Collection of black & white photographs celebrating Italian actress and filmmaker Asia Argento in Paris. The volume is risograph-printed and enclosed in a silk-screened slipcase. With a quite striking foreword by no-wave priestess Lydia Lunch.

This recording is the outcome of two sound projects—a performance and an installation—started in 2010 and 2012. Using a recording device as a sound producing source, the Slovene artist investigates the spatiality of sonic manifestation.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art.

A well documented bilingual (English / Japanese) publication presenting ten recent paintings by the artist, and highlighting the special relationship between Pierre Soulages and Japan, where his work was exhibited very early in his career and quickly enjoyed significant recognition. A unique catalogue, published on the occasion of the opening of Perrotin Tokyo.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art, with an original collage signed by the artist.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

Photographic book celebrating the collaboration between the “UrbEx” photographer Francis Meslet and the “Mind Travels” Series—a series of albums dedicaded to ambient, neo-classical, and industrial music produced by French music label Ici, d'ailleurs. Meslet's photographs of abandoned places give a special echo to the musical approach of the series. The publication is sold with an audio compilation of selected musical pieces taken in the “Mind Travels” Series.

Publication documenting the pilot episode of a series of video works by Invernomuto that avails itself of the structure and production processes of a TV series. This episode deals with the true story of a conflict between natives and settlers in New Zealand during the eighties.

At an Uncertain Distance from the Ground by Jordi Mitjà is structured around a series of notes, sketches and photographs taken by the artist between 2010 and 2015.

Graphic artist and illustrator Tim Lahan publishes a series of drawings focusing on the impermanence of the physical things: a follow up on Dalí's Surrealist representations of space and time.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

This study offers a reflexion on the complex temporality in the series Breaking Bad. The author develop her theories through examples coming from the show's various visual elements and masterful temporal and narrative structuring.

How to talk about his art as an artist? A series of discussions with Jan Verwoert and artists and composers of the Graduate School at the Berlin University of the Arts. In parallel, the book presents a careful selection of original artistic contributions by the participants.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

The tenth volume of Rémy Zaugg's complete writings (1982-2004): the publication gathers texts, interviews, and correspondences on ethics, as well as a series of interviews on cross-cutting themes and projects. It features also a chronology, a list of exhibitions, and a bibliography.

This publication comprises a series of interviews with contemporary artists, musicians, and writers who are in dialogue with Beirut and Cairo.

Artist's book documenting works produced by Tom Humphrey between 2009 and 2016 using industrially manufactured ceramic plates as a support medium. This extensive volume reproduces four hundred and twenty works from this series at a one-to-one scale, in precisely rendered photographs.

The fifth volume of Rémy Zaugg's complete writings (1980-2005): a series of texts of utmost importance, related to the great pictorial and philosophical researches of the 1980s. Alongside these texts, the publication features a collection of interviews and letters to friends, colleagues, art dealers, curators, and art collectors.

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.

Drawing on Gilles Deleuze and Félix Guattari's concept of the “girl,” this series of essays brings together a team of contributors to forge a radically inclusive definition of subjectivity in modern philosophy.

Catalogue of the 15th Geneva Biennial, dedicated to artists' film and video. The publication documents 27 commissionned works through a series of interviews with participating artists by international curators and producers (from November 9, 2016, to January 29, 2017).

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

Catalogue presenting a series of watercolours in which artist Sophie von Hellermann re-interprets artworks by Alex Israel, Sergej Jensen, Karen Kilimnik, Sarah Lucas, Marisa Merz, Kelley Walker, etc., all from the Cranford Collection.

A polyphonic work of creative resistance, this publication by sound and visual artist Israel Martínez reflects on the present state of Mexico and its regime of narco-politics through artistic works, interviews, notes, images, and collaborations with fellow writers, curators, activists and artists.

Grounded in theories and practices of withdrawal and in the critical questioning of creation, materiality, and objectified artistic output, The Site Residency program at the Baltic Art Center was imagined as a residency that would result in no material production. This publication presents the outcomes of the program's three participating artists—Annika Eriksson, Susanne Kriemann, Agnieszka Polska—, including the results of their invited ghostwriters.

The Contour Biennale offers a platform to curators and artists working with different forms of moving image, from film and video to installation. This reader accompanies the 8th edition of the biennale, dedicated to the notions of evidence and testimony. It includes texts and illustrated contributions by international artists, writers, poets, anthropologists, and filmmakers.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

The book of the 14th edition of the international exhibition, curated by Emma Lavigne, with more than 50 artists.

An examination of intersections of mass-population displacement and architecture through the twentieth century and into the present (with visual contribution by Omer Fast).

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

Recounting a partial history of our relation with matter, this reader explores how the crossover between cosmological narratives, the spatial revolutions of concrete poetry, and hypertextual and territorial fictions might have an impact on the recognition of human agency in a time that calls for our action on environmental policies.

Spring / summer issue of the French magazine dedicated to contemporary art, photography, and fashion, edited by Guillaume de Sardes: “writers and photographers”—a special feature with Maxime Du Camp, Claude Simon, Hervé Guibert, Denis Roche, Jacques Henric, and Alain Fleischer; artistic journeys in China; portraits and interviews, photo creations…

First retrospective catalogue devoted to Dutch painter Peter Schuyff, a prominent member of the Neo-Geo movement, Has Been presents a selection of works produced between 1981 and 1991 in New York. The publication reveals the many paths taken by the artist and exposes the myriad forms which pictorial abstraction can take. Two critical essays, historical reviews, as well as a text written by Peter Schuyff in 1991, shed light on the artist's work of this period and on the complexity of its referential relationships.

This recording is the sonic counterpart to Dutch artist Paul Panhuysen's last visual work Oog & Oor—a colorful design whose structure was built from sudoku puzzles. Panhuysen used the same principle to compose these sudoku-based pieces in collaboration with carillonneur Rosemarie Seuntiëns.

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents a cycle of works recently made by the artist in Rome: the installation of white olive trees's mouldings among the ruins of the Trajan Forum, and the exhibition “Vocabulary of Solitude” at the MACRO Museum, where sculptures of forty-five clowns were accompanied by a multitude of rainbow drawings.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

A series of unpublished photographs by Brigitte Bauer: the German artist's images recall with distance and sensibility the uprooting and the transition to adulthood.

Documenting a six-month residence at Fogo Island Arts, Tones highlights the diversity of Leciejewski's practice—with works including collages, photographs, and found-objects sculptures—while bringing to the fore the artist's views on nature.

This LP gathers two sound works by Cologne-based radio producer, performer and composer of experimental music Peter Behrendsen. Nachtflug is a live-electronic piece based on the sounds of bats made audible, and Atem des Windes is a text-sound composition inspired by a Taoist text.

A critical essay on the state of the academic world, and a call for the development of an autonomous knowledge production.

This double LP includes four unreleased selections from Fox's eponymous sound performance based on the great pavement labyrinth at Chartres Cathedral—which the artist saw as a metaphor for his own life in between health and sickness.

An insurrectional youth in quest for alternative words: a poetic and visual work by photographer Sadie von Paris and writer Véronique Bergen.

The catalogue of the Malta Pavilion at the 57th Venice Biennale takes readers on a poetic journey through the volatile territories of national and cultural identity of Malta. Gathering contributions by authors, artists, and travelogues, the publication presents ample proof of the rich, complex, and continuing history of the maltese people and its diaspora.

This catalogue discusses the symbolic of the red thread in the work of the Chilean artist and poet. The publication includes a special documentation on quipus—large-scale immersive installations of thread, wool, and yarn—poetic texts and narratives by Vicuña, and two essays that shed light on a ritualistic symbolism relating to the function of textile, language, and menstrual blood.

Arcana 3 is part of a series of books designed to mount an archive of the present through a collection of emblematic documents of the twenty-first century, culled from the media, advertising, and the Internet. This third volume focuses on advertising imagery targeting women.

Arcana 2 is the second volume of a series of books designed to mount an archive of the present through a collection of emblematic documents of the twenty-first century, culled from the media, advertising, and the Internet. Based on the Nordic myth of Odin, this volume investigates the contemporary representation of the male body.

Mexican conceptual artist Mario García Torres examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return, in a series of works that reflect on the European migrant crisis.

Artist book whose title embodies the aesthetical research led by Arthur Fouray on the shift between painting and the cinematographic experience. The publication alternates a series of painting/serigraphy on cushions and textual and typographical experimentation.