Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.

Swedish artist Mamma Andersson is known for her melancholic paintings of private interiors, elegantly executed with her distinctive interplay of textures, and pictorial techniques. This new body of work stages a series of sculptures, whether as part of indoor space, or detailed in closeups.

Photographic series dedicated to pareidolia—the phenomenon of perceiving non-existing things in inanimate objects, such as human faces or animal heads in rocks (artist's book).

Spike #51 raises the question of the social role of art, and many more, with: Grzegorz Kowalski; Bob Flanagan's Visiting Hours; Angela Bulloch on Damien Hirst; Cyprien Gaillard's Desniansky Raion; a roundtable with Chus Martínez, Michaela Meise and Dieter Lesage; Dorothea Von Hantelmann; Kenny Schachter; Daniel Baumann; the portraits of Dorothy Iannone, Tetsumi Kudo, and Marie Angeletti; an interview with Josef Strau; an essay by Jan Verwoert; the TV series The Crown; Andrew Berardini on Jimmie Durham's retrospective in LA…

Somewhere in between a magazine issue, an artist's book and a research report, this Kaleidoscope Asia Special edition with guest-editor Simon Denny revolves around a new project by the New Zealand artist set in the Chinese city of Shenzhen.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

This issue dedicated to documenta 14 addresses themes, artists, and projects spanning between Athens and Kassel. Including: Moyra Davey by Quinn Latimer; Vivian Suter & Elisabeth Sussman; Roee Rosen; “Preliminary notes for a Black manifesto” by Rasheed Araeen; Khvay Samnang “; The Globalised Museum?” by Bonaventure Soh Bejeng Ndikung; articles by Kirsty Bell, Irena Haiduk, Pierre Bal-Blanc, Neni Panourgiá, Dieter Roelstraete, and more.

The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate.

The transcription of a lecture by Marjorie Micucci on the connections between two installations by Italian artist Rosa Barba.

This catalogue brings together a selection of early paintings by the american artist, accompanied by an essay illustrated with archival images.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

A reference monograph resulting of a 10-year research on Italian sculptor and conceptual artist Paolo Icaro.

A poetic and philosophical text investigating the use of the sentence.

Series of collages based on guitar patterns found in album covers.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.

A three-part fiction relating the daily lives of characters at the beginning of our century: the artist alternates reality and fiction, developing themes at work in his visual practice. As usual, the author involves a series of contributors.

Artist's book divided in two series of works elaborated from Gasser's own archives: an explosive combination of images drawn from art history, pop culture and current events, building up a retrofuturistic universe facing financial, ecological, religious and political distress.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

Artist's book focusing on Victor Man's series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The publication includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

Featuring new and previous works by Sophie Dubosc, this catalogue gives a complete overview of her aesthetic reflection. Working primarily with three-dimensional forms, sculpture, raw materials, and reflecting on historical issues, the French artist's complex practice is covered by two essays, and a full-color photographic documentation section.

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.

This collective publication questions the literary strategies at stake in the work of visual artist Yoan Mudry.

Sur #03 takes as its starting point the connections between architectural critic Esther McCoy and the city of Mexico. This edition features issues 56 and 57 of BLESS collective lookbooks.

Following the experimental format of the Maljković's eponymous exhibition, A Retrospective by Appointment deconstructs the traditional format of a retrospective catalogue. Adopting a nonhierarchical presentation, the publication introduces the artist's key concerns, methods, and works, and proves to be a relevant critic of Zagreb's institutional landscape.

Special dance & contemporary art issue: interviews with Anne Imhof, Ligia Lewis, Alex Baczynski-Jenkins; Francesca Gavin on dance in pop culture; FKA Twigs; Merce Cunningham; a round table with Maria Hassabi, Will Rawls and Cally Spooner; Peter Halley; Loretta Fahrenholz's Two A.M.; 1970s magazine Avalanche; Spyros Staveris; a conversation with Nobuyoshi Araki and Abraham Cruzvillegas; Bjarne Melgaard; an interview with George Condo by Maurizio Cattelan; an introduction to Lou Dallas; and much more (included a fanzine by visionary designer Rick Owens).

Exploring the relationship between the Situationist International and the museum.

Swiss-based artist Raffael Waldner is obsessed by car culture: its gloss, glamour and erotic undertones. In Salon, he focuses on motor shows, photographing—with superficial coolness––the hundreds of female models who act as car company ambassadors.

Publication introducing the synthesis of a project inspired by the artistic and intimate experience of Hans Hartung and Anna-Eva Bergman on the island of Menorca, where they built a house-workshop and lived in from 1932 to 1934.

Trilingual monograph investigating five film-projects by the French-German duo. The publication features a series of essays and a high-quality photographic documentation.

French illustrator Julien Brunet adopts the chiaroscuro style and the pointillist technique to create lascivious nudes of monstrous figures, evolving in a background of floral and organic patterns. His first monograph gathers a series of 36 ink drawings produced between 2010 and 2016.

Filmed inside a series of empty museum galleries across Paris, Ali Cherri's Somniculus articulates the tension between the lives of dead objects and the living world that surrounds them—thus highlighting their ideological value. This publication accompanies and complete the Lebanese artist's video project.

This publication is the result of a series of meetings and interviews with Michel Butor in Italy, between 2012 and 2016. It also features texts by Mireille Calle-Gruber, Paolo Fabbri, and Butor himself, as well as six unreleased photographs from 1952 to 1958, documenting the French author's travels in Italy. The accompanying DVD À propos de. Entre littérature et art, le paysage véritable is a video-essay by Isabella Bordoni, and one of Butor's final appearance.

Three-volume box set dedicated to Peter Campus's work, one of the most important pioneers of video art (Catalogue of the first monographic exhibition of the artist in France at Jeu de Paume; facsimile of an out of print exhibition catalogue from 1974; Augmented Reality book including all Campus's work since 1971).

First monograph.

First monograph.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

A book-DVD documenting a commissioned work for which Jean-Michel Othoniel redesigned spaces housing the sacred treasures of the Angoulême Cathedral.

Introductory book to the “Contemporary Condition” series, which brings out some of the key issues relating to contemporaneity as a defining condition of our historical present—and vows to rethink the deep structures of temporalization as we know it.

A collection of notes written along the years by Spanish curator and Head of Institut Kunst in Basel Chus Martínez. Aimed at her students, this notebook gathers personal thoughts on artists who inspire Martínez's ongoing practice.

British artist Monica Ross (1950-2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated publication documents Ross's works from 1970 to 2013.

Gathering Pascal Pinaud's most recent works, this monograph features numerous exhibition views highlighting the artist's scenographic qualities and his relationship with design, furnishing and architecture. This edition includes two essays and a long interview.

Selected unreleased works from 1980 to 2000 by a key composer of Belgian electronic music.

A photographic series focusing on the waterfalls near Mount Bachtel in Switzerland. Willing to capture the mystical essence of these falls in the twilight, Barbara Heé provides enchanting images with fairy-like accents.

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

A meticulous survey of French photographer Valérie Belin's stunning series from Magicians, Bouquets and Lido to Brides, Bob, and Black Eyed Susan and continuing up to recent work including Super Models and All Stars.

The 63rd edition of the Jahresring series—one of the longest continually published annual journals for contemporary art in Germany—focuses on the practice of curating in Southeast Asia, a region experiencing a time of increased global visibility as well as nation and institution building.

This book presents a wide range of artistic working processes that Peter Radelfinger developed and implemented together with students in various disciplines during the many years he taught at Zurich University of the Arts: several series of elementary (to begin with, drawing and performing) exercises, strategies and techniques of working with images, researching, artistic actions and complex artistic projects.