The first comprehensive survey of video artist and filmmaker Theo Eshetu's extensive body of work. It provides documentation and critical analysis of Eshetu's practice, in which he examines the imagery of the collective unconscious, exploring cultural identity and challenging official media narratives through a complex interplay of signs and symbols.

The second issue of Blank Forms' journal.

First comprehensive monograph on British experimental filmmaker Ben Rivers.

Carlos Bernal Ferrara illustrates the fluctuations induced by the printing of a PDF file by printing a square repeatedly until a grid is obtained. From the immaterial plane image to the printed tangible notebook, the physical factors related to the printer or the paper moved the lines. Through this gesture of repetition, the artist demonstrates that we will always obtained a different result even if the file is the same.

Following a thread, from string figures though algorithms.

A series of plays (independent of each other) that all refer to a scene from Greek mythology.

A series of images from a movie shot in Super8 format, on an industrial cod-fishing trawler in Terre-Neuve.

Sun-blasted organ music from Australia.

First vinyl re-release of an essential record from Loren Connors' acoustic period.

Cross-continental tape exorcisms.

Monograph devoted to Georges Tony Stoll's painting, with a hundred reproductions, a long essay by Éric de Chassey and eight unpublished texts by the artist.

The portfolio of the exhibition at the Jeu de Paume.

The complete Landscape Paintings.

The complete Horizon Paintings.

The complete Sun Paintings.

The first monograph on Riccardo Baruzzi, containing a selection of images of works made from 2010 to the present and writings by Alessandro Rabottini, Davide Ferri and Luca Bertolo. A perfect introduction to the italian artist's practice, which explores the notion of the unfinished and the provisional by way of an aesthetic investigation of drawing through the body of the painting.

The troglodyte town of Matera in Southern Italy has fascinated generations of filmmakers since the Post-war area. Documenting the making of the 1953 film She-Wolf by Alberto Lattuada set in Matera, photographer Federico Patellani provides a unique insight of the life of the provincial city in the fifties.

Nabelóse shows Austrian prepared piano virtuoso and yodeler Ingrid Schmoliner and the French horn player Elena Kakaliagou from Greece, putting their hands and voices on traditional folk music from both countries.

A portrait of the artist as an inspiring teacher: this publication focuses on Baldessari's practice at the intersection between pedagogy and art. Visually organized in alphabetical order, Learning To Read features essays, artworks, a chronology, and personal insights on Baldessari's teaching and influence by a group of the artist's former students and CalArts collaborators such as Ashley Bickerton, Liz Craft, Meg Cranston, Matt Mullican, and Tony Oursler.

A series of previously unpublished lectures by American dancer Jerome Andrews, from 1968 to 1980.

The first monograph dedicated to Nicolas Milhé highlights the aesthetic and political concerns of his work through two series of works that question the formal and symbolic vocabularies of the Republic. With texts by historian Olivier Christin, architect Eric Lapierre, and musician Julien Perez.

Frantic brings together black and white photographs, taken in 2016 in Lisbon and later in London, Warsaw and Rio de Janeiro. The series features shelters with their inhabitants as well as shelters photographed on their own. These temporary shelters built inside houses reflect on the general notion of home and the very fragility of the domestic sphere.

Then architecture student Gabriele Basilico photographs the suburbs of Glasgow on a late summer afternoon of 1969, with its Scottish kids, terrains vagues, and 19th-century industrial archaeology. A photographic baptism for Basilico, who will become one of the main contemporary figures of the medium. The publication of this early series is completed with texts by Umberto Fiori, Pippo Ciorra, and Giovanna Calvenzi.

Charlotte Moorman by Deborah Walker; manifesto for a 21th century avant-garde music by Ulrich Krieger; Ulrich Krieger by Kasper T. Toeplitz ; Ring-Modulation #24: “From idea to sound;” photographic series by Marie Combes; disc reviews, and more.

This artist's book collects a photo series taken in spring 2017 in Myanmar, one of the Buddhism's sacred places, where one hundred or so temples have been destroyed by a recent earthquake. Now the pagodas affected by the earthquake, covered by thin bamboo structures, have taken original and unexpected forms, hanging between architecture and art, life and destruction. This temporary condition allowed Isola to catalogue, study and also to develop a sort of appropriation.

Shot in South Africa in 1992, Moyra Davey's Gold Dumps and Ant Hills is a series of black-and-white photographs of mounds left behind by two types of excavation—one human and one animal. For Davey, the pairings of gold dumps and ant hills “invite not only our imagined associations but, as South African landscapes, our received, politically charged associations as well.” The photographs are presented here in book form for the first time.

This new edition of “Panorama” celebrates the 20th anniversary of Le Fresnoy. Showcasing the various works produced by students and invited artists-professors, the program is curated this year by Jean de Loisy. In this catalogue, writer-in-residence Yannick Haenel draws a narrative thread through the fifty works exhibited, like a novel.

This publication documents a previously unreleased video project by Canarezza & Coro inspired by poet Eugenio Montale's unusual walk across the Italy-San Marino border to receive a Literature Prize in a context of tensions between the two States. The volume also includes fragments of forty-seven poems by Eugenio Montale, modified by the two artists.

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

A music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.

This publication is an adaptation of a public statement by art critic Annika Bender, the editor-in-chief of the Donnerstag-Blog, on why her blog was discontinued. Bender was in fact a fictitious character created by artists Dominic Osterried and Steffen Zillig. The two artists discuss why they deemed a certain form of masked critique important and necessary in our times.

In this publication, various authors reflect on the history of dematerialization and deskilling, the manifold meanings of materials in art and design, and the challenges for education when the innovative power of the artistic process is celebrated.

A conversation with artist, poet and choreographer Alex Cecchetti, creator of performances and idiosyncratic objects.

The fifth publication in the On the Table series, that explore the encounter between food and art, Bon! Bon! uncovers the wonderful world of all things sugary through surprising anecdotes and historical accounts, each accompanied by delectable recipes that are sure to satisfy any sweet tooth.

A parallel side story of the steirischer herbst International Art Festival drawn from the back-sides of cut-out articles from the festival's press archives.

Searching for the present: an account of contemporaneity by the Dehli-based trio Raqs Media Collective.

Celebrating the 100th title in the “L'art en écrit” series, this leporello by Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst.

Monographic catalogue presenting a series of sculptures and a set of photographs by the Belgian artist. The two media enter in close dialogue with each other, thus exploring the potentialities of image and space. With a text by Michel Gauthier.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

Fifty years of graphic and editorial production of one of the most visionary artists of his generation—Enzo Cucchi. The catalogue includes more than a hundred plates, ordered chronologically, photographic reproductions, detailed information, and a series of essays by reknowned contributors.

Celebrating the 100th title in the “L'art en écrit” series, Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst. Published as a leporello, this artist's book features an original artwork signed by the artist.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This inaugural issue is dedicated to filmmakers couple Alain Della Negra & Kaori Kinoshita.

This publication is the first outcome of an ongoing series of seminars at the Bergen University of Fine Arts, developping critical and creative perspectives on invisible practices. These essays and works seek to investigate the operations of visibility by highlighting the unseen, the camouflaged, the immaterial and the erased as particular aesthetic strategies, and to reflect on the possible outcomes of such strategies on the socio-political realm.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This second publication explores the paths of brothers and filmmakers Arnaud & Bertrand Dezoteux (interview by Jill Gasparina).

Catalogue of the eponymous group exhibition on the theme of romantic relationships in the digital age. Curator Cloé Perrone's introductory text is followed by a series of works by Antoine Catala, Catharine Czudej, Cecile B. Evans, Pakui Hardware, Camille Henrot, Ingo Niermann & Alexa Karolinski, Lili Reynaud-Dewar, Avery Singer and Anna Uddenberg.

The monochrome paintings of Stéphane Bordarier are the result of a research based on the quality of the pictorial surface and the founding role of color. This monograph offers an overview of recent works, followed by two interviews with the artist.

This issue celebrates the 50th anniversary of the magazine. It features texts and interviews that reassess key passages in recent art history, in each case using landmark content from Flash Art's archive as a point of departure (Piero Gilardi; Anarchitecture; the Soviet Nonconformist art; Jeff Koons and Maurizio Cattelan; the writings of Peter Halley; revisiting the pioneering exhibition “Aperto '93” with Helena Kontova and Hans Ulrich Obrist; Chinese art today; what's left of the Berlin art scene…).

A chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000.

Three interconnected essays on typography.

How media and new technologies affect our sense of the present.