A tricontinental exhibition and publication project that takes the form of a multiauthor monograph to showease an artist whose work creates space to connect with the self; to be in the here and now.

Reissue of Charles Pennequin's first book, a lengthy text in which the author's writing is characterized by obsessive repetition, a breathless rhythm, a combination of introspective movement and prosaic elements, and a staging of proferation.

Accattone #8 addresses matters of construction in relation to time, use, change and technical knowledge against the backdrop of the "negative commons" inherited from the productivist society of the past century—"zombie" habits, desires, products and processes that our contemporary condition can no longer sustain, yet cannot help but reproduce.

This publication examines the intersection of art and politics, through the deeply engaged work and thought of two contemporary artists.

A chronological dive into a decade of production from one of the major representatives of contemporary drawing, with over 500 images and an essay by Catherine Francblin.

The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art, written in 1971, reevaluates the legacies of painting inherited by the artist Nilima Sheikh.

A selection of sculptural works and installations by a prestigious line-up of contemporary artists from across the globe (Alicja Kwade, Daniel Buren, Lee Ufan, Bertrand Lavier, Ugo Rondinone) on the Côte d'Azur, outside their usual exhibition context.

Talisa Lallai's artist book Post Tropical follows the concept of a travel magazine: it offers unique photo spreads of tropical objects, interspersed with critical essays and reprints of travel advertisements, to point to the presence of colonialism in the contemporary Global North.

Judy Chicago, Brook Hsu, Bárbara Sánchez-Kane, Peter Shire, Lu Yang, Megan Plunkett, Lutz Bacher, Sung Tieu, 60th Venice Biennale by Estelle Hoy; Igi Lola Ayedun, Diamond Stingily, Sin Wai Kin, Win McCarthy...

Published on the occasion of Mudun Short Story Prize, an international competition that pays tribute to cities around the Arab world which was launched by the Barjeel Art Foundation, Sharjah (UAE), Mudun: Stories from Arab Cities brings together the 19 stories—10 in Arabic and nine in English—that were shortlisted for the prize, including the winning submissions.

Catalogue of the first edition of a project that turns Palazzo Esposizioni on an annual basis into a primary observatory for exploring the visions and the research go those foreign scholars and artists who spend a period of residency in Rome every year, a guests of the Academies and Cultural Institutes that have been part of a city's life since the seventeenth century.

What gets counted within the category of heritage, and who gets to do the counting?

The first issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

The history of nonprofit and alternative exhibition spaces in Bologna from 1977 up to the present.

Jordan Nassar, Whitney Biennal, Martha Jungwirth, Saj Issa...

A reflection on the relation between art, museum institutions and climate activism.

A portrait of the cohesive community of women artists in Frogtown, Los Angeles, including Ruby Neri, Hilary Pecis, Megan Reed, Lily Stockman , and Austyn Weiner.

The third volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

Introduction to Sylvère Lotringer's Interviews by Chris Kraus, interviews with David Wojnarowicz and Kathy Acker by Sylvère Lotringer, Machines for Looking by Karl Holmqvist, Anette Freudenberger on Hélène Fauquet, Gianmaria Andreetta on Yuki Kimura, Nick Irvin on Sam Pulitzer, Annie Ochmanek on Marc Kokopeli, Benoît Lamy de la Chapelle on Nicolas Ceccaldi, Shiv Kotecha on Klara Lidén and Hannah Black, Anke Dyes on Marie Angeletti, E.C. Feiss on Andrea Fraser, Thea Westreich Wagner, Our Guide to Comedy-Adventure by Bernadette Van-Huy.

The far right and culture in Italy; everyday dystopia in Palestine; extraterrestrials and conspiracy; interview with Yolande Zauberman; intimacy coordinators against predatory cinema; meeting with Camila Sosa Villada...

Speaking Nearby blends theoretical orientations and artistic gestures that embody various degrees of intimacy, sympathy, and permeability.

Anne Mathuri, Amal Khlif, Fanny Chiarello, Delphine Dora, Félicie Bazelaire, Dominique Grimaud, Kevin Orliange, the Fougère label, John Butcher...

A journey through the artist's work and life.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A major work by the American sound artist and composer, the culmination of three years' work inspired by nature and the animal world, introducing her voice, but also drums, into her sound palette.

A continuation of Jean-Guy Coulange's radio projects and his attempt to "show sound".

Art, empathy and political solidarity.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Alioune Diagne's project for the first Senegalese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

First comprehensive monograph: in-depth survey of İpek Duben's oeuvre spanning more than four decades.

The first vinyl release from French composer-performer Léo Dupleix, an active member of the international community of younger musicians working with just intonation.

Pierre Wat invites height artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

A book bringing together about 160 portraits of artists when they were "about" five years old.

New monograph.

Social Engineering brings together thirteen text fragments from so-called phishing emails. Using speech synthesis, they are spoken, sung, and/or transformed into abstract textures. The result is a 36-minute language and sound collage devoted to the dark forces of phishing.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

An overview of the radical universe and pictorially committed Portuguese painter José Loureiro’s work.

A comprehensive survey of acclaimed artist Ariane Loze's videographic oeuvre.

The French producer's 9th album features two time-stretched, profound analog-textured pieces based on the physical and emotional swaying motion suggested by its title and recorded during some concerts played in the summer of 2019.

How machine learning and computer vision generate images.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Parker and Pollock's seminal volume of feminist art history.

A performance for solo guitar and objects coming on top of a decade-long sonic exploration of the potentialities of the guitar as a pure sound generator by Modena-based composer and musician Luca Perciballi.

A collection of photographs of couples, as evocative as they are mysterious.

Double issue dedicated to the memory of Bernard Stiegler.

Indian artist Kiran Subbaiah reevaluates the history of Modernism, through its ideals of growth and progress, as one steeped in contradictions around industrialisation and its effects on society.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Le calendrier des révoltes (Calendar of revolts) is a calendar where the usual information relating to each day (saints, historical events, etc.) leaves room for the only mention of a revolt that took place that same day in history or the near past.

This special boxed set, numbered 1 to 50, contains Franck Scurti's DVD Ulf Linde – Marcel Duchamp: Certifié pour copie conforme, Pascal Goblot's DVD Richard Hamilton dans le reflet de Marcel Duchamp and Pascal Goblot's book To be Broken / À refaire le Grand Verre, plus a silkscreen print on transparent film.