A split album as part of the GRM Portraits series bringing together two pieces by Félicia Atkinson and Richard Chartier.

First monograph of the Franco-Iranian artist.

Publishing as a discursive process and the book as a device of (re)formulation and enunciation: the culmination of a research program aimed at extending the notion of writing to all dimensions of editorial practice.

The 56th issue of the design research journal, devoted to the question of writing in design practices.

A previously unpublished collection of 60 ink pictograms by the early progenitor of the artist's book genre (new edition).

Félicia Atkinson's new artist's book, bringing together photographs, drawings and poems.

Retrospective monograph: a panorama of Jennifer Caubet's work over fifteen years.

The multiple issues of sexual representations in art / the complex relationships between art and the various forms of pornography.

ASMR's low masses, the Russian punk scene's exile in Belgrade, Harry Gruyaert, insurrection and literature in Turin's prisons, Susanne Kennedy, Nicolás Pereda, a sociological analysis of police violence by Paul Rocher...

Victoria Shen; contemporary Arabic poetry: Rasha Omran; Anthony Pateras by Delphine Dora; Christina Kubisch in conversation with Carole Rieussec and Elena Biserna; Alexandre Chanoine; Sister Iodine; Léo Dupleix; Jeanne Lee; 80 album reviews...

A conversation between Eva Wilson and the 2022 Frieze Artist Award Abbas Zahedi, around the core concepts of "translation and transplantation".

Invited by Molly Warnock, nine artists living in the United States write about the work of Michel Parmentier (1938-2000). A radical founding figure of the BMPT collective who refused all formal and ideological compromise, Parmentier appears here through the diverse prisms of the authors' own artistic commitments and cultures.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A brand new body of recent works by the French painter.

First monograph dedicated to Marie-Claire Mitout's series of painted images, fixing the best of the day, a life's work initiated in 1990 now including more than one thousand gouache paintings on paper.

Bill Noir; contemporary Arabic poetry: Mouna Ouafik; Bani Khoshnoudi by Carole Rieussec & Elena Biserna; Sister Iodine by Michel Henritzi; interview with Emmanuel Lalande; Stefan Fraunberger by Delphine Dora; Willem Breuker by Gérard Rouy; book and record reviews...

Zone to Defend in Germany, the opera in Odessa, investigation on the lost trilogy of Abdellatif Kechiche, the end of dancers' careers, the artists in the ready-to-wear, interviews with Mariana Enríquez, Tiphaine Raffier, Bertrand Bonello, Fatima Ouassak, Núria Güell...

Limited green vinyl version of the latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

Issues 42 to 45 of the critical review dedicated to graphic design.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

Interviews with Valérie Vivancos, Alexis Degrenier, Lao Dan and Li Jianhong; what modes of travel for experimental music? by Heddy Boubaker; the French collective Muzzix, by Gérard Rouy; Antoine Freychet by Grégoire Bressac; focus on Fou Records; about sixty reviews of records and books...

An artist's book dedicated to the "bestiary of objects" designed by Israeli-born artist Tamar Hirschfeld during a two-year residency at the Cirva (International Glass and Visual Arts Research Centre) in Marseille, rooted in the culinary imagination of everyday life in France and Provence.

Interviews with a group of pioneering artists' book publishers: herman de vries, Michel Durand-Dessert, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Maurizio Nannucci, Maurizio Spatola.

Interviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson.

Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.

Made in Crete, the native land of the photographer Nyima Marin, "L'Adieu du Minotaure" is part of a research combining poetry, alternative printing process, Mediterranean mythology and family history.

A new critical reading of key dimensions of the Los Angeles-based French artist's work.

The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In Inclusions, Nicolas Bourriaud proposes that artists are the anthropologists of this new era.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A retrospective monograph, La Gricole et ses dérives brings together fifty years (1970-2020) of Daniel Nadaud's pathways, loops, advances, drawings, sculptures, installations and notebooks, shaped by the presence of the agricultural world, by history and fragments of childhood.

Aesthetics/Ethics of the Flesh.

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

2022 reissue of Fennesz's beautiful 4th solo album, originally released in 2008.

Reference publication dedicated to the practice of Lubaina Himid, one of the leading figures of British Black Art since the 1980s.

Issues 39 to 41 of the critical review dedicated to graphic design.

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

Monograph entirely dedicated to the drawing production of the artist Alan Fertil, who died prematurely in 2015.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

Contemporary poetry in Arabic: Sara Elkamel; Marc Ribot; Bill Nace interviewed by Michel Henritzi; David Grubbs by Laurent Nerzic; Werner Durand interviewed by Deborah Walker; Paulina Owczarek interviewed by Gérard Rouy ; focus Insub.Records; 80 album reviews...

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

First monograph.