This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

Specially designed box containing a series of five books conceived by the New York–based Swiss artist Ugo Rondinone, published over two years to accompany a cycle of exhibitions devoted to works inspired by the color spectrum, with the centerpiece being Vocabulary of Solitude, forty-five life-size sculptures of clowns. Limited edition of 100 copies, box set signed by the artist.

On the occasion of his carte blanche at the Palais de Tokyo (from 17 October 2018 to 6 January 2019), the artist Tomás Saraceno is the guest editor-in-chief of issue 28 of the magazine Palais.

This monograph offers a portrait of over a decade of work by international artist Andrea Galvani. It is a visual excavation into the rigorous research, scientific methodologies, and philosophical thought that underscore his practice. His most notable projects are examined through essays, field notes, calculations, cartographies… in support of a better understanding of a both demanding and fascinating work.

This catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material. With a foreword by Jean Capeille.

Second full-lenght release by German sound-poet and writer Michael Barthel on Tochnit Aleph. A 60-minute piece recited from memory. Recorded April 2018 straight to tape without overdubs. Raw, unsettling, poetically incorrect.

The third and last volume of the publication dedicated to the French underground musical scene.

This publication accompanies Torbjørn Rødland's touring exhibition “Fifth Honeymoon,” featuring thirty new photographs and a new video work, his first in eleven years, as well as newly commissioned essays by the American writer and cultural theorist Sianne Ngai and artist colleague Matias Faldbakken.

As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist/social activist Georgia Sagri. Across performance, video work, and sculpture, she explores the murky relationships between the artist's body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.

Artist's book.

Avant-garde Croatian experimental '70s masterpiece, never reissued before.

A poetic portrait of Francis Bacon, inspired by the artist's own archives.

Artforum invited Ken Okiishi, Jacolby Satterwhite, and Paul McCarthy to reflect on the work of Bruce Nauman in honor of his first comprehensive retrospective in 25 years; Sam McKinniss on the art of John Waters; Alejandro Segade on queer Chicanx zines; Lynne Cook on Anni Albers; Madeleine Schwartz on the 10th Berlin Biennale; plus reviews from Paris, Riga, Milan, Zurich, and more.

This reader addresses the concept of “contemporaneity”, the temporal complexity that follows from the coming together of different temporalities in the same present. It asks how these temporal qualities can be made known in the context of contemporary art research and particularly through practices that involve exhibitionary forms.

A Western Marxist analysis of the relationship between the historical present and political action.

Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence. Claiming that “there is no now,” Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.

A critical analysis of the use of the term contemporary in scholarly and disciplinary discourses through the hypothetical project of a literary history of “the contemporary.”

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

3 vinyl LP edition presenting solely unreleased recordings of Panhuysen's famous long string installations. It documents the period 1982-2012, and includes a posthumous track from 2017. With liner notes by Rolf Sachsse and Stephan Wunderlich, and richly illustrated inner sleeves.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

A conversation with French artist Céline Ahond whose work—from video and objects to performance and collaborative acts—questions the place of the individual, power relations, the territory, and the eventuality of freedom.

A series of off-the-cuff photographs demonstrating the poetic experience of air travel (artist's book).

This catalogue looks back at Hartung's artistic production and life during the Second World War.

A collective reflection on the legacy of Max Neuhaus, the pionneer figure of sound installation art.

A synthesis of the research conducted by the Italian composer since 1987 (new edition).

New compositions for ancient Korean instrument: the Geomungo.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

A Constructed World is the collective project of Geoff Lowe and Jacqueline Riva, founded in 1993. This bilingual publication brings their complete writings from 2001 to 2018. In forty plus texts A Constructed World discuss the subject matter of their work, other artists work and subjects that seemed prescient and in need of discussion at the time.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

The third and final LP report of the Belgian electronic improvised music band from the eighties. Recorded and mixed between 1980 and 1981, Next One's Called… features unreleased songs only. It could be seen as the missing link between their two previous albums—Slaughter in Tiny Place and Europa (limited dark green vinyl LP edition).

This catalogue pays homage to the American artist, whose radical language played a significant role in the birth of a new conception of sculpture. Spanning almost six decades of works, The richly-illustrated publication collects several essays and a full-length interview with Kuehn.

An homage to William Burroughs' and Brion Gysin's eponymous book, this artist book of more than 300 pages is a huge cut-up of the artworks showcased during the group exhibition conceived by Ugo Rondinone at the Palais de Tokyo in 2007.

The first volume of Peter Kurzeck's great autobiographical and poetic chronicle in 12 volumes: the opening of a colossal literary project which portrays the city of Frankfurt and Germany in the early 1980s. A must read, often compared to Proust, Joyce, and Döblin.

A philosophy of decolonization that intends to show how, in knowledge and the arts, the past can be passed.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

First monograph.

This monograph brings together nearly a decade of work, combining sculpture, installation, artist's book and writing. More specifically, the publication explores the themes of growth and training within the artist's conceptual practice, through a long interview conducted by writer and curator Dieter Roelstraete.

This publication looks back at Manoukian's pictorial work, focusing on the 70s and 80s periods of her practice. It includes an essay by Gregory Buchakjian, a chronology by Aline Manoukian, and an interview with the artist by Kristine Khouri.

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

Monograph by artist Athene Galiciadis gathering unpublished artworks, specially created for this publication: inspired by Emma Kunz, Swiss artist and healer, whose work draws on geometric abstraction, Galiciadis produced a series of drawings—figures, spirals, patterns and vases—printed on graph paper, accompanied by photographic documentation.

A comprehensive publication of Rifat Chadirji's photographic folio, which records and analyses the development of his architectural practice in Baghdad, from 1952 until the early 1980s. It provides a unique insight into a collection of photographic sheets that reflect how an architect documented his own work, and coded, organized and referenced his projects using photography.

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

Elizabeth Lebon writes poems, stories and performances, usually with the help of a typewriter. The choice of paper, as well as its format, is centrally important to the conceptualization and experimentation of this artist. This new book-object of concrete poetry plays with the transparency of its leaflets.

LP featuring a recording of the search for a lost tape by musician Ben Patterson, with the help of editor Stefan Fricke and composer hans w. koch. This 1960 lost tape acts a symbolical archive, since it documents Patterson's pre-Fluxus period. Having failed to find it, tehy decided to recreate the recording with a score from this period. The reconstructed track is on the record's B side. This edition includes liner notes, and selected documents chronicling the search.

This LP presents two sound works from the German composer's project “the O. theorem,” which focuses on Nikolai Obouhow's revolutionary concept of “total harmony”. Liner notes by Volker Straebel and Hans W. Koch.

Pauline Oliveros's early and rare electronic works in a strictly limited edition on silver vinyl—with no reprint.

This publication features a series of 152 paper dolls by artist Klaudia Schifferle, also co-founder of cult punk band Kleenex / Liliput. These collages, created with magazine cutouts collaged on A4 paper, embody a certain vision of modern life, identified by consumerism and commodity fetishism.

A pastiche, playful and educational aesthetic manual.