16 colour postcards

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

Catalogue.

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.

The first monograph dedicated to the choreographer's work.

Inspired by a short story by Alvaro de Carvalhal, a Portuguese writer who died in 1861 at the age of 23, and who was the author of unusual tales which were published posthumously, this libretto, written by Oliveira, is a complete transcription of his filmed opera The Cannibals.

This trio has only one line of instrumentation and remains in total harmony throughout, though the melodies and the rhythms often arise from unexpected places. An incisive and vertiginous climb towards pleasure and dreams, street music and dance music; these fragile and volatile moments were fixed in concert in Vandœuvre in 1989.

Catalogue.

Drowning by Numbers tells the story of three women from different age groups named Cissie Colpitts who each have murdered their husbands by drowning them. The narrative structure of the film underlies a numerical order based on the number 100. A fascinating riddle on man's relationship with death and time.

The first monograph to explore the entire work of the master of Portuguese film (interview with and visual lay-out by Manoel de Oliveira).

A retrospect on the abundant work of this poetic artist, explorer of images and builder of labyrinths who expresses himself on film, in the theater and in his writings. Interview with, and visual lay-out by Raul Ruiz.

This monograph points up the many facets of Greenaway's work—pictorial, literary, musical and philosophical—all of which are inherent to his films.

Brochure/catalogue (24 pages) of an exhibition that took place in 1987, simultaneously in Milan (Mercato del Sale gallery) and Paris (Donguy gallery), presenting the pictorial version of metaphysical poems.

The use of concrete in visual arts, from 1976 to 1987.

Catalogue documenting the eponymous installation—250 clocks and 250 hammers mounted on a wall—especially commissioned by Le Magasin in 1987. The publication includes texts by Jacques Guillot, Franz Kaizer, Dominique Gonzales-Foerster, and René Denizot.

Catalogue dedicated to the exhibition held by the pionneer of Arte Povera at Le Magasin in 1986 in France. With a text by Franz Kaiser.

Special ioffer for the purchase of the two volumes of Marcel Joray's book.

The first edition of Julien Blaine's "metaphysical poems".

Exhibition catalogue.

An essay by Christian Prigent.

Reference monograph edited by the artist, with introductions by Octavio Paz and John Golding.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Catalogue.

Portrait of On Kawara by René Denizot.

Five by seven, nine works by Richard Tuttle for Yvon Lambert.

The use of concrete in visual arts, until the late 1970s.

Pocketbook.

Pocketbook.

Pocketbook.

Pocketbook.

Third volume of the great reference monograph conceived and designed by the artist, illustrating Vasarely's oeuvre from 1929 to 1974.

Second volume of the great reference monograph conceived and designed by the artist.

A selection of photographs by Lucien Hervé on Le Corbusier and his buildings, with texts and sketches by Le Corbusier, especially around Ronchamp and Chandigarh.

A selection of photographs by Lucien Hervé on Le Corbusier and his buildings, with texts and sketches by Le Corbusier, especially around Ronchamp and Chandigarh.

1970 artist's book: Buren explains and positions his work with commented plans.

Original gelatin silver print (circa 1968) by Pierre Molinier, on sealed Kodak Kodura paper.

Reference monograph, with an introduction by Marcel Brion.

Reference monograph, with an introduction by Marcel Brion.

Reference monograph, with an introduction by Marcel Brion.

Reference monograph, with an introduction by Marcel Brion, and with an original engraving from 1966, numbered and signed.

Hartung's early watercolor works on paper (33 tipped in full page color illustrations, under boxset).

First volume of the great reference monograph conceived and designed by the artist, offering a glimpse of Vasarely's graphic period.

First volume of the great reference monograph conceived and designed by the artist, offering a glimpse of Vasarely's graphic period.