Questioning the meaning of one's existence with Martin Heidegger (an illustrated philosophy book for children).

Publication documenting the eponymous permanent installation by Kiefer at Pirelli HangarBicocca in Milan. First created in 2004, the work features seven “tower sculptures,” now combined with five large-format paintings, made between 2009 and 2013. The book gathers essays, a conversation with the artist, an exhaustive photographic documentation, description of the installation, and a bio-bibliography.

First monograph: an overview of the artist's career, spanning more than a decade of work.

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

A new series of oil paintings and pastel drawings, with vivid colors and a child-like spirit.

The publication is the first comprehensive study of Baruchello's relationship with the moving image from the sixties on.

This catalogue presents an unpublished series of work by Tomoko Yoneda: the Japanese photographer has followed in the footsteps of Albert Camus, through Algeria and France, carrying on her reflection on the memory of places by way of her sensitive and poetic photographs. It is a subtle evocation of the youth of the author of “The Stranger.”

Julien Blaine's new collection of poetic, visual and typographic experiments.

This publication features a series of lithographs which captured impressions of wild animals. This technique was developed by artist Michael Günzburger to explore with directness and immediacy the physical energy of bestiality. The series is accompanied by a text by writer Lukas Bärfuss which takes the reader on an expedition up through northern woods all the way to the frozen wilderness of an island in the North Sea.

This catalogue documents the performance and visual arts collective's new body of work—a series of sculptures and a four-act theatrical production imagining the potential of an automated machine or software with the ability to compose tragic and dramatic scripts.

A crime novel in which the narrator chases a mysterious woman from Paris to Barcelona, via Basel and Bucharest. The text is accompanied by a series of photographs by Felice Varini taken from four walks in Paris, Rome, New York, and Krefeld.

Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This publication features an unpublished series of artworks by artist Paolo Gioli based on polaroid images of etruscan funerary sculptures set in the Italian city of Volterra. The volume is supplemented by a text on Volterra by novelist D. H. Lawrence, and an essay by historian of photography Roberta Valtorta.

Catalogue documenting a recent series of works by the Greek American artist, which blends painting, sculpture, and photography. In his practice, Gerasimos Floratos plays with the idea of site-specificity, and is strongly inspired by the Situationist concept of psychogeography.

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This publication examines the new paradigms of creation, dissemination and teaching of photography in the digital age. Resulting from a research project by the Master Photography at ECAL/University of Art and Design Lausanne, the publication includes a series of essays and interviews, productions done by the Master's students, together with a selection of representative works.

The publication brings together three distinct bodies of Landers' recent pictural work in beautifully reproduced images: yellow legal pad paintings, text drawings, and the Aspen tree paintings.

This catalogue / artist's book extends a three-chapter exhibition reflecting on the concept of Home. The publication includes reproductions, exhibition views, a text by Marie-Gabrielle Duc, and an interview with the artist by Emmanuele Quinz.

Under the title of Merry Xenotism!, Diaphanes #4 directs its attention to everything foreign and different, to the other in the same and the same in the other. With contributions from art, literature, and discourse by Leonard Suryajaya, Slavs & Tartars, Lynn Hershman-Leeson, Yves Netzhammer, Jean-Luc Nancy, Tianzhuo Chen, Elena Dorfman, Maria Gabriela Llansol, A.K. Kaiza, Miguel Tamen, Lina Atfah, Michele Pedrazzi, Angelika Meier, Joseph Morder, Jordan Lee Schnee, Jochen Thermann, and many others.

This catalogue revolves around a project by Damir Očko inspired by the works of Brecht and Orwell. The Croatian artist produced a video collage reflecting on the impoverishment of language in the public space.

The cultural public sphere at the digital age.

Federico Lodoli and Carlo Gabriele Tribbioli went twice in Liberia to carry out a study on the war. This publication gathers their travel memoirs, interviews with Liberian warlords and a photographic reportage.

A hundred black and white portraits of students from ECAL – University of Art and Design Lausanne, made between 2013 and 2016 by photographer and teacher Anoush Abrar.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

Will Sweeney's new graphic narrative is set in a retrofuturistic England ruled by a twisted elite who exploits a population inhabiting decadent urban centers. Monsters populate this strange world, and humanity's last chance lies in the power of the Vorpal Sword—a metaphysical blade of vital creative energy…

Conceived on the occasion of the eponymous exhibition at Le Bal, Paris, this publication is a poetic, abstract, fragile attempt to translate something of our times: being in a state of suspension. It subverts the idea of a traditional catalogue to transcribe this intangible and indefinable state through a continuous stream of black-and-white images supported by excerpts from Jacques-Henri Michot's Un ABC de la barbarie.

Conceived on the occasion of the eponymous exhibition at Le Bal, Paris, this publication is a poetic, abstract, fragile attempt to translate something of our times: being in a state of suspension. It subverts the idea of a traditional catalogue to transcribe this intangible and indefinable state through a continuous stream of black-and-white images supported by excerpts from Jacques-Henri Michot's Un ABC de la barbarie.

Matrangra's inaugural publication presents her celebrated series Toilet Paintings.

Inexplicable hours opens on the one hand new ways based on field recordings, static electronics and distant pulsations, and continues on the other hand the exploration of drone and ambient but in a brighter, less aggressive, less tense way, almost reminding sometimes Brian Eno's Obscure series.

The Dynamics of archiving: interviews with Ernesto Oroza, Simone Osthoff, Red conceptualismos del Sur, Manu Luksch, Daniel G. Andujar; Anna Ramos presents the Memorabilia podcast series; the British Library's 140 years of recorded sound vs. Centuries of Sounds; Rhizome's Net Art Anthology; reports on ISEA 2017 – “Biocreation and Peace”, Lisbon's xCoAx 2017…

A selection of recent paintings by San Francisco-born artist Rafael Delacruz. Drawn from the artist's Tech Bum series—which envisions a future portrait of his native Bay Area—, and also from the artist's personal imagery, Exploding Jezebel untwists a narrative universe of misfit characters in Paul Klee-like palettes and visionary hues. Delacruz's work presents a singular exploration of chromatic, painterly storytelling.

Facsimile reprinting of Paul Rand's graphics standards manuals for the redesign of the visual identity of the multinational technology company IBM from 1962 to 1987.

This issue investigates the sinuous folds of the body. Featuring: special section on George Henry Longly; Mathieu Copeland on anti-bodies within the body of art institutions; interview with Barbara Hammer, Lou Dallas, Manuel Solano; Eleanor Antin on Carving; Ellen Blumenstein & Kate Cooper; Ben Vickers in conversation with Kenric McDowell on human and machine; visual essay by Marianna Simnett; Donna Huanca in conversation with Venus Lau; ektor garcia; 25 questions with Eric N. Mack… and including Clubbing fanzine's first issue!

During his exhibition at Westfälischer Kunstverein in Münster, artist Zin Taylor invited musicians Christina Vantzou and John Also Bennett to interpret a 90-meter panoramic wall drawing as a musical graphic score. This vinyl edition gathers the recording of this minimal music performance, along with a 180 cm leporello reproduction of the wall drawing.

Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels.

Two new musical encounters.

Two new musical encounters.

Armen Avanessian's Miami chronicles: An inventory of the self in the second person, intertwining thoughts on the art world and interrogations on our digital times.

The second book in a series dedicated to the installations exhibited in the nave of the CAPC, De la source au poème documents artist Rosa Barba's eponymous video installation: an investigation on cultural legacy and spaces of memory. Designed as an artist's book, the publication offers a rich and poetic journey to the heart of the exhibition, and features an interview with Barba.

An intimate diary in the shape of an apparently cold, monochromatic book, Negative Book collects a series of eighty-four black-and-white photographs taken by Grzeszykowska following a very particular procedure, which is both visual and performative.

Transdisciplinary collection of essays and stories providing new propositions for the concepts associated with communism in relation to a variety of contemporary issues. Contributions are drawn from the project “The Kids Want Communism”—a clandestine public series of events marking the century of the Bolshevik Revolution.

Issues 5 to 8 of the critical review dedicated to Graphic design. Compilation includes studies on the following subjects: an Instagram post by studio Experimental Jetset for the Paradiso cultural centre in Amsterdam; a series of gestures, from Harun Farocki to L'Architecture Aujourd'hui; the publication Parallel Encyclopedia by Batia Suter; Charles Mazé & Coline Sunier's residency at the Villa Médicis.

The catalogue for Heman Chong's first solo museum exhibition in mainland China, at the Rockbund Art Museum, provides an insightful and critical look into the Singaporean artist's recent practice.

This catalogue is a visual journey through the artist's show at Mudam Luxembourg. It centers on Almond's series of cosmos-inspired abstract paintings Timescape. Produced in conjunction with the publication, the record All Things Pass highlights the musical dimension of the artist's eponymous video installation. The soundtrack embodies both the tradition of music in Northern India and an experimental approach, expressing links between cosmic and human existence.

This catalogue / artist's book inaugurates a new series dedicated to the site-specific installations exhibited in the nave of the CAPC. The eponymous project by artist Leonor Antunes is a sculptural ensemble influenced by textile and architectural works, thus recalling the commercial past of the nave as well as the cultural legacy of modernism. The publication features an interview with the artist and a text by textile artist Anni Albers.

This extensive volume spans the drawings of Argentinian artist Guillermo Kuitca from 1971 to 2017. Gathering together for the first time more than 650 works on paper selected from a body of more than 3,000 produced over the course of 40 years, the book lies somewhere between a catalogue raisonné and an artist's book.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.