This publication gathers a series of texts investigating the topic of escape.

A collection of essays on contemporary art, literature, landscape, aesthetics, and cultural history.

Texts and interviews around the work of dancer and choreographer Xavier Le Roy.

A manifesto for an organic architecture that provides a new reading of Patrick Berger's proposal for the Canopy of Les Halles in Paris, and of the main research and experiments undertaken by the Parisian architect during his career, by comparing architectural and biological structures.

Jean-Luc Godard and art (a return on Godard's controversial project at the Centre Pompidou in 2006).

A “memorial” consisting of testimonies and interviews with friends, models, collaborators, and specialists of Robert Mapplethorpe (Pierre Apraxine, Pierre Bergé, Germano Celant, Lucinda Childs, Marcus Leatherdale, Richard Marshall, Bettina Rheims...).

Critical texts by Kim Gordon brought together for the first time.

Luis Camnitzer plays the Drawing Room Confessions.

The art of etching in Hartung's work

Michel Parmentier's writings and interviews.

Andrea Pichl's photographs, sculptures, and drawings to date, with two essays by Sven Beckstette and Gabriele Knapstein.

Three artist's books in a box set.

A series of provocative projects by the architectural collective Decolonizing Architecture Art Residency (DAAR) that try to imagine “the morning after revolution.”

A new collaborative publication, that has evolved within the framework of two geographically separate yet collaboratively conceived exhibitions.

An extraordinary overview of Ion Grigorescu's body of work since the late 1960s until today.

New monograph.

Critical photography.

Texts and interviews around the work of dancer and choreographer Xavier Le Roy (available in English edition).

Reference monograph dedicated to Romanian artist Geta Brătescu, one of the most remarkable personalities of the Eastern European postwar avant-garde.

Artist Stéphane Blanquet re-draws a collection of (mostly) vintage pornographic pictures. These disturbing diptychs constitute an essential catalog of sexual fantasies and oddities.

A collection of essays in which Chantal Pontbriand examines themes of being-in-common in today's world and their relation to the development of art practices.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Ella Kruglyanskaya, Christian Falsnaes, Ned Vena, Haroon Mirza, Loretta Fahrenholz; the deployment of off-camera commentary as a conceptual device in moving image works; the controversial work of Francesco Vezzoli; Kaspar Müller, Simon Castets, the art scene in Shanghai, Christina Ramberg, Albert Oehlen, Matthew Barney...

A double portrait of Libya.

First publication ever to focus exclusively on Marcel Duchamp's Pharmacie, the first rectified readymade in art history.

This script by Peter Greenaway follows Russian director Eisenstein to Guanajuato, Mexico, where he worked for ten days on Que Viva Mexico. Ten days that shook Eisenstein face to face with sex and death which changed the man and the filmmaker.

A short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

Zine/artists' book.

Artist Bill Vorn creates robotics as part of his research on artificial life and machine anthropomorphism. This catalogue, intended to be a robograhpy of the artist, attempts to understand, if perhaps not the phenomenon, then at least Bill Vorn's innovative approach to it (with contributions by Ian Fenelon and Jean-Paul Fourmentraux).

Other Writing.

An experimental film by Oswald Wiener (1965)—copy signed by the artist.

The collaborative construction and deconstruction process of the tower designed by Tadashi Kawamata for the Parc de la Villette in Paris.

A parallel between the artistic paths of four leading figures in contemporary art: Enrico Castellani, Dan Colen, Dadamaino and Piotr Uklański.

Questioning neoliberalism: a collection of Jeff Derksen's writings on art, architecture, and globalism.

Retrospective monograph of the work both conceptual and sensitive of Dadamaino (1930-2004), at the crossroads of major European postwar avant-garde movements.

Issue dedicated to Marguerite Duras.

First meeting recorded live at Swissnex, San-Francisco, in February 2009 (Fred Frith: electric guitar; Michel Doneda: soprano and sopranino saxes).

RadioDordogne#1 is a vast montage of sound recordings made by the sound cartographers in 2014 for the web radio RadioDordogne. Sound heritage, readings, landscapes, archives, musical creations are intertwined to propose six radio pieces for listening.

Anne Van der Linden's drawings and paintings from 2008 to 2014.

The novel by Jean-Louis Costes in a deluxe edition, illustrated by Anne Van der Linden—the crazy epic of Costes' grandfather at the beginning of the 20th century: a Cossack in Russia, a legionnaire in Morocco, a convict in Guyana and a collaborator in 1940...

Numbered edition of Bernard Heidsieck's famous map of Vaduz.

A collection of texts in which a number of art historians and other professionals reflect on the artists' practice.

Each issue of Gong! gives carte blanche to an artist to appropriate the space of the magazine. For its first publication, Gong! invited illustrator and fanzine publisher Mirena Ossorno.

A photographic journey of rediscovery of the native country of the Swiss photographer of Burmese origin, in search of the familiar in the "exotic".

Schlecker by Rafa Castells displays a selection of pictures documenting the artist's day-to-day life. This first monograph also stands as an aesthetical essay on the symbolic effects of light and colour—offering a luminous discourse on photography and life.

Milanese photographer Giuseppe Pino is known as a refined portraitist and an extraordinary observer of the jazz universe. This book contains timeless faces that have marked the past century, including Vladimir Nabokov, Andy Warhol, Frank Zappa, Giorgio Armani and more.

Framework is a series of graphic scores and recordings by Copenhagen-based musician Mads Emil Nielsen. Framework 1 consists of 14 hand-drawn graphic scores, printed in risograph, with simple instructions and a recording for each score.

A meeting of the GOL group with Brunhild Meyer-Ferrari around the piece composed in 1969 by Luc Ferrari, and an improvisation.

A series of speechless strips made in Indian ink describing absurd warfare conflicts set in bucolic landscapes.

“Re-Thinking Sculpture: Part Two” with two essays by Maxime Coulombe and Marie-Hélène Leblanc, and two interviews with James Nizam and Guillaume La Brie. Also in this issue: “Soundscape as Material” by Josianne Poirier “Monoceros: of the Earth, for the Stars” by RM Vaughan, interview with Derya Akay…