This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

Tom Bishop traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Tom Bishop traces his career and intellectual path through conversations with Donatien Grau.

A polyphonic evocation of the American saxophonist through the testimonies of some forty international musicians.

A series of drawings, sculpture, and a new film, in which the artist explores the ideas of transformation and metamorphosis.

First comprehensive monograph.

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

Visual Cultures as Time Travel proposes a notion of time travel in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of wildfires and floods, of lost and co-opted futures.

Artists, scholars, filmmakers, and writers revisit the films of Danièle Huillet and Jean-Marie Straub.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

Unreleased 25'06 side A track (1979-80) + selected works circa 2000 by a key composer of Belgian electronic music.

A short essay on the concepts of "latent images" and "latency" based on the philosophy and history of the work of French artist Aurélie Pétrel.

Second issue of the critical magazine Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

Marie Bauthias' poetic collages.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

An anthology.

Don Cherry’s New Researches featuring Naná Vasconcelos.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

This edition, printed in serigraphy, delivers the reworked transcription of a recorded interview between musicians Jacques Demierre and Louis Schild, in which the notion of surveying and measurement is examined, among other things and in a conversational manner (with a musical transcription and a contribution from the playwright Michèle Pralong).

A heterophonic musical piece for performative concert, composed by the choreographer Lotus Eddé Khouri.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

Changes in Direction – A Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives.

Swiss photographer Christian Lutz documents right-wing populist people, movements and hot spots all over Europe.

This journey, this slowly drifting sonic meditation, is an "inner soundscape", a dialogue between the senses, the conscience and the world, inside / outside, interconnected. Like waking up from a long dream, and being stuck into its echo. The April Sessions immerges the listener into a drone-ish universe, full of random acousmatic events, inner monologues and a vast and unwritten subjective map to be drawn.

The posthumous catalogue of one of the most personal curatorial projects of Igor Zabel (1958-2005).

Created by the author-poet Frédéric Forte, the "Questions obliques" cards, with their three levels of difficulty, question the visitor of an exhibition on his perception of an artwork.

The first publication in French of the Saudi poet.

The first publication in French of the Saudi poet.

The first publication in French of the Saudi poet.

The first publication in French of the Saudi poet.

Don Cherry's lost Summer House Sessions finally available over fifty years after they were recorded.

New monograph.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

The complete edition of Takashi Homma's acclaimed homage.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

First vinyl edition of the 3rd album by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

The first official monograph project around Ramsès Younan, a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

First retrospective monograph: an essential resource for any in-depth critical study of Chiara Fumai's work and thought, including a first systematic analysis of her oeuvre.

An album of “synthetic exotica & pseudo-ethnographic music”.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

Artist's book / monograph.

Italian pianist, performer and composer Giovanni Di Domenico presents 4 new pieces in collaboration with Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto.