Guillaume Belhomme's first fictional narrative (limited edition with a musical piece by Michael Esposito on a mini CD).

Six conferences on Franco-German epistemology—from Gaston Bachelard to Bruno Latour, Martin Heidegger, and Jacques Lacan—held by biologist Hans-Jörg Rheinberger from 1994 to 2007. The title pays homage to the thought of French philosopher Jacques Derrida.

The entrance of art into culture at large.

Collection of interviews with author and filmmaker Alexander Kluge and philosopher and professor of literature Joseph Vogl, specially produced by Kluge for German television.

Bernard Heidsieck's typescripts.

The first work in a series of portraits of people with Huntington's disease taken as muses, striving to create a radically new understanding of their experience.

Bellamine's poetic painted photographs.

Interviews with Jean-Marie Straub & Danièle Huillet conducted and recorded by Thierry Jousse.

Comprehensive monograph.

Guillaume Belhomme's first fictional narrative.

Political activist Jann-Marc Rouillan chronicles his life on parole after 25 years in prison. With illustrations by Marie-Claire Cordat.

The two philosophers share a dialogue on the representation of thought.

An overview on Carey Young's works from 2003 to today.

MMX is photographer Raphaele Godin's first book. It presents a series of snapshots of her daily life, taken in the 2010s. 

The largest presentation of Marie-Louise Ekman's art ever featured in the form of a book.

A literary tribute to Sarah Lucas, at once an adroit art-historical study and a poetic travelogue.

A multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society: 47 contributions by international thinkers and actors of the art world (with 9 movies on DVD).

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

62 postcards that constitute the collection of the photographs taken and diplayed in the public space in six French regions.

Alternately compared to Joyce, Proust, and Döblin, German writer Peter Kurzeck is nonetheless underestimated. Dedicated to Kurzeck's childhood, this autobiographical publication restores the seductive magic of Frankfurt in the late 1950s, through a reflection on the poetic force of memory. The original narrative was released in 2007 as a German audio-book.

A complete documentation on Roman Signer's first permanent public commission.

A collection of 29 pieces recorded 1980-84 by Dominik Steiger. Outsider art home-recordings using voice, acoustic guitar, accordion and bontempi organ.

Artist's book: the last part of a complex project initiated in 2010—an exploration of the intimate legacies of Sun Ra's peculiar body of work (texts by Diedrich Diederichsen, Anthony Elms, J. Griffith Rollefson...).

The long overdue first proper collection of sound-poetry / musique concrete pieces by German installation & conceptual artist Michael Barthel.

Mon's early concrete phonetic poems recorded 1962-64, as well as the radio-play “Ich bin der ich bin die” from 1971.

Reference monograph: a complete overview of the production of French artist Camille Henrot, awarded Silver Lion of the 55th Venice Biennale, over nearly 10 years, with about 400 images, two essays and an interview.

Artist's book (an enlarged 2nd edition of Yang's long out of print Grid Bloc from 2000).

Monograph based on the specific project conceived by Huang Yong Ping for his exhibition at Musée d'Art Contemporain de Lyon, with numerous essays that trace the entire career of the artist, as well as an abundant iconography on the exhibition.

Autobiography of Hungarian stage director and playwright George Tabori: a collection of memories oscillating between pathos and drama, delivering a lucid picture of the rise of Nazism.

This 3.5 meters-wide artist's book documents and extends a multifaceted installation by artist Andreas Fogarasi—at once a panoramic view of Istanbul, a public platform, a dysfunctional look-out and a touristic attraction.

This first volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s.

This second volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s through to the present.

Fully illustrated retrospective monograph based on Kimsooja's project presented at the Korean Pavilion of the 55th Venice Biennale in 2013, with numerous newly commissioned and re-published texts.

Limited edition of Kimsooja's monograph, accompanied by a Korean Bottari and a screenprinted bag.

Reference monograph.

A conversation between two artists, conducted in the form of spontaneous reflections on the images with which they confront each other.

A tribute to Gianni Piacentino's art and to his sense of independence with works spanning 1966 to the present.

A singular digital catalogue, designed in close collaboration with the artist, that allows to understand how Roe Ethridge thinks, edits and organizes his images.

Reference monograph (available in English edition).

First monograph dedicated to the dense, abundant and exuberant work of French painter and sculptor Raymond Reynaud (1920-2007), a figure of art brut.

New monograph, dedicated to Jay DeFeo's late work: paintings of the 1980s as well as the exceptional corpus of drawings of the 1980s and her photographic oeuvre of the 1970s.

Neomaterialism explores the meaning of the world of commodities, and reintroduces various notions of dialectical materialism into the conversation on the subjectivity and vitalism of things.

A fragmented & paranoïac narrative starring psychic murders and Disney's character Pete.

Contemporary art and the “colonial present.”

Ulf Linde summarizes his decades of investigation into the geometry of Duchamp's works.

Artist' book (Andro Wekua's recent works).

Reference monograph: an overview of Paulina Olowska's work, with an interview with Adam Szymczyk and an essay by Jan Verwoert.

Issue dedicated to John Baldessari.

Artist's book.

The catalogue of a cycle of exhibitions that took place over the course of four years, from a reflection on the notion of the “mediation” of artworks (withDavid Lamelas, Benoit Maire, Dominique Petitgand, Giasco Bertoli, Robert Breer, Esther Ferrer, Felix Gonzalez-Torres, Ben Kinmont, Jirí Kovanda, Martha Rosler...).