Set of 8 postcards proposing each one the pattern (to cut oneself) of one of the 8 dice present in Robert Filliou's source installation Eins, Un, One.

The first translation into French of a work by the Japanese philosopher, this book, based on photography and cinema, in dialogue with Cassirer, Heidegger, Marx and the authors of the Frankfurt School, proposes an aesthetic of resistance and rebound that is inseparable from the body and the struggles it involves.

What happens when social scientists write about artworks? How does it affect the academic environment of a business school and how does it change the perception of art? Can it be used as a novel scientific method in the business studies?

A series of artistic residencies in Iraqi Kurdistan.

A selection by Martha Wilson of pages from her diaries that document her experience as a woman and artist between 1965 and 1983 (limited edition, signed by the artist).

First translation into French of a work by the Japanese sociologist and feminist Chizuko Ueno, who questions the relationship of women to historical tragedies, violence, war and terrorism, rejecting all forms of violence, both state and domestic, as well as domination.

Documents on Raphael is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning.

The first monograph of the Romanian avant-garde artist, focusing on the "preliminary drawings" for the work "The Solemn Process" (1964–2008).

A series of compositions using environmental sounds and field recordings from the five continents.

The artist as collector: Albert Oehlen's own artworks nail-to-nail with masterpieces from his personal collection.

The story of a photographer's journey to capture the soul of a place through Intentional Camera Movement photography.

A series of images of Villa Santo Sospir in Saint-Jean-Cap-Ferrat, the "Tattooed Villa" transformed into an artwork by Jean Cocteau, whose Brazilian photographer Mauro Restiffe reveals the hidden details during a residency.

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

The first installment of FUTURE, an ongoing series of publications by Taiyo Onorato & Nico Krebs, explores how our conceptions of the future have changed over the past few decades, how that affects our take on the present and our reactions to changes that lie ahead.

Retrospective monograph, highlighting the work of the French artist-photographer Natacha Lesueur over a period of nearly 30 years.

Belgian soprano Sarah Defrise dedicates her first new music album to the American mezzo-soprano Cathy Berberian, featuring exclusively a capella pieces which were written for Berberian by some of the most prominent composers of her time.

First monograph.

The life and work of Amercian experimental musician/composer/intermedia artist Jerry Hunt (1943-1993)—an intimate portrait of a lifetime spent with one of the most eccentric figures in the world of new music

Télescope intérieur narrates the creation of Inner telescope, an artwork by Eduardo Kac, realized aboard the International Space Station.

First French translation of the essay of the Spanish architect José Ignacio Linazasoro.

Monograph dedicated to the corpus with which the Israeli artist explores, like an archeologist, the historical and geopolitical dimensions of territorialization, colonization, migration and transgression of borders, from issues related to the history of its country of origin.

In 2015, Ukrainian photographer Sergey Melnichenko lives in China. He works there as a dancer. 247 polaroids taken in China by Sergey Melnitchenko is the story in pictures of thirty months of Chinese life.

A project for which artist Simon Moretti invited fifty-one artists to supply a text that they had written or found, to be considered as part of a collaborative artwork to represent their thoughts in the current charged moment in history.

A 1975 unreleased Strumming performance in Antwerp.

Divine Drudgery is an artist book with collages and artworks by James Richards and Leslie Thornton, and contributions by artists, writers and poets centred around liminality and the aesthetics and politics of the invisible.

A territorial project but also a collective, musical, social and political experience of listening and exchange.

The first monograph of London-based Syrian-Armenian artist Hrair Sarkissian—one of the leading figures working with photography globally today.

An overview of the wide-ranging oeuvre of paintings and sculptures by the Chilean-born Swiss-based artist.

Remember the Details is a piece of first-hand political reportage told through the story of images: Skye Arundhati Thomas reflects on the Indian protest movement that began in mid-2019 against anti-Muslim and casteist citizenship laws, writing the history of this important cultural and political moment.

A memoir by Kawasaki-based writer and musician Kazuki Tomokawa, Try Saying You're Alive! offers a semi-fictionalized account of the vibrant Tokyo underground that he has been at the center of since the 1970s.

A social fantasy whose bizarre fault lines and conflicts bear an uncanny resemblance to those of the present day.

An initiatory drift through the complex, multiple and singularly innovative sound art of Frédéric Acquaviva.

Artist's book.

A photographic dive into the history of the Marconi Studio from 1968 to 1978.

An album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2, bringing together five sound collages that deal with the consistency of material and its mutability.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.

A beautiful reflective album built around the piano as a central element and inspired by the sound of whispering.

Algorithm as material and writing.

The Italian edition of Flaubert's account of his trip to Egypt, illustrated by Nathalie du Pasquier.

Mesmerising 1992 performance from the Dhrupad master vocalist Amelia Cuni, accompagnied by renowded vina player Gianni Ricchizzi and Helmut Waibl on pakhawaj.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema.

The complete Ceremonies (2013-2020) by Béatrice Balcou, testing our visual and experiential approach to artworks, confronting us with the basic status of material objects before actually revealing their identity.

Tetsuo Furudate's new album, featuring Keiko Higuchi and Olga Magieres.

Retrospective monograph.

The meeting between the artist and the philosopher, working together to create a common space.

Josh Sperling's first catalogue raisonné: this carefully produced publication (cloth-bound cover, different papers) is a comprehensive record of paintings produced thus far by the prolific artist, featuring an accompanying essay by Kyle Chayka.

This album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.