Renewing our understanding of Ruscha's art.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

A critical history of VideoArt Festival Locarno.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

Artist Dan Graham and writer Jessica Russell's playful Architecture / Astrologie considers some of the most important and innovative figures in the world of architecture from an angle few would expect: their star signs.

New monograph of the Beninese painter.

Traditions of realism are brought together with the decolonial and ecological concept of "planetarity" to understand a new realism in contemporary art.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A collection exploring the intersections of gender and religion in post-secular knowledge production and visual culture.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

The first documentary account by artist, curator and publisher Ludovic Burel, Le laboratoire de fermentation (The fermentation laboratory) retraces four years of investigation, carried out on several continents, into wild and cultivated plants and the means of fermenting them, questioning our relationship to both the human (individual and society) and the non-human (plant and other).

Kim Hastreiter, co-founder of the beloved Paper magazine, has spent the last 50 years amassing a vast and iconoclastic collection of stuff. This volume, aptly titled STUFF, chronicles an extraordinary slice of history and the people who defined it, using Hastreiter's singular edit of art, fashion, design, photography, books and ephemera as a lens.

First monograph.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Lavishly illustrated, this publication on the Argentine-Swiss artist Vivian Suter offers an immersive approach to her acclaimed painting practice, whose relationship with the natural world makes it particularly challenging.

Reference monograph.

The Forgive Us Our Trespasses Reader explores radical and emancipatory significations and fabulations of trespassing, turning towards practices that transgress and reshape the boundaries of, among other dimensions, currency, governance, religion, spirituality, language, and artificial intelligence.

A new field of counter-investigation across journalism, human rights, art and law.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

An update on the issues at stake in the study of the human microbiome (various bacteria, viruses and micro-organisms that compose the human body's ecosystem), shedding new light on the relationship between humankind and nature and the new micro-biopolitics we are now facing.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.

A collection of critical, polemic, and personal essays composed in the past decade.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

The revelatory world of Emma Reyes.

The revelatory world of Emma Reyes.

Conceived to open up a critical reading of Salvo's work to an international audience, this comprehensive publication includes new critical contributions by an international array of writers and art critics, as well as a visual itinerary through the artist's main themes and series.

The fifth issue of the critical journal Dixit, in which the words of the architects Charlotte Truwant, Dries Rodet, Fuminori Nousaku and Mio Tsuneyama confront each other, around the theme of conditions: of society, of life, of architectural practice and uses, etc.

This monograph on Rosemarie Castoro (1939-2015) spans the New York-based artist’s entire practice.

An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

An autobiographical account and uncompromising meditation on the meaning of design, in the voice of the man who represented the ethical and political conscience of the discipline in the second half of the 20th century.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

The latest chapter of Eritrea-born artist Dawit L. Petros's long-term investigation of the impact of Italian colonialism and its subsequent imprint on the visual cultures, populations and built environments of Africa, Europe and North America.

First monograph of the Brazilian feminist artist.