Artist's book (leporello).

A series of black and white drawings by Andro Wekua.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Positions in contemporary African art.

An overview of the Californian art scene from 1990 to the present.

This small monograph follows the set-up of Robert Barry's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

This first monograph documents the performance, sound, and video works of the Canadian multidisciplinary artist.

Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter.

A selection of photos of the town where lives the artist Francis Alÿs.

Mark Lewis' location photographs.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This artist's book presents a series of works by Joan Rabascall realized in small plastic TV screens, parodying the kitsch of TV series: a playful journey with the popular culture icons of the XXth century. Full colors photos are accompanied by a text by Masashi Ogura, evoking the determining place of the small screen in Japanese culture.

An assemblage of photographs taken from distinct series. The tensions and correspondences resulting from the editorial choices broaden the scope of images (artist's book).

An artist's book in the extension of an exhibition: a reflexion on global urbanisation.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

This publication documents new works by artists such as Olafur Eliasson, Isa Genzken, Sarah Lucas, Aleksandra Mir, Mathilde Rosier, Eva Rothschild or Gary Webb, invited to develop projects on the theme of nuclear war.

John Armleder's 404 Team yellow pages.

A set of drawings and two series of photos by Anna Gaskell: a journey through the dreamlike and strange universe of the American artist.

German artist's "word-images" (early works).

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

An urban journey.

First monograph.

Otto Muehl was condemned to 7 years of prison in 1991. He exchanged letters with his family and friends, he painted.

Exhibition catalogue.

Portraits of the workers on the tramway line in Strasbourg, with texts by Philippe Lacoue-Labarthe and Jean-Luc Nancy.

The correspondance between Otto Muehl and Erika Stocker forms an intense journal of Viennese actionism, and more particularly of the artist's work.

A series of nostalgic family photographs set in exteriors with protagonists shot from behind.

Monograph conceived by the artist, documenting a series of exhibitions and Leblon's video works.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

First monograph.

A sound poem and a digital art index by a pioneer of virtual art. The artwork accompanying this limited edition comes in the form of a CD-Rom containing an algorithm that creates a unique work for each copy.

Over more than a decade Ivana Keser has questioned the world of communication, and in particular the press. This book is the first monograph, documenting all the newspapers she published between 1993 and 2003 for each of her exhibitions, and which were distributed to the public free of charge.

For a reassessment of the function of art in late capitalist society (contributions by Bernadette Corporation, Will Bradley, Claude Closky, Dejanov & Heger, Liam Gillick, Lars Bang Larsen, Daniel Pflumm, Superflex...).

Artist's book: a series of bank notes brought together, lying on the floor.

A sound poem and a digital art index by a pioneer of virtual art.

The first monograph dedicated to the collaboration between two artists.

This artist's book brings together photographic images of Japanese pleasure houses and a collection of erotic sculptures.

An interview with French dancer and choreographer.

A series of scupltures realized by Stephan Balkenhol in 2003.

A series of postcards retracing the path of designer Christian Ragot, from de late sixties to our days.

Catalogue / Artist's book: a series of 80 works by François Curlet and a publicity flyer for the film Bienvenue à Montélimard. The cover imitates the graphic design of own-brand products from a Belgian supermarket.

Kawara's Date paintings, telegrams and books from the One Million Years series.

Retrospective monograph.

Reference monograph.

A minimalist interpretation of Wittgenstein's Tractatus (artist's book).

Filliou's catalogue raisonné.

Project catalogue documenting radio series commissioned by Kunstradio, Vienna, 2001, containing texts, images and audio by the artists, with an introduction by Brandon LaBelle and foreword by Barbara Schroeder from Kunstradio, with an audio compilation on CD.

This is the first monograph of this photographic artist who, for the past ten years has investigated all the four corners of the planet.