketch history of the 1980s American home-taping and electronic music scene through the career of sound artist, field recordist, percussionist, and visual artist Jeph Jerman.

A poetic journey through the anxious spaces of memory, explored here by one of the most powerful voices of Mediterranean poetry of his generation.

A transnational and transhistorical investigation carried out in the heart of museum and artistic practices between France and Senegal in the 1950s to 1970s, inviting us to decentralize our views in order to consider the globalized history of art of these years in a new light.

An epistemology of multiple forms of counted time in contemporary artistic productions, between art, sociology, history and philosophy.

This volume examines the protean and intermedial work of Pierre Alferi (1963-2023), in order to account for its singularity, and to situate it within contemporary poetic and artistic practices.

An overview of the research projects performed over the last two decades at the Institute for Contemporary Art Research (IFCAR) of Zurich University of the Arts (ZHdK).

From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.

Artist-run galleries, Claes Oldenburg, Jean-Luc Godard, Sanya Kantarovsky, Tania Candiani...

Sibyl's Mouths is the most recent in a series of publications by Pure Fiction, a writing and performance group with shifting members active since 2011.

An exploration of the realities of environmental and social catastrophe through art practices.

The second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

Interviews with Valérie Vivancos, Alexis Degrenier, Lao Dan and Li Jianhong; what modes of travel for experimental music? by Heddy Boubaker; the French collective Muzzix, by Gérard Rouy; Antoine Freychet by Grégoire Bressac; focus on Fou Records; about sixty reviews of records and books...

Listening as a creative and critical force, relational capacity, philosophical, political and ecological proposition, and research method.

The second issue of the annual journal dedicated to science-art dialogue.

A collection of reflections by pioneering scientists, artists, and thinkers about the ocean environment, fusing art, science, and education, offering a diverse and interdisciplinary perspective on those threatened ecosystems and the crucial role they play in our adaption to climate change.

The archives of the 1960s.

Live performance of the artists Jacopo Benassi (voice, guitar, dildo and japanese axe), Michele Lombardelli and Luca Scarabelli (guitar and analog devices) at the RetroStudio, Fiorenzuola d'Arda, 11 July 2022. Including a 16-page booklet of photos by Jacopo Benassi.

A life, between art and cinema (the Swiss film curator’s visual autobiography, with guest appearances from Fassbinder, Warhol, Waters and many more).

The intimate and unpublished portraits of the American artist's partner.

An artist's book dedicated to the "bestiary of objects" designed by Israeli-born artist Tamar Hirschfeld during a two-year residency at the Cirva (International Glass and Visual Arts Research Centre) in Marseille, rooted in the culinary imagination of everyday life in France and Provence.

A series of images made along the rivers by the Switzerland-based French photographer, meeting the fishermen of the canton of Fribourg: an investigation giving birth to a visual tale based on the realities of river fishing.

Interviews with a group of pioneering artists' book publishers: herman de vries, Michel Durand-Dessert, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Maurizio Nannucci, Maurizio Spatola.

Interviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson.

138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner).

The Stoneware Jug is a collection of poem-comics by Stefan Lorenzutti (words) and John Porcellino (pictures), in which American comix legend Porcellino (King-Cat, Thoreau at Walden) "pours" the adapted poems into his pen-and-ink panels, as if into a handmade vessel. 

Publication based on Roee Rosen's film Kafka for Kids, a cross-generic film combining a fiction drama with a documentary and a musical. The law as a central motif in Kafka's writings, and the fact that the film, supposedly, addresses children, lead to an exposition of the complex and troubling ways in which childhood is legally defined in the Palestinian occupied territories.

Recording of the evaporation of 785 grammes of water, namely the average quantity of water that a body loses during an office working day, according to Carrier thermal balance statistics.

New monograph, centered around a temporary work in situ by Daniel Buren, allowing to further explore the close relationship that the artist weaves with architecture, landscape but also points of view.

Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.

The partitions, to be activated by the reader, by Ludovic Bernhardt, Anaël Castelein, Garance Dor, Frédéric Forte, Linda Hayford, Léa Henry, Anabelle Hulaut, Dominique Jégou, Violaine Lochu, Frédéric Mathevet, Vincent Menu, Karim Ould, Pauline Picot, PPAF éditions (Adrien Chacon and Julien Molland), Matthieu Saladin and Yoann Thommerel.

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

A novel that captures the glancing intersections of a loose group of artists and lawyers, restaurateurs, philosophers, wine-makers, and boxers.

Matthias Groebel's machine paintings from 1989 to 2001

Maurizio Nannucci's "auto(biblio)biography" (artist's book).

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.