The last document of the dadasopher of Berlin.

An essay on conceptual art.

A series of drawings by one founder of Support-Surface.

Foreword The Rodin Gallery has benn the site of an outstanding series of exhibitions featuring a wide spectrum of contemporary artists and including works such as The Gates of Hell and The Burghers of Calis by modern sculpture's seminal artist and master, Auguste Rodin. Thus it gives us great pleasure to develop for the first time a collaborative work with Le consortium, a leading contemporary art center in France on the occasion of the presentation of Wang Du's Disposable Reality. Wang Du, who was trained as sculptor in China within an academic tradition, works with images taken as readymade from newspapers, magazines and advertisements and transforms these two dimensional media images into three dimensional painted sculptural works with his own masterly skill. Through the information conveyed by articles on politics, economics, society, sports, leisure and fashion the artist expresses his feeling, often in a pointed, satirical manner, about the ordinary and our social reality. In this exhibition I believe there is special meaning in seeing the direct confrontation and dialogue between the works of Rodin, which deal with human emotions and those of Wang Du, which deal with contemporary issues in our daily life with sculptures as a common denominator. The vocabularies of contemporary art have expanded so much that somtimes we have a tendency to consider painting and sculpture to be outmoded media fot artistic expression. However, it is high time to demonstrate that it is not the medium which matters, but how it is used. Ra Hee Hong Lee Director, Samsung Museum of Modern Art

A Fluxus journal.

The actionnist's autobiography.

A series of installations by French artist.

A poetic odyssey on solo piano.

Unpublished text, signed original woodcut, unique for each copy

From “polemical” texts to extensive theoretical essays, passing through Ed Ruscha, Bruce Nauman or John Baldessari, these writings have proved to be among the most challenging ones.

Catalogue documenting the series of works by Soun-Gui Kim presented for her exhibition "Stock Exchange" at the Art Sonje Center, Seoul, in 2000.

The only record of a mythical assembly of musicians, actors, performers, celebrities and underground personalities united around the zany "B-series" poetry.

Urlaub constitutes Genzken's multilayered inquiry into the meaning of work and leisure.

The Rectange label "recycled" by Wendy Gondeln (Albert Oehlen).

The Rectange label "recycled" by Otomo Yoshihide.

Catalogue dedicated to the works of American video artist and performer Michael Smith. It features a text by Yves Aupetitallot, an interview by John Miller and a full chronology of Smith's works.

This book presents the whole texts of the Living series by Jenny Holzer, printed on 400 tracing paper pages.

Different works from 1982 to the famous Vitrines series (2000).

The Rectange label "recycled" by eRikm.

A piece for string quartet, narrator and fixed sounds, guided by the texts of Edmond Jabès and Franz Kafka, in dialogue with those of Marc Feld and Michel Butel.

Georges Noël tortures writing, plays with movement and shape to express feelings and invisible symbols. “Grafting of living on the intuitive”, his palimpsests indicate a new communication path. As Ambroise Ferrocarill, Georges Noël reveals himself in this unpublished text (with an original silkscreen print signed by the artist).

Artist's edition: three books batch ("philosophy", "history", "economy").

The Rectange label once again "recycled" by Xavier Garcia.

An anthology focusing on architectural and acoustic space, sound sculpture, field/environmental investigation and recording, and site-specificity, featuring writings, visual works, interviews and artist projects by leading experimental composers, sound-artists, architects, contemporary authors, cartographers, and ecologists.

Retrospective catalogue featuring a chronology of the artist's works, an introduction by Yves Aupetitallot and Lionel Bovier, texts by Mike Kelley, John Miller, and Nancy Spector, and an interview with the artist by Robert Nickas

A series of wedding dresses sculptures: the ghosts of historic and mythological women of the Antiquity.

Unpublished text, signed original work, unique for each copy

An essay to demonstrate Fourier's fundamental role in the emancipation of women and the transformation of society, "for the sake of imagination, of permanent interaction between sensitivity and reason."

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

This essay considers Deleuze's film theory on both an epistemological and historical angle and brings forward recent studies on cinema's aesthetics and philosophy.

Unpublished text, original signed silkscreen print.

The Rectange label "recycled" by Xavier Garcia.

Solo recording made at Instants chavirés. In 9 tracks, Noël Akchoté goes from pure noise to guitar hero solo worthy of Woodstock.

Collection of texts by philosophers and art historians.

The libretto to the opera Rosa, with music by the Dutch composer Louis Andriessen.

This publication presents landscapes photos by Bernard Faucon, on which the artist wrote in wooden letters various sentences.

The series of engravings A Sheet of Paper, with which Rémy Zaugg develops his reflection on the exchange of the glance between the spectator and the work

A series of paintings realized on the famous Vichy pattern of Tati stores. A dialogue from Paris, Texas accompanies the paintings.

This book reproduces a series of gouache drawings by Jean-Charles Blais, which uses a hand bandaged as pattern, drawn in very close-up.

Exhibition catalogue.

14 drawings.

A retrospect on the abundant work of this poetic artist, explorer of images and builder of labyrinths who expresses himself on film, in the theater and in his writings. Interview with, and visual lay-out by Raul Ruiz.