Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

New monograph.

First monograph.

An exegesis of My Bloody Valentine's noisy pop masterpiece Loveless.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

Book of Air is a series of bundled compositions exploring the parameters of sound and time. Their first reseale Fieldtone is a beautiful “acoustic ambient” / dark jazz four-tracks recording inspired by the musicality and silence of nature.

Two different approaches—the Eastern and Western—to Persian instrument Santur, by musicians Hossein Malek and Leo Kupper.

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

An electroacoustic meditation on memories and on the persistence of the aura in a particular place, inspired by Thomas Mann's The Magic Mountain.

Fifty verses by New-York musician Moondog.

A luxurious artist book by Michael Manning gathering a selection of 100 digital drawings, each from four distinct series of paintings.

John Stezaker's artist's book: a series of collages with found images—resorting stylistically to Hollywood's golden era—which find a new life on these pages, as much as a new meaning, if not aura.

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.

Robert Longo, Vanessa Beecroft and Katy Grannan on the notion of “superimages”, cult magazine Colors, Neïl Beloufa, Isa Genzken, Louisa Gagliardi, Jon Rafman, Josh Kolbo, Gaea Woods, interviews with curator Pierre Bal-Blanc, design studio Vier5, Isabelle Graw, and the Printed Matter team, the social role of art, sexual politics, Carson Chan in conversation with Nik Kosmas, Matt Copson, Kenny Scharf, Sylvie Fleury, a collectable poster of David Bowie by Scott King...

Two films to better understand the atypical path and ideas of Gilles Clément, gardener, landscape architect, author, and theoretician of gardens as places of political utopia.

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

On a long, cold winter night, more than three hundred years ago, Mister Descartes is suddenly beset by profound doubts: Can I trust my senses, or am I fooled by illusions? Is there an Evil Genius behind all things? What if the outside world is only a dream? Is my own existence nothing but the product of my imagination? (an illustrated philosophy book for children).

A collection of previously unpublished texts by the French philosopher.

Autumnal Sisters recollects seven performances by Alessandro Bosetti, in solo and teaming up with writer Kim Taeyong and video maker Orolo. It is the first extensive document of Bosetti's work with MaskMirror, a musical instrument which takes language rather than sound as it's main material.

Japanese fashion designer Issey Miyake, Marina Pinsky's sculpted landscapes, Diller + Scofidio, Emilio Prini, Charles Harlan, Kathe Burkhart's “Liz Taylor Series”, the “networked exhibitions”...

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

In 1982 Barbara Davatz photographed 12 young couples from the Zurich scen—lovers, friends or kin. She portrayed them again in 1988, 1997 and 2014, covering more than three decades of human relations, aesthetic and social evolution.

Hannah Arendt is not at all keen to build an edifice of ideas or to develop abstract concepts. Rather, she gets on to the stage herself! To enter the scene of her little theater means to take matters into her own hands, take responsibility, to act. In short: Thinking is acting! Whereas the bureaucrats can conceive of only one thing: to build a world out of paper (an illustrated philosophy book for children).

Dector & Dupuy's artistic research focuses on the city as a space for improvisation and vanishing lines. This retrospective monograph listed in alphabetical order comes with an additional publication—the first issue of the duo's periodic SONG.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

Inferno sheds a sharp light on the news of contemporary art and scenes. In this issue: Yoko Ono, Fischli & Weiss, Trajal Harrell, Jodorowsky, Cindy Sherman, Sigmar Polke, Dance in New York, Berlin special feature, Philippe Parreno, Paul McCarthy, Ai Weiwei, Castellucci's Moses und Aron, Arty Lisbon, Lyon and Istanbul's Biennials, Winter-Spring 2016 program...

Based on an exhibition and conferences that took place in 2012 at the Academy of Fine Arts Vienna, this volume expands on the issues raised by queer art practices through interviews, essays, collages, as well as personal and academic texts.

An audio collage based on an archive of carpentry and hardware recordings from Mads Emil Nielsen's "SoundTales" project, released on limited edition CD with three printed drawings by French, Amsterdam-based visual artist Julie Dassaud.

Instruments that sound like instruments: the debut album from North of North, featuring Anthony Pateras (piano), Scott Tinkler (trumpet) and Erkki Veltheim (violin).

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

The Florentine mannerist painter Jacopo da Pontormo, who was busy producing a series of frescoes for the choir of the San Lorenzo basilica in Florence, holds from 1554 to 1556 a strikingly remarkable diary.

With Marie and William, Alex Cecchetti attempts to transpose the performative gesture in the space of the book.

Richard Wentworth plays the Drawing Room Confessions.

Four pieces based on drum/cymbal + synthesizer recordings by Mads Emil Nielsen.

Published for the first time, a selection of notes from the artist's private diaries.

The duo's second recording in the “Mind Travels” Series: Petitgrand's sumptuous melodies meet Geins't Naït's hypnotic industrial collages to form a listening experience both immersive and singular.

The duo's second recording in the “Mind Travels” Series: Petitgrand's sumptuous melodies meet Geins't Naït's hypnotic industrial collages to form a listening experience both immersive and singular.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

An account of the 21st edition of the CSAV—Artists Research Laboratory—a workshop for young artists held every year at the Fondazione Antonio Ratti, Como, with invited artists Yvonne Rainer and Andrea Kleine.

Artist's book / exhibition index.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).