First monograph by French painter Gaël Davrinche: an exhaustive journey through the artist's young career, punctuated with a photographic reportage in his studio. An interview by P. Nicolas Ledoux and a foreword by Richard Leydier complete this edition.

First monograph.

Digital version of the Fourierist conceptual index: a tool allowing a completely new reading of Charles Fourier's complete writings based on current possibilities of science and technology applied to texts, through a dedicated software interface for content analysis.

The Fourierist conceptual index: a tool allowing a completely new reading of Charles Fourier's complete writings based on current possibilities of science and technology applied to texts, through a dedicated software interface for content analysis (CD-rom included).

First translation into French of tghe seminal book of German historian, photographer, and influential theorist and critic of avant-garde film and photography Franz Roh (1890-1965).

First translation into French of the short story by Edward Page Mitchell—a major figure in the early development of the science fiction genre—, written and published unattributed in the NY Sun in 1879.

A multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society: 47 contributions by international thinkers and actors of the art world (with 9 movies on DVD).

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

Reference monograph: a complete overview of the production of French artist Camille Henrot, awarded Silver Lion of the 55th Venice Biennale, over nearly 10 years, with about 400 images, two essays and an interview.

Artists' book history.

A tribute to Gianni Piacentino's art and to his sense of independence with works spanning 1966 to the present.

A singular digital catalogue, designed in close collaboration with the artist, that allows to understand how Roe Ethridge thinks, edits and organizes his images.

Ericka Beckman's Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980).

Artist's book based on James Joyce's Ulysses.

Interpretative destiny of Kant's aesthetics.

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia, accompanied by a reference book on the Belgian typographer which name has been associated with the Prize.

A modern reinterpretation of the subject of the Holy Grail (artist's book).

A mapping of the young Lebanese art scene.

An anthology of Fontana's manifestos, texts and interviews.

The first issue of the critical magazine published by the Ecole nationale supérieure des beaux-arts de Lyon is dedicated to George Maciunas.

Stories, novels, correspondence and short texts by Xavier Forneret, French Romantic writer, precursor of the Surrealist movement.

The legendary life of Maurizio Cattelan: a fictional biography of which the artist himself is the biographer.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

Luxurious artist' book printed in 5 colors (silver ink on black paper), between document, archive and artwork: a subtle exploration of the history of an institution under reconstruction that also bares the internal architecture of the book itself.

The creative process of Vincent Lamouroux's recent works.

First monograph.

Digital book.

In this short essay, philosopher Richard Shusterman discusses Arthur Danto's aesthetic theory and develops a new reflection to go beyond the differences between art and life.

The second volume of the comprehensive monograph / artist's book dedicated to Gérard Collin-Thiébaut takes a look back at the artist's works from the seventies.

An overview of the contemporary state of print design.

Catalogue / artist's book.

A novel by Belgian artist David Evrard.

Focusing on the conceptual, visual, and economic intersections implicit in design today, this publication dedicated to the work of the Swiss-American graphic designer Zak Kye expands collaborative form from a pragmatic structure of working together to the joint development of content.

Special issue dedicated to the question of the presence and treatment of sexuality in contemporary creation.

Reference monograph, with an essay by Okwui Enwezor, images of the most recent exhibitions and public interventions, as well as a selection of the artist's emblematic installations and press works since the mid-1980s.

Artist's book: Lutz & Guggisberg's imaginary library.

The second publication in the On the Table series, that explore the encounter between food and art, is dedicated to the art of the fold.

A biographical approach to Gerhard Richter's work.

Richter's texts, essays, letters, manifestos, and interviews.

Richter's texts, essays, letters, manifestos, and interviews.

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia.

Reference monograph.

Drawing and writing, drawing exhibitions, Paul Noble, François Bouillon, Emmanuelle Lainé, Franz Erhard Walther, Elizabeth Peyton, Sophie Lamm, Paul Sztulman, Pontormo, Albrecht Dürer, Giuseppe Penone, the Collection Daniel et Florence Guerlain, Florent Dubois, Sophie Bazin, Muzo, Markus Lüpertz, Anne Laure Sacriste and Lee Ranaldo, Alexandre Leger, Sophie Lamm...

An inventory of gestures of artists who deliberately destroyed their own works.

An anthology of 30 dust jackets of non-existing books (contributions by Tim Etchells, Dario Gamboni, Dora García, Alejandro Jodorowsky, Jesse Lerner, Antoni Muntadas, Manuel Raeder, Eran Schaerf and Eva Meyer...).

An illustrated anthology (almost all of the speeches given by the artist on the occasion of his exhibition openings over 30 years).

A litterary tribute to Jean-Marie Straub and Danièle Huillet by the director, screenwriter and writer Vincent Nordon.

Facsimile edition of an unpublished artist's book by Marcel Broodthaers from 1968 referring to Stéphane Mallarmé's poem “Un coup de dés jamais n'abolira le hasard.”

This monograph is derived from a lecture given in 2009 at the Royal Academy of Fine Arts in Brussels. ORLAN takes a retrospective look at her career and brings forward themes explored in her work, such as hybridization and the female body in art.