The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

Released in parallel of an exhibition at Kunstverein München, this USB card gathers a collection of electronic works by Dexter Sinister produced from 2008 to 2015.

Autumnal Sisters recollects seven performances by Alessandro Bosetti, in solo and teaming up with writer Kim Taeyong and video maker Orolo. It is the first extensive document of Bosetti's work with MaskMirror, a musical instrument which takes language rather than sound as it's main material.

An iconographic and analytic portrait of artist Pascale Weber's singular practice.

This publication documents the making of a sound mapping project of the city of Melbourne by artists Jean-Luc Guionnet and Eric La Casa.

The semi-autobiographical account of the life of a young German in the 1960s, between Germany, Israel, and The United States. First translation of philosopher Reiner Schürmann's only literary work, originally published in French in 1976.

A collection of previously unpublished texts by the French philosopher.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

New monograph, with thirty emblematic paintings, a text by the artist, and an essay by Francesco Manacorda.

British novelist Tom McCarthy questions the specific obsession with time in modern and contemporary literature, examining the works of Thomas Pynchon, J. G. Ballard, Maurice Blanchot, Thomas Mann, Joseph Conrad, James Joyce, and William Faulkner. The essay is followed by a conversation with the author in which he discusses his own practice of writing.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

An electrical poem by Charles Plymell first published in 1966 in Lawrence Ferlinghetti's City Lights Journal, with a CD on which Bill Nace plays a music inspired by his own reading of Apocalypse Rose.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

In 1982 Barbara Davatz photographed 12 young couples from the Zurich scen—lovers, friends or kin. She portrayed them again in 1988, 1997 and 2014, covering more than three decades of human relations, aesthetic and social evolution.

On a long, cold winter night, more than three hundred years ago, Mister Descartes is suddenly beset by profound doubts: Can I trust my senses, or am I fooled by illusions? Is there an Evil Genius behind all things? What if the outside world is only a dream? Is my own existence nothing but the product of my imagination? (an illustrated philosophy book for children).

This “book-object” prompts the reader to piece together a fragmented narrative comprising texts and pictures to color, to copy, to associate…

Major monograph on Phillip King, whose work has been essential in the revival of British sculpture in the early 1960s through experiments with abstraction, construction and color. This book gathers various texts and an interview, exhibition views, and a complete illustrated chronology over 300 pages.

First monograph.

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

Between 1946 and 1953, the Macy Conferences brought together a diverse and interdisciplinary community of researchers who together developed the basics of the new science of cybernetics. This publication contains the complete transcription and protocols of all contributions of one of the most important event in the contemporary history of science.

Inferno sheds a sharp light on the news of contemporary art and scenes. In this issue: Yoko Ono, Fischli & Weiss, Trajal Harrell, Jodorowsky, Cindy Sherman, Sigmar Polke, Dance in New York, Berlin special feature, Philippe Parreno, Paul McCarthy, Ai Weiwei, Castellucci's Moses und Aron, Arty Lisbon, Lyon and Istanbul's Biennials, Winter-Spring 2016 program...

Seven meditations for clarinets, pianos and electronics: The Long Exhale catalogues psychoacoustic experiments and sparse acoustic excursions undertaken between 2014 and 2015 by Australian composer/performers Anthony Burr (clarinets, ARP 2600) and Anthony Pateras (piano, prepared piano).

A minimalist piece of forty-four minutes in which the electroacoustic composer and experimental guitarist goes beyond the conventional modes of the instrumental approach, deploys a radically personal atypical universe and subtly explores the idea of space by generating different degrees of tension and emotion.

A second collection of poem by French poet Rosalie Bribes, in which she investigates the theme of the “other”.

A billion perspectives on the same instrumental explosion, by Anthony Pateras and Valerio Tricoli.

A dive into the world of Frederic Le Junter's machines and DIY instruments.

Instruments that sound like instruments: the debut album from North of North, featuring Anthony Pateras (piano), Scott Tinkler (trumpet) and Erkki Veltheim (violin).

Ramiro E has been taking photographs of teenagers for the last twenty years, mostly in personal private sessions in his study or home, but also as editorial jobs and random street shoots. This thick volume compiles images of almost every girl he's photographed, combining many different years, formats and approaches.

Conversations between Swiss architect Luigi Snozzi and the philosopher Fabio Merlini.

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

Music for two prepared pianos (Erik Griswold & Anthony Pateras) and electronics (Robin Fox) without precedent.

An audio collage based on an archive of carpentry and hardware recordings from Mads Emil Nielsen's "SoundTales" project, released on limited edition CD with three printed drawings by French, Amsterdam-based visual artist Julie Dassaud.

A photographic itinerary through the life of Adrià Cañameras and his girlfriend Mar in the heart of Madrid.

A photographic account of the life of a teenagers' group in London.

Postcards from Home documents the encounters between Roc Herms and several different avatars during his years of participation in a virtual world created for Playstation 3.

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

All posters produced by M/M (Paris) for CDDB-Théâtre de Lorient since 1996, with comments by Eric Vigner, Bénédicte Vigner, and Mathias Augustyniak (edition completed with a photographic booklet and the theater's 20th anniversary programming).

An unpublished novel by one of the great figures of Land art.

German photographer Heinz Peter Knes offers a new photographic perspective on the furnishing of the CAPC museum of contemporary art in Bordeaux, one of the famous interior designer Andrée Putman's most accomplished projects and a milestone in the history of design.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

The duo's second recording in the “Mind Travels” Series: Petitgrand's sumptuous melodies meet Geins't Naït's hypnotic industrial collages to form a listening experience both immersive and singular.

The duo's second recording in the “Mind Travels” Series: Petitgrand's sumptuous melodies meet Geins't Naït's hypnotic industrial collages to form a listening experience both immersive and singular.

Manuel Raeder's 2016 Wall Calendar (with Armando Andrade Tudela, Mariana Castillo Deball, Heinz Peter Knes, Dominique Gonzalez-Foerster, Tris Vonna-Michell...).

The small opera created by Nicolas Murer for Lili Reynaud-Dewar's installation presented at the 2014 Venice Biennale, sung by Lili Reynaud-Dewar, Nicolas Murer and the choir of HEAD, Geneva.

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

Richard Wentworth plays the Drawing Room Confessions.

Artist Marc Horowitz has photographed each page of an art catalogue by Phillips, the famous auction house in New York, having placed on the pages the residues of junk food: an irreverent work staging the encounter between art and consumption (artist's book).

Four pieces based on drum/cymbal + synthesizer recordings by Mads Emil Nielsen.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.