One of the most charming and least well-known Italian cities portrayed through the faces of the people who live there today.

The long-awaited facsimile publication of Dorothy Iannone's 1969 cookbook.

Special issue dedicated to Brazilian poet Augusto de Campos.

A biography of the founder of Pataphysics, by Alastair Brotchie.

An extensive investigation on art conducted for thirty years by an artist for whom the archives constitute an artistic material in its own right.

This luxurious comprehensive catalogue, lavishly illustrated, brings together works from throughout the artist's career, from early collages and Polaroids, to the images of flowers, nudes, sexuality and portraits that made him one of the most notable photographers of the last century. It includes texts by art historian Jonathan K. Nelson and by Susan Sontag

First monograph dedicated to the artistic freelance photography of industrial photographer and filmmaker Giorgio Wolfensberger (1945-2016). Beginning with the black-and-white documentary photography of his first years, the publication then documents a rich body of colorful photographs depicting with humor, the strangeness of everyday life and its objects.

A collection of texts by Soviet avant-garde filmmaker and theoretician Dziga Vertov, including a critical apparatus and visual documents.

Reference monograph.

An investigation into the artistic and political issues of participatory art since the 1990s.

Catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

The sixth volume of the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, brings together two films by Belgian filmmaker Jef Cornelis on the opening of the Castello di Rivoli in 1985, whose inaugural exhibition was conceived by curator Rudi Fuchs, and the 1987 edition of Skulptur Projekte Münster, organized by Kasper König and Klaus Bussmann.

Concert by the improviser quartet recorded in public on September 22, 2018 at the Romanesque church in Vézac (France).

A selection of recent works by one of the central figures in today's Norwegian painting.

A sound dialogue between eRikM and Anthony Pateras.

In Myotis, Anthony Laguerre goes beyond rhythm using improvisation and a free approach as main technical support of invention. In a research based on rhythm and sound material around drums, he expresses sensitivity, softness and power thanks to expert skills and sound recording techniques. The union of these materials create songs made of multiple tones combined with percussions and occasionally harmonica.

First monograph.

Simon Boudvin brings a narrative but also political depth to the architectural project of building the new museum of folklore in Mouscon.

This artist's book assembles 41 titles of literary works, transcribed in homophonic translation. An exercise in concrete poetry, stemming from the Oulipo tradition. To be seen as much as read.

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

Collection of essays by Nicolas Bourriaud on the protean, poetic and Rabelaisian Swedish artist Erik Dietman.

This catalogue aims to document the creative process behind Zoete's work, starting from preliminary drawings to the completion of his models, sculptures, and architectural constructions. Essays and iconography offer a complete exploration of the Belgian's practice, which builds on the legacies of the German Bauhaus and Russian Constructivism.

All for All! is a trip through All! (2012-2017), a project conceived by Kinkaleri and instigated by the voracious attacks on language committed by William Seward Burroughs. It intentionally strays beyond the limits of theatre and dance, suggesting an outside and setting the possible into motion along an undecidable boundary between the body and language.

The score composed and recorded by KTL (Stephen O'Malley & Peter Rehberg) for the dance piece ‘The Pyre', written and directed by Gisèle Vienne. A tensed composition haunted by the voice of Dennis Cooper.

This publication presents a comic strip made by a 20-year old Nathalie Du Pasquier in remembrance of a six months journey in Gabon. Inspired by a clipping from a Gabonese daily, the cartoon tells the colorful story of a clumsy Don Giovanni. This edition features an introductory text by the artist, the translated strip, and a facsimile of the comic book in original French version.

A conversation with multidisciplinary French artist Béatrice Balcou, whose work investigates reflexive issues directed at her practice, such as the spectator's experience and the artistic gesture.

The ninth solo album of the American composer and percussionist reflects his move to Manhattan, where he produced Stadium. Starting with urban field recordings, he then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. Central to his work, his drumset and acoustic percussion performances are pushed to new levels with mesmerizing string and brass arrangements.

Monograph showcasing 18 years of practice by the Swiss photographer. Alternating snapshots, self-portraits, documentary and fashion photography, pictures of arranged landscapes, buildings, people, and furniture, this publication provides a wide overview of Wassmann's artistic approach through associative sequences weaving on a loose narrative, like a stream of consciousness.

The ninth solo album of the American composer and percussionist reflects his move to Manhattan, where he produced Stadium. Starting with urban field recordings, he then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. Central to his work, his drumset and acoustic percussion performances are pushed to new levels with mesmerizing string and brass arrangements.

60 black and white photos taken in Lebanon, accompanied by poems by the artist.

A visual archive of the Islamic State's destruction of artifacts.

Catalogue of the first international retrospective dedicated to Brazilian-Italian painter Alfredo Volpi: a thorough exploration in words and images of the painter's peculiar life and career—from the bounds and relationships with the Brazilian art community, to his special link to the city of São Paulo and his adopted country, leading to the development of his unique artistic language.

Publication accompanying the eponymous film by Danilo Correale, They Will Say I Killed Them is an investigation on Italian film projects that were aborted due to censorship, from the 1950s to the 80s.

A series of hallucinatory illustrations inspired by psychedelic art and the darkest side of fairy tales.

This catalogue focuses on an immersive one-year project in Portugal, centered around questions of global ecology and tourism. Kawamata's large scale installation integrates both plastic residues and abandoned boats collected on Portugal's shores during beach cleaning campaigns. The publication features a text by the artist, exhibition views, and a section documenting related projects made by Kawamata throughout his career.

An architectural exploration of haunted locations in Singapore.

Monograph on the work of Chinese artist Hu Xiaoyuan, featuring an essay by Nicolas Bourriaud and a conversation between Gea Politi and the artist.

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio. This Artist Edition includes an additional 7" record, engraved with an exclusive track on one side and etched with a Charlemagne Palestine drawing on the other.

This comprehensive monograph offers an overview of the artist's oeuvre from the last decade. It brings together essays which explore Værslev's relationship to the history of painting and suburban architecture and culture, as well as his artistic process.

In 2006, film director Amos Gitai invited Gabriele Basilico to undertake a journey retracing the locations of the shooting of Gitai's film Free Zone, on the demilitarized zone between Israel and Jordan. This publication follows this unique photographic project.

Tennis Courts III completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

A film on poet and visual artist Jean-Luc Parant.

This publication presents a project by Linda Fregni Nagler about the photographic “School of Yokohama”, which emerged during the Meiji era in Japan. Over the past ten years, the artist has collected hand-colored photographs of this period representing Mount Fuji. She re-photographed them, printed them and colored them by hand, according to colorization method of that time.

Studies for paintings and sculptures.

For its twelfth issue, Initiales pays tribute to Sylvère Lotringer who, in the 1970s, imported the French Theory in the United States.

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

20 proposals for the intersection of artistic practice and research in academic milieu.

The second issue of the magazine FREEING (Our Bodies) is dedicated to the musical work of Frédéric Acquaviva: some forty prestigious contributors (Jean-François Bory, Broutin, Laurent Cauwet, Henri Chopin, Jacques Donguy, Michel Giroud, Bernard Heidsieck, Joël Hubaut, Dorothy Iannone, Otto Muehl, Virgile Novarina, ORLAN, Jean-Luc Parant…) examine and pay tribute to this original creator through poetic texts, portraits, drawings, photographs, interviews, chronicles…