First French translation of a pioneering study on Hollywood musicals.

An artist book juxtaposing text and image, history and its revision, The Blind Merchant provides the reader with alternative written and drawn narratives to Shakespeare's The Merchant of Venice adopting the point of view of Jewish moneylender Shylock.

The updated chronological compilation of Yona Friedman's plans, sketches, drawings, models, collages, installations, etc., since 1945: a monumental publication which offers a complete overview of the work of one of the greatest artists-architects and urbanist theoreticians today, in its many dimensions (urban, economic, ecological, cultural, social and political).

Paris céramique is the result of a four-day ceramic workshop that took place in Paris in 2013 with Bastien Aubry, Dimitri Broquard, and Adrien Horni, following an invitation by Thomas Mailaender.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

Filmmaker and writer Alexander Kluge combines fiction and reality to deliver one of the most striking testimonies that have been written about the bombing of German cities by the Allies.

This seventh and penultimate installment in the series Henri Pousseur had programmed around his experimental and electronic music features his earliest works—his first steps—starting in 1954, when at twenty-five he composed his first piece of electronic music in the studios of the Cologne radio, where Stockhausen had created most of his famous pieces.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

Ziad Antar experiments forms, colors and light with his lensless camera, during a long journey searching for the cities where mythology was born. At the core of his work is the questioning of the foundations of photography, through the destructuration of this art (monograph edited in collaboration with Hans Ulrich Obrist).

The new impact of corporations on both the state and the market as the new paradigm of neoliberalism.

Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

The eponymous duo's monograph explore desire in the context of our post industrial, post human society, between globalisation and sustainable development, in this “glocalisation” that produces new objects, new temptations and new perversions.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

Cut-up, lectures, incantations, soundworks recorded by the American writer himself in hotel rooms in Paris, London & New York, in the early 1960s (one of Sub Rosa's absolute classics, officially re-released).

Foregrounds, Distances aims not only to offer the first comprehensive overview of Hohn's work, but also to contribute to a history of painting-based practices, which occupy a marginal place in the established narratives of the art of the 1980s and 1990s.

An exegesis of My Bloody Valentine's noisy pop masterpiece Loveless.

41 watercolors and two installations' views by Francesco Clemente created after the poem Omeros by Derek Walcott—for which he received the Nobel Price—including excerpts from the poem.

A collection of texts by Robert Lebel on surrealism.

An electroacoustic meditation on memories and on the persistence of the aura in a particular place, inspired by Thomas Mann's The Magic Mountain.

Life on the inside is a limited edition of an audio companion to French sculptor Pierre Besson's exhibition at Le Carré in 2014—an excellent addition to the David Toop discography of any wide-ranging ambient fan.

This improvisational band founded in 1968 by Dutch musicians Paul Panhuysen, Remko Scha and Jan van Riet takes its source and inspiration from the works of George Maciunas. This LP edition features two pieces, both recorded on December 19, 1976, and never released before on any format. Here, the group comprised Leon van Noorden and Hans Schuurman, in addition to the founding members.

Reissue of a booklet from 1981, this suite of drawn charts and diagrams was originally published to accompany the films of Rat and Bear—Fischli & Weiss fictional alter egos, and symbols of Western culture's faith on contraries.

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

What Lies In The Sea is the fruit of a ten year collaboration between singer Lynn Cassiers and keyboardist Jozef Dumoulin, and is the first release for their duo Lilly Joel. Both musicians are free spirits and true, much-lauded innovators in their respective fields.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

For the past twenty years, Edith Dekyndt has been redefining the interdependence of the artwork and its exhibition context by relocating her work's experiments in a more extended spatiality and temporality—that of the world's ecosystem. This catalog offers a selective approach of her work on the occasion of a joint exhibition at Le Consortium and Wiels.

A luxurious artist book by Michael Manning gathering a selection of 100 digital drawings, each from four distinct series of paintings.

On the occasion of the republication of eight texts by Charles-Louis Philippe (1874-1909), Nurse With Wound (here, Steven Stapleton & Brian Conniffe) wrote "Music for Miscellaneous: A Piece of the Sky Is Missing", an unreleased mini CD included in the book.

Book of Air is a series of bundled compositions exploring the parameters of sound and time. Their first reseale Fieldtone is a beautiful “acoustic ambient” / dark jazz four-tracks recording inspired by the musicality and silence of nature.

French band Cabaret Contemporain revisiting New York underground legend Moondog with the two Swedish singers Linda Olah and Isabel Sörling.

French band Cabaret Contemporain revisiting New York underground legend Moondog with the two Swedish singers Linda Olah and Isabel Sörling.

Contribution to a critical theory of artwork's economy and poièsis.

Essays about the work of Victor Burgin.

Since 1993 Victor Burgin has produced projection works, in video or digital form. These works, like all his production since the early 1970s, include a substantial textual component which this book offers for appreciation independently of the images.

An unique view into the creative universe and the artistic circle of agnès b. by bringing together major works she has collected and some special contributions (available in

Collection of poems by Dutch poet and communist activist Herman Gorter, key figure of modern poetry in the Netherlands who inspired generations of poets including 1950's avant-garde authors.

Collection of poems gathering texts on similar subjects, such as the unknown, violence and war, technology and information, phylogeny and the ontogenesis.

John Stezaker's artist's book: a series of collages with found images—resorting stylistically to Hollywood's golden era—which find a new life on these pages, as much as a new meaning, if not aura.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

Fifty verses by New-York musician Moondog.

Two different approaches—the Eastern and Western—to Persian instrument Santur, by musicians Hossein Malek and Leo Kupper.

Robert Longo, Vanessa Beecroft and Katy Grannan on the notion of “superimages”, cult magazine Colors, Neïl Beloufa, Isa Genzken, Louisa Gagliardi, Jon Rafman, Josh Kolbo, Gaea Woods, interviews with curator Pierre Bal-Blanc, design studio Vier5, Isabelle Graw, and the Printed Matter team, the social role of art, sexual politics, Carson Chan in conversation with Nik Kosmas, Matt Copson, Kenny Scharf, Sylvie Fleury, a collectable poster of David Bowie by Scott King...

Ambiguity is inherent in images because visual perception is an interpretative act involving memory and imagination. Modern art has made this aspect of perception crucial to its relationship with the viewer. Images potentielles (Potential Images), the first systematic exploration of this topic, considers those works of art that rely to a great degree on imaginative response.