Sebastián Diáz Morales films and videos show that reality is nothing more than a figment of the imagination. Every figure and every narrative in them is a metaphor for the boundary between reality and fiction. This catalogue documents three recents video works by the Argentinian artist.

Facsimile edition of a 1971 small sketchbook by a major painter of the lyrical abstraction, made during one of his many travels in Norway.

A collection of literary texts by contemporary writer Benoît Toqué. It brings together texts written between 2014 and 2017, and either performed at public readings or created during workshops.

Wheels gives a special overview of Olivier Mosset's career through the prism of his fascination for motorcycle and motor vehicles and their influence on his artistic practice.

A collection of visual incursions by Italian artist Emilio Prini in dozens of exhibition catalogues and print publications over the course of five decades. Meticulously researched, and yet necessarily incomplete, this book is a glimpse into the subtlety with which Prini turned each engagement with the world of ideas into a joust for mastery over space, time, and form.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

Monographic study dedicated to director, video artist and photographer Clarisse Hahn. Edited by Nicole Brenez, the publication gathers writings encompassing the variety of her work, from contemporary art to cinema, guerilla groups, and eroticism; conversations with Clarisse Hahn, artists, and art historians; and a series of reproductions of her artworks, photographs, photograms, and videograms.

Through photographic documentation and essay, Altar documents the widespread human urge to elevate secular things to the status of “ritual objects” and combine them to form private altars. Whether they're dust catchers, knickknacks, souvenirs, found objects, meaningful artworks or earnestly and deeply revered objects, they all tell a peculiar story—not in words, but in things—about whoever built the altar.

This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.

This monograph is a photographic record of the interiors of the Palais des Nations in Geneva, before its renovation. The work of François Vermot is the last visual testimony of this labyrinthine building with authoritarian architecture. Built in the 1930s, the Palace was the headquarters of the League of Nations, and then became the European center of the United Nations.

A survey of the eponymous project, which materialized between 2012 and 2017 in different remote places around the world—an annual gathering initiated by artist Angelo Plessas for a community of cultural practitioners concerned with our post-technological life.

Reference monograph.

This publication is a literary narrative depicting radio projects on the landscape of French rivers Somme and Rance. It includes notes documenting the making of the two radio plays, as well as a series of 23 photographs.

Autobiographical fiction telling forty years of radio creation.

Catalogue of the double exhibition examining integral themes within American artist Jay DeFeo's (1929-1989) practice, featuring Sam Falls, Rachel Harrison, Wyatt Kahn, Ron Nagle, Gay Outlaw, Tobias Pils, R.H. Quaytman, Ugo Rondinone, Bosco Sodi, and Oscar Tuazon.

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music.

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music, with an original and unique artwork.

The importance of Gordon Matta-Clark's work in a revaluation of architecture after modernism.

In this lecture, creative director Virgil Abloh takes us behind the scenes of his design process, sharing the essentials of editing, problem-solving, and storytelling.

The first overview on the work of Italian artist Alessandro Piangiamore, with commissioned texts, a comprehensive portfolio of artworks, and the artist's visual references. All the repertoire of Piangiamore speaks of his need to conceive form as something that's open and mutual, and sculptures as objects capable of revealing an absence, a negative trace of that constant passage of state.

The use of the “Other Body” in Performance art and Contemporary Art.

This publication catalogues the trajectory of a cycle of performances of the same name, through which the artist attempted to exhaust his interest in the Guatemalan Civil War as a recurring subject of his work. It documents the six performances in the cycle via foldout colour posters of each work, and an essay by Frédérique Bergholtz and Susan Gibb.

A visual tour de force (artist's book).

American critic Isabelle Graw conducts an innovative genealogical study on the success of painting as a medium. Keeping a close eye on painting's fourteenth century theoretical foundations, Graw analyses the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers. It also includes conversations with artists who confront their vision with that of the author.

In the midst of a demographic crisis, the world witnesses the emergence of a new form of human life, the New Eve, whose particularity is to be transsexual… A tragicomic novel offering an unprecedented reflection on gender and totalitarianism.

First French translation of Judy Chicago's autobiography-manifesto.

A tiny notebook of fantastic and phantasmagorical drawings, in red ink mixed with blue.

This 4th issue of the anthropology journal explores the tension between indeterminacy and narrative in archaeology and art.

Art critic Rahma Khazam brings together a heterogeneous collection of authors offering a variety of interpretations on the work of artist and poet Franck Leibovici.

Chantier is a collective project with Pascal Battus on found objects, Bertrand Gauguet on saxophone, and Eric La Casa on microphones. The trio's proposal is to develop a sound practice created on building sites, amongst the machines and the builders. The fourth part of this project was recorded on the building site of the Philharmonie in Paris.

Pascal Pinaud's drawings and paper works.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

Catalogue / artist's book gathering 137 anonymous works from the 16th century to nowadays coming from the collections of the MUCEM – The Museum of European and Mediterranean Civilisations in Marseille.

This album by Ultraphallus lead singer is a combination of his different forms of music, from ambient-drone, electro-acoustic, sampling and field recordings to free-jazz. Phil Maggi has invited a few generous collaborators (Oren Bloedow, Maja Jantar, Radwan Ghazi Moumneh, Tom Malmendier, Gabriel Séverin and Ludovic Medery) on these eight tracks inspired by Henry Corbin's writings, Nico, Scott Walker and traditional music.

An improvised musical piece recorded with the friends of Herman de Vries at his 80th birthday's summer party on June 18, 2011, in Eschenau. With liner notes by Herman de Vries and photos of the event on the back sleeve.

In 1991, German art group The Oval Language built a multimedia artwork exploring the irrational impact of Leipzig's Monument to the Battle of the Nations to German generations throughout the years. This LP reproduces the sound layer of the event and includes a recording of a live performance at the HGB Leipzig. Inner sleeve contains photos of each stage of the project and texts.

This vinyl LP associates a visual project and a musical piece by the multidisciplinary German artist. Müller's interest with Wagner's composition Rheingold forms the basis of the sound piece, which consists of a mix of layers of Rheingold recordings. Vinyl sleeves features facsimiles of four ash-painted postcards from the series Not a bird.

A panorama of the world of do-it-yourself fanzines.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

Final chapter of a publication series by Ugo Rondinone, this catalogue presents the artist's exhibition on the occasion of the reopening of the Bass Museum of Art in Miami. The volume also takes a look at the Museum's acquisition of Rondinone's Miami Mountain, which follows his iconic mountain series, recognizable for their brightly colored, fluorescent contrasting palates.

This publication gathers a series of photographs made during the artist's formative years. Between 2004 and 2008, Nadim Asfar photographed anonymous passersby from the balcony of his studio in Beirut. As faceless figures cast shadows under the hard city light, heading in undisclosed directions, their narratives are only announced, never told.

This leporello artist's book is the last iteration of an ever-mutating project by artist Tanaz Modabber. It reproduces a sixty-meter-long drawing which was also used in the past as a score, and as a referential mapping. The work also refers to the links between poetry, music, architecture, and politics in Iran.

Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. Therefore, critical analyses regularly reduced the artwork to its material and its social use. Based on this observation, historian Sebastian Egenhofer takes Deleuze's readings of philosophers as a starting point to renew the narrative of art history since the 1960s.

A poetic narrative in which the author, sound artist Émilie Mouchous, investigates her own psyche through an exploration of plants. The artist's first publication features a hyperlink to download the soundtrack of the poem, an 18-minute piece with voice and synthesizers.

Artist and photographer Gil Lesage brings together for the first time a selection of her personal work since the 1980s: a hundred black & white images of sheer intensity, combined with family archives (with contributions by Samuel Benchetrit, Jean -Charles de Castelbajac, Etienne Daho…).

This publication presents a series of some forty autobiographical drawings in pencil, ink and watercolor. The artist chose to recount his life as a children's story, flicking through fleeting memories, dramatic events, and brief anecdotes.

Sound artist Anne-F Jacques' first publication: an inventory of objects and materials with which she produces sound and kinetic assemblages. The book features a selection of recent drawings from the artist's notebooks.

The first monograph of the artist, looking back at 20 years of artistic practice through her variable projects: paintings and drawings, installations, films and videos. The publication gathers texts by Patricia Falguières, Rabih Mroué, and Ghassan Salhab, as well as interviews with Lamia Joreige by Etel Adnan, Kader Attia, Lav Diaz, and Charbel Habre.