Eric Hart Jr.'s black-and-white photo series presents more than 60 portraits focusing on the notion of power as it relates to the Black queer experience.

An artistic and reflexive project around the notion of the "future perfect", the passage of time, individual and collective responsibility in the current cultural and political ecosystem, and future perspectives and goals.

On the aesthetic and intellectual affinities between recent art and conspiracy.

First monograph of the Kenyan artist.

Recordings from two installations/performances by the Berlin-based sound artist that explore the physical presence of sound phenomena, by producing the impact of electronic music but with purely acoustic means.

Carmelo Bene. Là dove muore, canta is the work of the artist Rä di Martino and she comes to terms with the memory of Carmelo Bene (1937–2002), through his archive materials.

First monograph.

François Mangeol appropriates Michel Houellebecq's Sérotonine and reduces it to only the letters representing the chemical symbols composing the neurotransmitter linked to the state of happiness (artist's book).

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

The immersive sound diary of a trip to Bali.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

Isabelle Albuquerque, Isa Genzken, Aria Dean, Bri Williams, Cole Lu, Dominique White, Mimosa Echard, Isabelle Andriessen, Jordan Strafer...

An evocative chronicle of the Lower East Side's halcyon days, from Giovan's archives.

Costumes, the second book of images produced from the plates in isdaT's old books collection, focuses on the representation of clothing and ornaments. With a 21st century perspective, the edition explores an exceptional public heritage.

An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others.

A series of sculptures, drawings, and videos that question alienating norms through the lens of sociology and psychoanalysis.

A major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O'Rourke.

An artist book celebrating the first five issues of Grasso magazine.

The complete anthology of solo and duo violin pieces by legendary American experimental composer Christian Wolff, performed by the New York violin duo String Noise (Conrad Harris and Pauline Kim Harris).

Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.

A new revised version of the notebook of the legendary American dancer, artist and choreographer Simone Forti in which she shares her poetry as well as her thoughts on dance, the body, writing, the state of the world.

A series of one-hundred masks constructed of everyday materials by the Mexican artist, featuring texts by writer and poet Luigi Amara.

The first two volumes of the series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

An album of lost Derek Bailey sessions recorded with his friend and collaborator Charlie Morrow, that testifies to his art of collective experimentation.

A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.

A short version of a radio play devised and produced by Jan Jelinek for German public broadcaster SWR2, bringing together twelve sound poetry collages using interview answers by public figures, from Marcel Duchamp to Lady Gaga.

Thirty-four original collage-poems by the Chicago-based artist Tony Lewis.

A contemplation on the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

Recording of the evaporation of 785 grammes of water, namely the average quantity of water that a body loses during an office working day, according to Carrier thermal balance statistics.

Interviews with a group of pioneering artists' book publishers: herman de vries, Michel Durand-Dessert, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Maurizio Nannucci, Maurizio Spatola.

Interviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson.

Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.

A series of images made along the rivers by the Switzerland-based French photographer, meeting the fishermen of the canton of Fribourg: an investigation giving birth to a visual tale based on the realities of river fishing.

A sketch history of the 1980s American home-taping and electronic music scene through the career of sound artist, field recordist, percussionist, and visual artist Jeph Jerman.

The Stoneware Jug is a collection of poem-comics by Stefan Lorenzutti (words) and John Porcellino (pictures), in which American comix legend Porcellino (King-Cat, Thoreau at Walden) "pours" the adapted poems into his pen-and-ink panels, as if into a handmade vessel. 

The continuation by all means of an elementary poetry which develops always and still new poetic devices to restore the world.

A poetic journey through the anxious spaces of memory, explored here by one of the most powerful voices of Mediterranean poetry of his generation.

This volume examines the protean and intermedial work of Pierre Alferi (1963-2023), in order to account for its singularity, and to situate it within contemporary poetic and artistic practices.

From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.

Sibyl's Mouths is the most recent in a series of publications by Pure Fiction, a writing and performance group with shifting members active since 2011.

The second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

A collection of reflections by pioneering scientists, artists, and thinkers about the ocean environment, fusing art, science, and education, offering a diverse and interdisciplinary perspective on those threatened ecosystems and the crucial role they play in our adaption to climate change.

The archives of the 1960s.

138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner).

Publication based on Roee Rosen's film Kafka for Kids, a cross-generic film combining a fiction drama with a documentary and a musical. The law as a central motif in Kafka's writings, and the fact that the film, supposedly, addresses children, lead to an exposition of the complex and troubling ways in which childhood is legally defined in the Palestinian occupied territories.

Matthias Groebel's machine paintings from 1989 to 2001

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

A new series of very large-format drawings, the ideal entry point into the world of Mad Meg.

This publication features a selection of photographs by Lisetta Carmi, documenting the social transformations of Genoa during the 1960s. Carmi witnessed the economic boom of the city, but also its everyday life, including her famous photo series of transvestites which caused a scandal at the time (new edition).

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.