The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

Curva Cieca Oblio was born out of the collaboration between two artists whose paths have intertwined many times over the course of twenty years. The work of Muna Mussie, who investigates the languages of the visual and performing arts, for this creation on record extends and enters into a fusional dialogue with the rigorous and prismatic sound vision of Massimo Carozzi, also an explorer of the relationships between different languages.

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

First monograph dedicated to Marie-Claire Mitout's series of painted images, fixing the best of the day, a life's work initiated in 1990 now including more than one thousand gouache paintings on paper.

The first monograph of writing by visual artist Emma Wolf-Haugh interconnecting performative works, performance scripts and assemblage texts.

A lavish 10-CD box set with a 106-page book, featuring more than 11 hours of seminal works by one of the most important electronic and electroacoustic composers of the 20th century.

A manual for academic teaching and learning contexts.

Isabelle Albuquerque, Isa Genzken, Aria Dean, Bri Williams, Cole Lu, Dominique White, Mimosa Echard, Isabelle Andriessen, Jordan Strafer...

An evocative chronicle of the Lower East Side's halcyon days, from Giovan's archives.

A retrospective devoted to Jonas Mekas's 70-year activity within and beyond the history of avant-garde cinema.

The first monograph of the painter Nicolas Ionesco, born in 1919 in Bucharest, active all his life in Paris, who occupied a prominent place in the art of the 1950s before being forgotten because of the direction he had taken his work: an opportunity to reconsider everything anew.

A series of one-hundred masks constructed of everyday materials by the Mexican artist, featuring texts by writer and poet Luigi Amara.

Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world, and continues to do so.

A new revised version of the notebook of the legendary American dancer, artist and choreographer Simone Forti in which she shares her poetry as well as her thoughts on dance, the body, writing, the state of the world.

An artist book celebrating the first five issues of Grasso magazine.

A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.

Artist's book.

Thirty-four original collage-poems by the Chicago-based artist Tony Lewis.

The inner life of objects according to Erlend Peder Kvam.

On December 11, 1980 Eliane Radigue performed live on KPFA. Her full performance is included here, remastered, on two compact discs. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard.

Thomas Köner's eighth album, originally released in 2002, pressed on vinyl for the first time, including a 12 minute bonus track.

Thomas Köner's eighth album, originally released in 2002, including a 12 minute bonus track.

The dynamic aspects of neurodiversity in creation, in the context of art therapy, or the production of contemporary visual art works.

This artist's book is the achievement of the Ka Kualmaku project conducted in 2018 during a residency of Marc Buchy in Colombia, in Lugar A Dudas, during which the artist began to learn Namtrik, said to be a disappearing language. The book restores this learning as a Namtrik-French language guide.

Transformative solutions for food insecurity in the UAE over the past 50 years.

Spike #74 is getting over beauty.

Proof of Stake – Technological Claims reflects on the themes of technology, organization, and ownership to investigate how objects are framed as technological and are used to organize life.

A manifesto for the decolonization of art book fairs and publishing.

Vivienne Westwood, Dodie Bellamy on Joan Brown, Sarah Schulman on Nicole Eisenman, Alex Katz...

Seyni Awa Camara, Scott Covert, Jordan/Martin Hell, Melike Kara, Dala Nasser, Bruno Serralongue, Anita Steckel, George Tourkovasilis, Abbas Zahedi...

Véronique Béland, Nicolas Darrot, Éléonore Geissler, Romain Pellas, Romain Sein, Stéphane Thidet, Keen Souhlal, Chloé Silbano...

An album of lost Derek Bailey sessions recorded with his friend and collaborator Charlie Morrow, that testifies to his art of collective experimentation.

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

Hardscapes / Here documents and brings together two exhibition projects by artists Nina Canell and Maria Hassabi. Produced on the occasion of the exhibitions of the same name curated by Samuele Piazza at the OGR Torino, the publication consists of two graphically specular books that merge into a single volume.

A major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O'Rourke.

New paintings by New York based artist Mark Gonzales—an exploration into the artist's experimentation with color theory and mood inspired by classic portraiture.

Faitiche presents Groupshow's Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.

This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.

A short version of a radio play devised and produced by Jan Jelinek for German public broadcaster SWR2, bringing together twelve sound poetry collages using interview answers by public figures, from Marcel Duchamp to Lady Gaga.

Lynn Cassiers and Jozef Dumoulin pay a luminous tribute to the music of the twelfth-century composer, abbess, mystic and poetess Hildegard von Bingen, in a setup of voice with electronics accompanied by pipe organ.

First monograph.

A series of sculptures, drawings, and videos that question alienating norms through the lens of sociology and psychoanalysis.

First monograph on the work of German artist Ani Schulze, which explores the relationship between the human body and technology through sculpture, painting, drawing, sound and video.

Previously unreleased music by Otto Sidharta, pioneer of Indonesian electronic music, inspired by Indonesia's multifarious styles of traditional music.

Limited green vinyl version of the latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

The adventures of a French art student as she visits New York to work as an assistant for an established artist.

First vinyl edition (remastered) of the Swedish trio's third and most beautiful album (originally released on the Häpna label in 2005), produced by Marcus Schmickler (Pluramon).

The complete anthology of solo and duo violin pieces by legendary American experimental composer Christian Wolff, performed by the New York violin duo String Noise (Conrad Harris and Pauline Kim Harris).

An artist's book gathering reproductions of charcoal drawings of bodies suspended in the empty surface of the paper (limited edition box set).

Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.