A theory of passive vitalism.

B for the birds is a singular book that aims to rethink the film-form as an open cartography of its lines of enquiry, desire and fabulation.

Special deluxe edition with an original photogravure by Cerith Wyn Evans.

Philosopher Éric Alliez rethinks Marcel Duchamp's legacy in relation to contemporary art and the image, psychoanalysis and gender.

An essay on the concept of utopia today, more relevant than ever at the time of the economic, social, ecological and intellectual crisis.

A book of interviews with Sylvère Lotringer.

Following Palo Alto's previous Difference and Repetition – A Musical Evocation Of Gilles Deleuze 2LP/CD this limited 7'' edition features The Tears of Nietszche on side A with Richard Pinhas as guest musician and Vecteur d'abolition on side B with the voice of Gilles Deleuze.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Palo Alto pays tribute to Gilles Deleuze in a dazzling, radical and political concept album (featuring Richard Pinhas, Thierry Zaboitzeff of Art Zoyd, Alain Damasio and Rhys Chatham).

Palo Alto pays tribute to Gilles Deleuze in a dazzling, radical and political concept album (featuring Richard Pinhas, Thierry Zaboitzeff of Art Zoyd, Alain Damasio and Rhys Chatham).

"Alter-" is Automatisme's reaction to altermodernism in sound art.

The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...).

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

For its twelfth issue, Initiales pays tribute to Sylvère Lotringer who, in the 1970s, imported the French Theory in the United States.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. Therefore, critical analyses regularly reduced the artwork to its material and its social use. Based on this observation, historian Sebastian Egenhofer takes Deleuze's readings of philosophers as a starting point to renew the narrative of art history since the 1960s.

The encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement.

Craig Kalpakjian is a pionneer in the use of digital software for artistic purposes. This first monographic book is an in-depth look at Kalpakjian's work Black Box, an installation featuring a robotic dog taking pictures. The artist examines this work in cunjunction with declassified CIA and Army Intelligence interrogation manuals. The publication includes an interview with Bob Nickas, and essays by curator Paul Wombell and Gilles Deleuze.

In this treatise, Jalal Toufic investigates the arts as the privileged site of thinking and confronts his thoughts with texts taken from the traditional religions and mystics of the past.

This publication documents the first iteration of Belgian artist David Claerbout's project Olympia, a digital simulation of the Olympic Stadium in Berlin.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

Drawing on Gilles Deleuze and Félix Guattari's concept of the “girl,” this series of essays brings together a team of contributors to forge a radically inclusive definition of subjectivity in modern philosophy.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

An insurrectional youth in quest for alternative words: a poetic and visual work by photographer Sadie von Paris and writer Véronique Bergen.

A poetic and philosophical text investigating the use of the sentence.

A novel on the life and times of Janis Joplin.

An “anti-history” of the indecision in which Joseph Vogl probes the literary figures of Oreste, Wallenstein, Joseph K., Bartleby, or the man without qualities.

New Ways of Doing Nothing highlights artistic gestures challenging today's inclination towards productivity and growth (with Robert Breer, Claire Fontaine, Mathias Delplanque, Marina Faust, Ryan Gander, Karl Holmqvist, Jiří Kovanda, Superflex, Mario García Torres...).

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

Between 1946 and 1953, the Macy Conferences brought together a diverse and interdisciplinary community of researchers who together developed the basics of the new science of cybernetics. This publication contains the complete transcription and protocols of all contributions of one of the most important event in the contemporary history of science.

A collection of previously unpublished texts by the French philosopher.

A novel on German artist and writer Unica Zürn, a close friend of the surrealist movement and Hans Bellmer's lover.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

A long length poem by French poet, translator and writer Jean-Philippe Cazier.

Essays about the work of Victor Burgin.

A genealogy of cut-up: the history and development of a radical and pioneering literary technique, in Europe and the US, in the twentieth century (readings from William S. Burroughs).

A fictional portrait of Marilyn Monroe.

Second edition of Jalal Toufic's collection essays.

Largely due to the “linguistic turn” that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities.

An "archaeology" of contemporary art, between Matisse and Duchamp, between art and philosophy: a book to deconstruct the aesthetic regime of the image, for a new diagrammatic thinking, after Deleuze and Guattari.

Collection of interviews with author and filmmaker Alexander Kluge and philosopher and professor of literature Joseph Vogl, specially produced by Kluge for German television.