Ireland-Palestine united against apartheid; "dark romances": the problematic new publishing business; the breakdown of French cultural diplomacy in the Sahel; infiltration into armed survivalism; reportage in the dormitory town of Kiev; Alice Rohrwacher; Carolina Bianchi; Ben Rivers ; Taiyo Onorato & Nico Krebs, Hugo Pernet...

Eric N. Mack & Kiko Kostadinov; Hannah Black; Mike Kelley in conversation with Larry Clark and John Waters; Elle Pérez; Farah Al Qasimi; Lotus L. Kang; focus on Tokyo by Chus Martínez; Yuko Hasegawa; Scott Cameron Weaver; Bouchra Khalili...

First monograph.

A 62' minute piece composed between 2015 and 2019, published for the first time on CD digipak.

This monograph, taking a thematic approach that brings together both words and objects, aims to highlight the extreme inventiveness of Gaston Chaissac.

The first monograph of the artist Christa Joo Hyun D'Angelo, Fatal Attraction covers over a decade of work spanning collage, video, installation, and sculpture.

The first published recording by Amelia Cuni, Werner Durand (fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach) and Uli Hohmann (joining them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar).

Australian composer and clarinetist Aviva Endean has developed an impressive capacity for creating work that merges intense control (of breath, of instrument, of composition) and a willingness to allow the music to lead. On Moths & Stars, her second solo work, she charts out a sound world that is equal parts timbre and tone, placing sounds relationship to space as a paramount focus for her pieces.

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces—objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible.

Monograph devoted to Yaron Michael Hakim's Psittaciformes body of work, drawing inspiration from the migratory nature of parrots and their ability to assimilate. Through bold paintings on used Dacron sailcloth, Hakim uses this subject matter to explore his own relationship with assimilation, living between cultures, and the exoticization of his heritage.

First monograph.

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

Drawing from Lisa Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema.

The new alchemical collaboration between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti.

The Complex Answer presents the reader with a selection of texts—from 2010 to 2021—that introduce an exercise in how a practice of art and exhibition making has been influenced by philosophical thinking.

Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

A hybrid publication, between an artist book, a monograph and a field report on a lost work.

A piece for saxophones and electronics, performed live by Kasper T. Toeplitz (real time electronics) and Bertrand Gauguet (alto & baritone saxophones).

"Spuren & Gegenworte" began with a quasi-telepathic collaboration between KM and RW. Both recorded a track on May 3, 2021, from 8:00 PM to 8:10 PM. These recordings were subsequently transformed, combined, juxtaposed, and further modified over the course of several months, resulting in the completion of the four pieces on the CD.

The major influence of Henri Matisse on the work of one of the leading figures of American Pop Art.

The first monograph devoted to the piano works of composer, pianist and improviser Frédéric Lagnau (1967-2010), whose music, with its communicative energy, offers a personal and poetic approach to minimalism. Sensitivity to sound, harmonic beauty and rhythmic intensity are its hallmarks.

Mike Cooper's new masterful experiment mixing free jazz, Oceanic, and Hawaiian inspirations, in collaboration with Geoff Hawkins, Jon Raskin and Tim Hill (saxophone), Elliott Sharp and Michael Thieke (clarinet), Scot Ray (lap steel guitar) and choreographer and dancer Ariella Vidach.

Artist and Purple magazine artistic director Christophe Brunnquell and photographer Grégoire Alexandre continue their long-standing collaboration with a tribute to Picasso on the 50th anniversary of his death.

Sam Dunscombe's second album, Two Forests / Oceanic, uses field recordings and rational tuning practice to reimagine the music used for psychedelic-assisted psychotherapy sessions.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France.

The best of 2023: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

A collective reflection on the landscape as an ever-changing social, economic, and ecological construct, addressing questions of power, identity, and natural resources (contributions by T. J. Demos, Tiago Torres-Campos, Tiffany Kaewen Dang, Hagit Keysar and Ariel Caine, Teresa Mendes Flores, Chris Malcolm, Irmgard Emmelhainz...)

Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

A photographic exploration of the architecture, history and people of Naples at the time of the fervent Scudetto celebrations.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

An hour-long piece in four parts, scored for four cellists, featuring Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.

An ideal introduction to Lucier's late music.

Reference monograph.

Reference monograph (also available in English edition).

Lucy Railton trusts in the nuance of her own creative instincts on an intensely modern, quietly radical second for Modern Love.

The first extensive survey of Nordic art during the transition from postmodernism to what might be called "the period of contemporary art".

A live, raw, collective sound by Maurice Louca & his band Elephantine.

A photo report in an photo lab (artist's book).

Aurel Schmidt's drawings.

B for the birds is a singular book that aims to rethink the film-form as an open cartography of its lines of enquiry, desire and fabulation.

New monograph.

The largest and most comprehensive monograph on van den Broek's work to date, a complete and monumental survey of 1998 until now, on over 500 pages, presented and analysed by John C. Welchman.

This book retraces Thierry Prat's career as a player and witness to the history of contemporary art in France for over forty years, through a series of interviews that highlight the main issues at stake.

This album retraces ten years of practice by the contemporary mixed choir of sighted and blind people founded by vocalist, improviser, composer and researcher Natacha Muslera, which explores compositional modes distanced from the visual field, drawing inspiration from ecosystems and biotopes and blending ancestral and experimental vocal practices.

This publication is based on an exhibition and research project that foregrounds an ever-incomplete weaving of narratives of artists, curators, writers, and customary knowledge holders. It traces the many worlds that have existed in parallel, often in spite of or against the oppressive visions imagined by successive regimes—the Russian Empire, the USSR, and contemporary Russia—that have controlled areas across Eastern Europe and Central and North Asia.

The first issue of the biannual magazine offering an heterogeneous and multifaceted exploration of approaches to modern and contemporary photography through 12 large-format wall posters, folded and detachable, with Julia Andréone, Roman Cieslewicz, Marie Quéau, Stig De Block, Area Of Work, Aurélien Froment, Fabio Mauri, Thomas Demand, Marie Deteneuille, Simon Menner, Kuba Ryniewicz, and Deborah Turbeville.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

A reader based on a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.