Poetic drawings of Mount Horeb by self-taught Native American artist Joseph E. Yoakum (1891-1972).

First monograph of German artist Esther Kläs, covering over 15 years of practice.

A partly autobiographical novel that the German surrealist artist and author Unica Zürn (1916-1970) wrote for her ten-year-old daughter in 1953, although it would never be published in her lifetime. This is the first translation of the tale from German into English.

The cataclysmic meeting between Masami Akita (Merzbow), legend of the Japanese noise scene, and pianist Nicolas Horvath, great connoisseur of the classical repertoire and unparalleled experimenter.

A poetic conversation, in five acts, between Yvon Lambert (Paris), Marie-Charlotte Calafat (director of the Mucem collections), Stéphane Ibars (artistic director of the Lambert collection), and numerous artists, accompanies the exhibition, which brings together works from the Yvon Lambert collection and Mucem folk art objects.

Catalogue dedicated to the series of paintings exhibited at the Musée d'Art Moderne de Paris, Wade Guyton's first exhibition in a French museum.

A series of paintings synthesising big wave surfing, turning the human element into a visual punctuation on the immense aquatic backdrop.

What art owes to birds.

Retrospective monograph.

Three years of research into glass by the Mexico-based French artist.

London-based artist Faye Wei Wei’s debut monograph.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

A journey through the artist's work and life.

Le calendrier des révoltes (Calendar of revolts) is a calendar where the usual information relating to each day (saints, historical events, etc.) leaves room for the only mention of a revolt that took place that same day in history or the near past.

Julien Blaine's rebellious confidences, between the political and the poetic.

Julien Blaine's new collection of poetic, visual and typographic experiments.

In this tête-bêche book, Amandine André's Impossessions primitives, a text identifiable as poetic, meets philosopher Frédéric Neyrat's L'Anti-Terre, singularly opening up the field of possibilities and thought.

A series of “Bad Paintings” by the Geneva-based artist.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

The third volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

For the fifth book in the In Practice series, architect Aurélie Hachez and cultural anthropologist Leeke Reinders invite readers on a road journey through three transformative projects: L'Ermitage in urban Brussels, suburban Jubel, and rural Ulysse.

A selection of sculptural works and installations by a prestigious line-up of contemporary artists from across the globe (Alicja Kwade, Daniel Buren, Lee Ufan, Bertrand Lavier, Ugo Rondinone) on the Côte d'Azur, outside their usual exhibition context.

Anne Mathuri, Amal Khlif, Fanny Chiarello, Delphine Dora, Félicie Bazelaire, Dominique Grimaud, Kevin Orliange, the Fougère label, John Butcher...

The first vinyl release from French composer-performer Léo Dupleix, an active member of the international community of younger musicians working with just intonation.

An overview of the radical universe and pictorially committed Portuguese painter José Loureiro’s work.

A comprehensive survey of acclaimed artist Ariane Loze's videographic oeuvre.

How machine learning and computer vision generate images.

Parker and Pollock's seminal volume of feminist art history.

The first overview of the artistic research of Andrea Caretto and Raffaella Spagna, an Italian artistic duo focused on site specific art project with a sensible attitude to the landscape.

The first monographic publication dedicated to Souleymane Keïta (1947-2014), a major figure in Senegalese art.

Released in Sub Rosa's Early Electronic series, this LP reveals the extraordinary diversity of research—almost all hidden—by Spanish musicians in the '50s and '60s.

An island photographic wandering (a series of photographs taken on a small island in the Aegean Sea, Kastelorizo, focusing on its hollow spaces and silent atmospheres).

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

CURA. turns 15 and celebrates this important milestone with We Monsters, a special "horror" issue dedicated to the exploration of the revolutionary role of monsters in modern civilization, and contemporary art.

The catalog for 2024 Diriyah Contemporary Art Biennale, under the artistic direction of Ute Meta Bauer, featuring some one hundred artists of different generations: a testament of a unique moment within a changing Saudi Arabian cultural ecosystem.

This notebook from the Academy of Fine Arts, Vienna contains 192 blank pages for making your own notes.

Extensive survey of the politically outward-looking Conceptualism emerging from Art & Language in the UK. Especially considering its critique of the norms of Modernist art practices in contemporary art, particularly practices of art education.

A "minor" and alternative history of architecture.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

This critical biography guides readers through artist Magda Stawarska's practice via a series of journeys—from the streets of Istanbul to the canals of Venice and across the waters of Zanzibar.

Inspired by how rivers bend and curve connecting ecosystems, Meandering is a case study for community-oriented artistic research into the cultural, spiritual, and ecological trajectories of waterways.

The fifth volume of the bie bao series presents Ilya Zdanevich's fictional auto-biographical writings based on his one-year stay in Istanbul in 1921.

"UFO Forest +" is the third and most alchemically satisfying archival anthology of unreleased material from the Argentinian composer, building on a growing recognition of her poetic, psychosonic investigations ongoing since her studies in the early 60's with Nadia Boulanger and Edgardo Canton, and at the renowned Parisian institute INA-GRM.

A reflection on our present, through a series of portraits of contemporary artists.

The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.

This edition, the fifth volume in the Vues & Données series, includes data from the 2,275 "latent shots" taken by artist Aurélie Pétrel.

A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).

The series of portraits of African heads of state unveiled by Kehinde Wiley at the musée du quai Branly – Jacques Chirac in Paris, an exploratory project around the representation of power on which the painter has been working confidentially since 2012.

Second volume of a collective publication devoted to the analysis of the party, in all the complexity of its social dimensions and implications.