A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

This theoretical essay advocates for the overcoming of the dominant notion of the contemporary as the point of departure for the development of (art-) historical imagination.

A collection of all writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics introducing themes he finds meaningful.

First monograph dedicated to Musa paradisiaca, a dialogue-based project by Eduardo Guerra and Miguel Ferrão founded on temporary partnerships. This richly illustrated publication documents the variety of their works— sculpture, paintings, texts, and sounds—and includes new commissioned essays.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, A False Weight is published in conjunction with the exhibition by Daisuke Kosugi, an intimate project on the disabled body, supported by a reflection on the architecture of the home.

The republication in print form of the poems of Art Ensemble of Chicago's founding member breathes new life into a forgotten document of the Black Arts Movement.

Cura. #32 brings together an incredible array of conversations with cutting edge and pioneering artists, together with recurring and brand new sections, that set the rhythm of an upcoming year filled with new and thrilling explorations.

The issue 30 of the magazine Palais is published on the occasion of the exhibition “Future, Former, Fugitive,” presented at Palais de Tokyo from 16 October 2019 to 5 January 2020. This exhibition devoted to a French scene is based on an open view of belonging to a land and it escapes from the effects of a tabula rasa dictating that one generation eclipses another. It unites a good forty artists born between the 1930s and the 1990s, but who all live and work in and within their era.

The publication presents a collective project lead by artist and researcher Verina Gfader.

The fourth issue of Blank Forms' journal: a kaleidoscopic view of the last fifty years of experimental art and music in the United States and beyond, mining the conceptual, technical, historical, or otherwise marginal details undergirding artists' lives, ideas, and approaches that may otherwise remain buried.

For its 50th release, Black Truffle presents the 9th album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi.

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

An exceptional live performance in which the legendary avant-garde jazz singer pays tribute to Cecil Taylor, Billie Holiday and Ornette Coleman.

An exceptional live performance in which the legendary avant-garde jazz singer pays tribute to Cecil Taylor, Billie Holiday and Ornette Coleman.

A collection of poetic texts that experiments different forms of contemporary poetry: sound poetry, lists, logorrhoea, glossolalia, ready-made, micro-narrations... Most of these texts have been read in public in the framework of literature festivals or performances.

A closer reading of the late poetry of Jean Hans Arp (1886-1966), major figure of the Dada movement in Zurich, a friend of the surrealists, painter, sculptor, also author of an important bilingual poetic work, which covers more than half a century of creation (with a choice of poems previously unpublished).

A series of connections between percussion and electronics.

A new series of photographic works by Shirana Shahbazi.

A series of drawings considered the starting point of the artist's mature work.

The new fantastic novel published in the “tales for adults” series, in which contemporary writers explore through fiction the most recent research in sciences, reviving a tradition in scientific literature. A tradition which aims at making dream and meditate on the way the world is represented as it redefines itself today.

The new fantastic novel published in the “tales for adults” series, in which contemporary writers explore through fiction the most recent research in sciences, reviving a tradition in scientific literature. A tradition which aims at making dream and meditate on the way the world is represented as it redefines itself today.

First monograph.

The publication developed from the exhibition and research project The Place Is Here (2016–19), which traced the urgent and wide-ranging conversations taking place between black artists, writers, and thinkers in Britain during the 1980s.

Jean Laude's writings on art.

New monogaph.

First monograph dedicated to the American artist, offering an in-depth investigation of his work. The book assembles more than 65 artworks and three essays, by Kenneth Goldsmith, Jo Melvin and Balthazar Lovay, as well as an interview with Gene Beery by Gregor Quack.

Focusing on the American South, Andrew Moore's "Blue Alabama" depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens.

Magic Centre revolves around the Indonesian publishing company of the same name, which was mostly active in the 1960s. It serves the artist as a lens through which he examines the social and political changes that reshaped his country during the years Magic Centre was in business.

This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art's relationship to knowledge.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

An autofiction by Erik Niedling, interpolated by manifestos and proposals by Ingo Niermann and expanded by Austrian-American poet Ann Cotten and German novelist Jakob Nolte.

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.”

Interdisciplinary and cross-border collaboration between Belgian architect Inessa Hansch and German artist Susanne Kühn: a work that combines architecture and painting, around space and its representation, which questions the idea of the inside and the outside.

An artist's book that reflects Sophie Jodoin's ongoing preoccupation with the interaction of language with images.

The story of epoch-changing activist, prolific writer, and Swedish countercultural icon Katarina Taikon's life.

Artist's book: a catalogue of Alex Hanimann's photographic explorations over the past twelve years, with interview by Hans Ulrich Obrist and two essays.

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

Catalogue of Driant Zeneli's multidisciplinary film and sculpture installation for the Albanian Pavilion at the 58th Venice Biennale.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman, The Arcadia Center is published in conjunction with the exhibition of work by Ben Thorp Brown, which calls for an architectural experience inspired by ancient mythology and the fields of psychology and neuroscience.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

Sugimoto's majestic images of classic modernist buildings.

New monograph, featuring American–Canadian artist's latest work, in dialogue with a museum collection.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

Documenting Pope.L's exhibition at La Panacée, this catalogue's content comprises texts from the curators, Nicolas Bourriaud and Noam Segal, and photographs of the show. Pope.L worked in close collaboration with graphic designer Johanna Himmelsbach on this editorial project.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century.

Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.