What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).

The small opera created by Nicolas Murer for Lili Reynaud-Dewar's installation presented at the 2014 Venice Biennale, sung by Lili Reynaud-Dewar, Nicolas Murer and the choir of HEAD, Geneva.

Manuel Raeder's 2016 Wall Calendar (with Armando Andrade Tudela, Mariana Castillo Deball, Heinz Peter Knes, Dominique Gonzalez-Foerster, Tris Vonna-Michell...).

A textual and visual account of Schaerf's FM-Scenario, an inter-media project using the Internet as a production site for generating content for further media. The core of this project is a fictitious radio station, moderated by a computer program meant to guaranty his listener full freedom of speech.

The result of a series started in 2008, all of The Naked Eye photographs are looks between the fanned pages of paperbacks that date back to the 1950s–1970s. This first exhaustive monographic publication of an ongoing series reveal a particular taste for mass-market celebrity biographies and movie novelizations featuring photo sections and pulpy paper stained by brightly-dyed edges.

Armleder's new series of works inspired by large scale anatomical models from the 19th & 20th centuries.

The influence of cartoon on Duchamp's work.

A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.

Thomas Müllenbach's series Halboriginale (“Semi-originals”), which he worked on from 2005-2013, constitutes an artistic appropriation of art-related documentation found in his mailbox over the years. Each book cover is unique, individually designed by the artist.

This series of debauchery scenes between degenerative monsters and humans set in a nightmarish decorum of bloodied corpses, exposed organs, feces, secretions, and cabalistic signs constitute the new hellish visions of Kasahara.

A series of photographs by Martin Widmer, taken in Jonathan Binet's exhibition at CAN, Neuchâtel. Widmer's over-exposure disrupts the traditional contours of the artwork and questions the notions of authority and subject.

Publication based on the eponymous series of works (“The Catalan painting lesson”, a devious and ironic presentation of traditional standards of academic painting), with an interview and commissioned essays by Brigitte Léal and Pierre Restany.

This publication is the closing project of a series of recent initiatives around the works of American experimental composer Conlon Nancarrow, including a pirate radio station, an art journal, a museographical essay by Mario García Torres, and an exhibition.

Christelle Enault's last series: Voodoo priestesses cover their face with cartoon masks and lead ritual ceremonies where female creatures and priapic shapes perform erotic gestures in a poisonous and seminal environment. Yet, the delicate pencil line of the Parisian artist delivers a puzzling feeling of softness.

Art & sex special issue.

A political and artistic performance manual revolving around the double agent figure

Having furnished solutions for Germany and Dubai, Ingo Niermann takes a new look at what nationhood can mean and accomplish today, finding inspiration, of all places, in North Korea.

Letters from Panduranga evokes the fate of the Vietnamese Cham community, whose territory is threatened by the construction of two nuclear power plants. Acting as an ethnologist Nguyen Trinh Thi explores the issues related to speech and history as well as new forms of colonialism.

New monograph.

First monograph.

Nieves reissues Frank Asch's famous children's book, originally published in 1972.

A series of geometrical abstractions forming symbolic totems that draw on the annals of visual history.

An artist's book presenting an extensive series of grilles from American cars built between 1955 and 1962. A book allowing multiple readings and meanings, in a balance between conceptual rigor and visual sensuality.

Since 1986, Max Armengaud takes photographic portraits of European Institutions, from the Paris Opera to the Vatican city.

Céline Condorelli; emerging artists lga Balema, Darja Bajagić, Sasha Braunig, Rachel Rose, and Marguerite Humeau; the Museu Coleção Berardo in Lisbon with Pedro Barateiro; Ryan Gander; Michael E. Smith; Josh Kline; GCC Collective; Villa Design Group; Lena Henke and Anna Gritz; Wim Beeren; Jean-Max Colard on poetry in the exhibition space...

By creasing photographs from the golden age of porn magazine, Patrick Weidmann dismantles their deep-rooted conservative values and reconstructs an underlying aesthetics, an underside of desire.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

A fluid narrative of Lacaton and Vassal's oeuvre based on the duo's lecture at Harvard University in 2015.

Issue 22 of Palais magazine is entirely devoted to the Ugo Rondinone's exhibition “I Love John Giorno” at the Palais de Tokyo (October 21, 2015 - January 10, 2016), the first retrospective of the life and work of the American poet John Giorno, a key figure of America's counterculture since the 1960s.

A running-headline tale featuring, in order of appearance: Katie Holmes, Tom Cruise, David Miscavige, Michael Jackson, Annie Leibovitz, Jenna Young, Victoria Beckham, Sheila Weller, Mark Seal, Eleanor Schiralli, Bernard Madoff, Rich Cohen, Jessica Simpson, Lance Armstrong, Ed Ruscha, Sam Ricci, Chris Reinhardt, Suri Cruise, Nicolas Sarkozy, Mickey Rourke, Pierre Hardy, Josh Applebaum, Andre Nemec, J.J. Abrams, Jill Stempel, John Anderton...

Special offer for the purchase of the 2 volumes of Pierre Denan's Pourquoi Tom Cruise – Récit prompteur.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

The digital catalogue of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a radical and poetic take on daily life and the modern world.

A series of short visual stories designed with refinement by Japanese artist Koyama, whose subtle's pencil stroke, narrative use of geometric forms and application to render textures contributed to build a most fascinating artist's book.

The Four Seasons Forever is the catalogue of Sam Falls' one year show which presents 13 sun-printed photograms of vinyls on colored textiles exhibited in a dramatic stage-like atmosphere, with parts of Vivaldi's masterpiece playing according to the season (artist's book, the first in a series published in limited editions by Flash Art).

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.

The guide of the video and digital art collection.

This new monograph gathers 42 images documenting 3 years of photographs taken between 2011 and 2014 during the Purim holiday in the neighbourhood of Stamford Hill, London.

Labics: Structures covers an installation of 50 architectural models realized by the studio Labics between 2014 and 2015.

Reference monograph dedicated to Marc-Antoine Fehr's paintings whose strangeness recall the absurd universes of Beckett and Kafka.

A comprehensive monograph covering Nannucci's whole career and presenting a selection of his major projects.

A new series of oil paintings by Swiss artist which unveils the strange and wonderful aspects of common life.

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

Reference monograph: an overview of Marie Bovo's work, juxtaposing her latest projects with her emblematic photographic series, inspired by Mediterranean cultures (each series being put into perspective with the corresponding exhibition views), with two essays and an interview.

A series of photographs which dismantles stereotypes by documenting the actual realities of everyday life in Africa.

A 300 page pulp book, compiling a series of 230 short texts by Justin Lieberman in alphabetical order, as well as an essay telling the story of a now-destroyed installation piece, to which the texts were originally related: “The Corrector's Custom Pre-Fab House”. The texts, with their sarcastic tone, can be read autonomously: they are a meditation on capitalism and material culture, between poetry, description and fiction.

Sur vol. II invites a series of encounters between artists, writers, and curators working in the Middle East and in Mexico to explore the rich, relatively uncharted history linking both places, especially around the notions of utopia and exile.