Catalogue bringing together documentation on key projects by Nicholas Mangan along with a newly commissioned work investigating monetary currencies. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan's artworks and historical source material.

Photographic inventory of the rural landscapes of Switzerland and France, combining original photographs and found pictures customized by the artist. An ethnological and sociological approach which culminates in a poetry of the ordinary.

New monograph.

Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination, and reception of contemporary art in the Middle East and North Africa.

A collection of previously unpublished texts and drawings (artist's book).

Black & white photographic diary between London and Switzerland during the year 1972, just before Iwan Schumacher devoted himself entirely to filmmaking.

The current fascination with fiction across art, design, and architecture (including one of Umberto Eco's final interview).

Near Future Laboratories, Brendan Howell, Julian Priest, Jason Kahn, Robert Pravda, Nicolas Maigret and Maria Roszkowska, Liam Young, Cinema Lascado exhibition, Cinnamon Colomboscope 2016, news and reviews in hacktivism, emusic and new media art…

A collection of previously unpublished texts and drawings, with an original artwork signed by the artist (artist's book).

Finnish media theorist discusses slow violence & environmental crisis through the prism of art, design, and technological practices.

A visionary essay on the notion of artistic composition in a world spinning into a confused chaos.

Radio recordings from 3 GHz to 30 KHz: a record that invites the listener to discover the electromagnetic landscapes that surround us.

A poetic exploration of the mechanisms of thought in the act of building.

A series of 26 prints of lithographic stones, reflecting on Ed Ruscha's work (artist's book).

A collection of texts from a series of screenings, lectures, exhibitions and meetings on Palestine organized by the Mucem, Marseille, in 2017.

21st century piano music (the first solo piano album by Anthony Pateras in 10 years, marking the mid-point of the Immediata series).

A multi-octave delirium by Chris Abrahams and Anthony Pateras, at the summit of sonic density.

A single extended work presenting the pipe organ and electric violin as a unified timbral force, producing exquisite and hypnotic sensorial phenomena over 50 minutes.

High Winds is an artist's book written by Sylvan Oswald, with graphics by Jessica Fleischmann. This “western phantasmagoria” is a bedtime book for adults based on Oswald's experiences with insomnia, gender transition, and moving to Los Angeles.

The book contains largely unseen photos from Jamie McLeod's 20-year-old archive, working with Almond as his muse, patron and friend.

The inaugural issue of Blank Forms' anthology, bringing together a combination of never-before published, lost, and new materials that supplement the non-profit's live programs. It is envisioned as a platform for critical reflection and extended dialogue between scholars, artists, and other figures working within the world of experimental music and art.

The portfolio of the exhibition at the Jeu de Paume.

A series of sculptures set in a roofless exhibition space in Merida, Mexico.

In (ZUS), a visual essay by the French photographer Benoît Fougeirol, views of and views from eleven of the “Zones urbaines sensibles” (Sensitive Urban Zones) on the peripheries of Paris reveal harsh paradoxes of modern society. The series is accompanied by a text by author Jean-Christophe Bailly.

Reference monograph (also available in English).

Music performance by Joe Jones's Solar orchestra recorded at a Erik Andersch's Garden party in 1983. This edition includes the reissue of a rare photographic book documenting the event, as well as a poster and a postcard.

Monograph featuring series of paintings made by the French-American artist between 2013 and 2016 and based from photographic documents originating mainly from sexploitation films of the 1960s. The volume also includes two essays and exhibitions views.

Nightfall gives an overview of Gothic imagination in the arts, from the 18th century to the present day. This pocket-sized catalogue examines the persistent influence of the pioneering works of modern gothic fiction through a series of essays and a rich iconography.

French artist Raphaëlle Paupert-Borne summons the myth of Demeter in an epic film shot in the Mediterranean city of La Ciotat. This edition also features a short documentary on a series of drawings made by the artist in Algeria, and an accompanying book which includes texts by specialists, film captions and sketches.

A literary and philosophic exploration of the various states of sleep. Embark upon a dreamlike path to the heart of sleep through the reading of four texts by Michel Butor, Clément Rosset, Pierre Pachet and Jean-Luc Nancy, and a series of sleepers.

An analysis of the work of an unheralded artist both profound and captivating written by his friend, artist and curator Stefan Banz.

The new novel by Keren Cytter: an incomplete guide for life.

50 black & white photographs of post-war Italy taken by director Luigi Comencini shortly before his debut behind the camera. With a series of writings establishing connections between his work as a photographer and his cinematographic oeuvre.

This artist's coloring book is a silent illustrated narrative of a sudden lust-filled encounter between a cowgirl and an Indian girl and their threatening journey through a psychedelic Wild West at night.

I Want reviews the eponymous duo's double-projection film installation examining issues of gender, sexuality and performativity—and inspired by the words of punk poetess Kathy Acker and convicted whistle-blower Chelsea Manning.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

The first monograph to focus exclusively on Paul Sietsema's paintings and drawings.

Publication documenting a series of sculptural works focusing on everyday items.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.

A selection of trucks—coaches, tow trucks, merchandise trucks—drawn with ballpoint pen and pencil by underground legend Wesley Willis. Compiled from different notebooks, this series highlights an essential and almost obsessive motif in the visual work of the Chicagoan artist.

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

First publication ever to provide a complete survey of the artist's oeuvre to date: like Prouvost's art, the book is fast-paced and full of quick turns and surprises. It includes a series of essays, a conversation between the artist and her model Barbara Steveni, and a complete list of her works and exhibitions.

Artist's book accompanying a sequence of exhibitions by James Richards in Norway, England, and Germany. The publication contains a series of visual essays by the artist, documentation of recent exhibitions, as well as essays by Dan Fox, Ed Atkins, Steve Reinke, Chris McCormack, and Fatima Hellberg.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the “Archives” series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture.

An erotic coloring artist's book juxtaposing scenes of intimacy and loneliness in the city at night.

Catalogue analyzing the oeuvre of Kosovan artist Petrit Halilaj from multiple perspectives, through a selection of essays by Andrea Bagnato, Leonardo Bigazzi, Adrian Paci, and Roberta Tenconi.

Marxist geographer David Harvey opened his 2016 lecture at Harvard with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why.