Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

New perspectives on the process of translation from the works of more than thirty international artists.

A survey of Louise Nevelson's research on collage.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

A how-to manual for free improvisation music.

A documentary film made over 10 years by Virgile Novarina, portraying the iconoclastic artist Pierre Pinoncelli, known since the 1960s for his shocking happenings.

The multiple faces of popular dances in contemporary choreographic creation.

A journey through the years 1960-1980, following Pierre Tilman's friendships with the artists, poets, jazz musicians and creators who marked the artistic and literary landscape of the time.

Through a message of love, the writer evokes the memories and places of his own childhood and expresses a pessimistic and painful thought of a Tunisia adrift, which currently offers to its youth a dark future—while hoping that the light returns.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

Poetics of the voice.

Contemporary poetry in Arabic: Sara Elkamel; Marc Ribot; Bill Nace interviewed by Michel Henritzi; David Grubbs by Laurent Nerzic; Werner Durand interviewed by Deborah Walker; Paulina Owczarek interviewed by Gérard Rouy ; focus Insub.Records; 80 album reviews...

Autobiography by Micah Lexier is apparently just a blank pages book, but it is not. Each page is pierced, and at the back is printed the same colophon. That's because you can rip off every page of it and fix it everywhere. Micah Lexier identifies the holes as one of the main themes of his practice.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

"Stories of Paper" traces the history of paper as a thousand-year-old material used from antiquity to the present day, and provides an original perspective on the history of graphic arts.

The fourth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the Fortune Teller.

Dixit Algorizmi. The Garden of Knowledge sets out to question the origin myths and narratives surrounding modern technologies, using the lens of contemporary artistic practices to explore their forgotten roots and overlooked resonances with distant places, times and cultures (catalogue of the Uzbekistan's pavilion at the 59th International Art Exhibition, Venice Biennale, 2022).

Hyperrealist photographer of California skateparks Amir Zaki's new monograph covers twenty-plus years of photographic work, including an essay and interview.

"Stories of Paper" traces the history of paper as a thousand-year-old material used from antiquity to the present day, and provides an original perspective on the history of graphic arts.

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

Both a cinematographic work diary, a travel diary and a private diary, Climatic Species is made up of multiple stories where each thread unfurls at its own rhythm.

First monograph.

An overview of the influential work of a key figure in experimental film and video.

A collective reflection on the imperatives of sustainability and reversibility to which architecture must respond today, in connection with contemporary societal and environmental issues.

An essay on the Italian period (1962-1976) of the American artist, never studied before although it has deeply influenced the imagination and the work of Paul Thek.

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

An in-depth ex-post reflection on Documenta 14 by one of its curators, Pierre Bal Blanc, with the contribution of Adam Szymczyk.

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

A major turning-point in the sonic oeuvre of Eliane Radigue.

First monograph of the Swiss artist Till Rabus, who creates phantasmagorical subjects from everyday objects and waste of our society before translating them on hyperrealistic canvases, in stagings taking up aesthetic codes of the history of painting and Baroque.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

Autobiography by Claude Closky is a question about identity and social media. On a dark mode theme colored background, tens of "Claude" of different genres and identities are displayed in sequence. What is the real "Autobiography"?

Flanger Magazine's second album integrates strings, wind instruments, percussion, and synthesizers, and subtly blends folk, Americana, chamber music, electronica, and jazz in a suite of pastoral, ethereal, and kaleidoscopic pieces.

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

First monograph.

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

A newspaper format publication by artist and curator Mathew Hale, derived from an exhibition of 24 LA and Berlin-based artists.

The first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.

Published on the occasion of the 59th International Art Exhibition, La Biennale di Venezia, in 2022, this retrospective monograph is the official catalog of the National Pavilion of the United Arab Emirates, which has chosen the Emirati artist Mohamed Ahmed Ibrahim to represent them.

The first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.

This richly illustrated volume offers the occasion to discover Tomoo Gokita's latest body of work, featuring his newest large-scale paintings and a number of never-before-seen works made under lockdown during the pandemic.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.

The role of masks throughout history, materialized in the works of twenty-one artists: a look into the ongoing radical reshaping of our multiple historical, sociopolitical, sexual and transcendental identities, inquiring about the current processes in which we shape-shift from one to the other.

A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

New monograph.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.