An exhaustive documentation to celebrate 40 years of creative activities at Garage 103—an historical place for post-Fluxus artistic, performative, poetic, and sonic experimentations in the heart of Nice.

Discover Richard Tuttle as story teller and writer: first publication of 44 short stories by the artist paired with 22 sculptural works from the "Stories" Series.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

Two essentiel works of musique concrète commissioned for and and realised at the GRM by Lionel Marchetti during the mid ‘90s.

David Shea's The Thousand Buddha Caves explores his deep and continuous interest in the nexus of eastern and western musical forms. The recording charts his life long fascination with the caves and their connection to sound, ritual and Buddhist teachings. The record transposes those interests and is an evocation to the mythologies spinning forth from the caves.

Silent Blocks considers two point of views on the Covid-19 pandemic and the way it is dealt by Western countries during the lockdowns of spring 2020. First, Myr Muratet's photographs in a silent Paris. Then, the thoughts of Canadian science journalist David Cayley, based on the work of philosopher Ivan Illich.

The text and photo diary of a forty-day journey on foot from Venice to L'Aquila, following the subterranean fracture where the European and African tectonic plates meet, in search of the symbolic dimension and the real effects of seismic waves.

A split LP from two leading voices in electroacoustic music.

A comprehensive record of the London-based art collective BANK's notorious project from the late 1990s, a fierce critic of the language elements of the art market.

Monograph dedicated to Jim Shaw's “Paperback Covers” key series.

Three three pinhole photographic series by the Venetian artist who explores the possible interactions between artistic and scientific languages.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

This book furthers the reflection that was given form in the exhibition Blues Klair, a site to test History in terms of the present. A series of essays probes the enduring presence of colonialism as well as of alliances and cultural crossovers across time and space through the filter of the colour blue.

A book that documents/closes the Oslo-based queer-feminist plattform FRANK, with a rich contributions list and many illustrations.

169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities.

An issue dedicated to Éliane Radigue's ground-breaking compositional work, OCCAM Ocean as seen through the eyes of her chevaliers de Occam, the performers who, in collaboration with Radigue, have brought the sprawling musical eco-system to life.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

A subtle expanse of delicate ambiences and long tones, meticulously constructed into an immersive sonorous world.

The 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

The 2020 remaster & CD reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

A singular analysis of Italian poetic modernity and its relationship to reality, by the poet and theorist Gabriele Belletti.

A comparative analysis of the poetic creation of the second half of the 20th century, under the aegis of the notion of non-dualism, redefining the epistemologies of action peculiar to the poetry of the 1960-80s but also, in perspective, of the extreme contemporary.

Monographic catalogue based on the project specifically created by Stéphanie Brossard for her native island of La Réunion: a deconstruction of common narratives and a creolisation of forms and thoughts, in a poetic gesture made up of skilful appropriations and wild reimaginings.

This poetic document is based on the archives of the personal procedure files of a military court in Algeria between 1954 and 1963. These files are exempt archives that the author, also a historian, was one of the first to consult. In line with objectivist literature, this book gives one the opportunity to read the words of French justice in Algeria.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

First vinyl release of the classic album of 2001, remastered by Stephan Mathieu.

The deep political and moral ambiguity attributed to the maritimeelement in Western philosophical and literary imaginaries.

A new kind of queer art writing.

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century.

Four artist's posters.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

Feathers presents a collection of notes written by the Swiss artist during the conception of an aborted documentary in 2005. Taking the shape of a diary, it offers a unique gateway into Manon's daily life, interweaving memories and reflections on her artistic practice.

A split LP featuring two complementary experimental sound performances.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

Two previously unreleased recordings from Philip Corner's "Gong/Ear" series of works. Side A was recorded on a South German night train ride in 1990, side B in the Alps in 1994.

How film may be a constructive tool to examine the state of the world and its cruelties, and how to form a more stable and supportive culture of film production and distribution.

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.