This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

First monograph devoted to the US-based British artist, known for his sculptures made from everyday objects and urban furniture (also available in English edition).

First monograph of the artist "hacking" the video game imagery..

New drawings, designs and an essay by American graphic artist and filmmaker.

Mike Kelley's major interviews and critical essays.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

A re-edition of the original cult book of well known Swiss photographer.

Two texts by Jean-Charles Agboton-Jumeau et Marion Hohlfeldt on Lefevre Jean Claude, with some “inserts” by the artist on divider pages.

Catalogue.

An electric rock performance seen as an attempt to free literature from the realm of the book (illustration cover by Thomas Hirschhorn).

Documentation of the O-ist religion created by Shaw.

The most comprehensive monograph on Oehlen's paintings.

John Armleder's 404 Team yellow pages.

First monograph.

German artist's "word-images" (early works).

Inside the artist's apartment and studio.

An “anti-humanist” musical piece, overlaying Klaus Weber's voice and frequency ranges defined in relation to the hearing of cricket (limited edition).

A collection of artist's writings about literature, semantics, dreams, poetry, photography, women...

A collection of artist's writings about literature, semantics, dreams, poetry, photography... (limited edition accompanied by a hand-enhanced photograph).

An imaginary odyssey through Réunion Island and Antarctica, inspired by the life of explorer Ernest Shackleton.

First monograph dedicated to the French architect.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

Fully illustrated monograph, with three essays and a chronology.

Conceived by the artist, this book gathers unpublished manuscripts, well-known as well as unshown works from his personal collection, erotic cartoons, fan's photographs, photographs of “white trash” suburbs and studio shots.

A monograph that imitates a jewelry catalogue, dedicated to Kelley's most recent body of works.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

The art scene for collectors, and art and economics.

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

The correspondance between Otto Muehl and Erika Stocker forms an intense journal of Viennese actionism, and more particularly of the artist's work.

Otto Muehl was condemned to 7 years of prison in 1991. He exchanged letters with his family and friends, he painted.

Artist's book (photographs taken on the road).

Artist's book born from the encounter between Charles Pennequin's texts and the intimate immediacy of Pascal Doury's sketchbooks. The DVD features the film Je me jette as well as four other videos.

Portraits of the workers on the tramway line in Strasbourg, with texts by Philippe Lacoue-Labarthe and Jean-Luc Nancy.

Erotic drawings of the 60's and 70's in Leningrad.

First monograph.

A surprising book-object created by the artist.

An investigation into the relationship between art and entertainment.

A retrospective presentation of 10 years of creation resulting from the association of international contemporary artists and commissions for public works.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

An experimental narrative by writer and poet Jerome Mauche.

Free improvisations in solo clarinet.

159 minutes of minimal electronic music, readings, soundtracks from the archives of Angus MacLise 1963-1976.

Three exibitions by Éric Troncy (with Robert Barry, Angela Bulloch, Jake and Dinos Chapman, Sylvie Fleury, Gloria Friedmann, Liam Gillick, Felix Gonzalez-Torres, Gucci, Pierre Huyghe, On Kawara, Anselm Kiefer, Bertrand Lavier, Claude Lévêque, Sol LeWitt, Allan McCollum, Sarah Morris, Helmut Newton, Philippe Parreno, Ugo Rondinone, Thomas Ruff, Niele Toroni, Xavier Veilhan, Andy Warhol, Franz West...).

Quotes, aphorisms and stories to relate Tchouang-tseu's Eastern thought to Wittgenstein's philosophy.

Geneviève Asse's reflections on her pictorial and graphic work (limited edition accompanied by a numbered and signed stencil).

Reflections of a major figure of contemporary abstraction on her pictorial and graphic work.