A retrospective monograph, La Gricole et ses dérives brings together fifty years (1970-2020) of Daniel Nadaud's pathways, loops, advances, drawings, sculptures, installations and notebooks, shaped by the presence of the agricultural world, by history and fragments of childhood.

The sixth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A reevaluationof Surrealism since 1940: a large-scale, groundbreaking work covering seven decades, questioning the discourses, narratives, and debates on the poetic, political, and artistic commitments of the movement, in the context of the deep social and cultural mutations of the world of the second half of the 20th century.

Alex Kitnick on the art of Wolfgang Tillmans; Natalia Brizuela and Julia Bryan-Wilson on the art of Jumana Manna; Alexandro Segade on the Ororocene; Travis Diehl on Alexis Smith's Same Old Paradise, 1987...

The seventh and last issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif is dedicated to the character of an Acrobats ("who are two but together as one," as Thomas Clerc says in his play, The Heptahedron).

This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

Complete facsimile of The Cricket, an important but underknown music magazine edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal in 1968–69—a rare document of the Black Arts Movement.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

X Museum 2020–2021 is the first chapter in a series of annual publications dedicated to the activity of the newly opened museum in Beijing.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

A series of drawings by Valérie du Chéné inspired by press articles, to which Arlette Farge's texts respond.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

The contributors of this book invite readers into a cultural journey at the crossroad of multiple disciplines, allowing them to rediscover the history of this administration from a sensible, intimate point of view.

An overview of Dawit L. Petros's expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.

First monograph.

A critical anthology on the spatial mediation of art consumption through digital technology.

The series of photomontages on canvas made by Eulàlia Grau in the early 1970s, a transgressive response of a young Spanish feminist artist to the authoritarian Franco society that conditions thoughts and bodies.

Father and son collaborate on a photographic panorama of humanity.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

2022 reissue of Fennesz's beautiful 4th solo album, originally released in 2008.

The score for Romeo Castellucci and Scott Gibbons' stage work.

Six unreleased piano pieces by Milan Knízák, written between 1991 and 2021, played by Czech piano virtuoso Miroslav Beinhauer.

Art historian and philosopher Horst Bredekamp reveals the importance of visual analysis and the central role of images in the development of the philosophical thought of Gottfried Wilhelm Leibniz (1646-1716). Relying mainly on the Leibnizian concept of the monad and on the Theater of Nature and Art, elaborated by the German philosopher and scientist from 1671 until his death, Bredekamp places Leibniz as a precursor of the theory of the image.

The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

A reflection on asceticism in architecture.

Second pressing of Recital's vinyl edition from 2015, perhaps the most approachable and beautiful in all of Loren Connors' catalog.

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Phillip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.

An expanded edition of Ballen’s debut photobook—a charming homage to the spirit of boyhood around the world.

Collecting previously unissued works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, "Drumming Up Trouble" focuses on a hitherto almost unknown aspect of Alvin Curran:'s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion.

Dewa Alit, Bali's master of contemporary Gamelan composition, returns to Black Truffle with Chasing the Phantom, presenting two recent works played by the composer's Gamelan Salukat, a large ensemble that performs on instruments specially built to his designs, using a unique tuning system that combines notes from two traditional Balinese Gamelan scales.

Unseen images of the Great Depression from the famed chronicler of the African diaspora.

This release highlights Leo Kupper's earliest compositions with his GAME machine - Générateur Automatique de Musique Electronique (Automatic Generatorof Electronic Music) constructed during the 1960's. Purely electronic sounds into new structures, Leo Kupper shows through his 4 tracks a real spirit of renewal.

This book is dedicated to the spectacular and baroque work of Kostas Lambridis, as part of a series of monographs on the thought and work of young contemporary designers.

Unpublished and outstanding archival recordings by electroacoustic music pioneer Luc Ferrari: a piece in three acts composed in 1989 for contemporary dance, choreographed by Anne-Marie Reynaud.

The album of breathtaking images of wrestling matches made in the US in the late 1960s by a little Swiss boy who will become a photographer.

Lu Yang, LaTurbo Avedon, Lawrence Lek, Marco Cadioli, A genealogy of the metaverses, The metaverses performed sounds, Ars Electronica 2021...

A vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions by artists Filipa Cordeiro, Joăo Pais Filipe, Nandele, Romain Baudoin and S1m0nc3ll0.

This volume gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced.

A volume that gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced, accompanied by a vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions.

An account of an album about Albania by British experimental musicians made in the eighties. Also involving stories about the Albanian Society, William Bland, A. L. lloyd, RCPB ML, and Cornelius Cardew.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

This artist's book by the American artist, musician (Destroy All Monsters), writer and bookseller intertwines Polaroids of 1970s Detroit with photographs of painterly collages made of TV stills and print ephemera combining Christian iconography, Classical Hollywood cinema, pop and b-movie culture.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

The first release to document the variety and playfulness of the concerts that Arnold Dreyblatt and Paul Panhuysen's Duo Geloso performed throughout Europe in 1987-88.

The new album of composer Loren Rush is inspired by poems from "L'allegria", the collection of poetry by Giuseppe Ungaretti written in the trenches of World War I.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

Issues 39 to 41 of the critical review dedicated to graphic design.