First retrospective catalogue: includes a chronology of the artist's works from 1967 to 1996, a bibliography, and texts by Yves Aupetitallot, Catherine Quéloz, Dan Cameron, and Ruppersberg himself.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

Daniel Spoerri's works declining the variations from the drawings of Charles Le Brun's animals to understand the human face.

An eight-page dossier in which artists and friends retrace the trajectory of the French artist Alain Gibertie, who passed away on 13th July 1996.

Published for the 1996 exhibition at Yvon Lambert Gallery, Paris, this publication presents Kiefer's works, with a reflection by Daniel Arasse.

A narrative.

Booklet published on the occasion of the first French exhibition of the American video artist. The publication includes a text by Collier Schorr, biographical and bibliographical notes.

A cultural vision of Lisbon, which also illuminates the work and personal obsessions of Manoel de Oliveira.

Artist's book.

Derek Bailey and Eugene Chadbourne in an improvised duet, recorded live on January 2, 1995.

How to exhibit the architecture? Two Swiss architects answer this question (a conversation with Rémy Zaugg).

A whimsical artist's book by Pardo and White with word "Dodgers" running through book.

Twelve Romanian landscapes (oil on canvas).

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

In a time of plague when the community of the cathedral city of Mâcon is struck with infertility, a beautiful, healthy child is born. He is immediately seen as an opportunity for profit, both by his own sister and by the Church. The newborn brings prosperity and is considered to be a saint. Until greed and ambition lead to his tragic demise.

In a time of plague when the community of the cathedral city of Mâcon is struck with infertility, a beautiful, healthy child is born. He is immediately seen as an opportunity for profit, both by his own sister and by the Church. The newborn brings prosperity and is considered to be a saint. Until greed and ambition lead to his tragic demise.

Collection of texts by philosophers and art historians.

Works on b/w photographs taken in Sarajevo.

Five unpublished texts with an original lithograph signed by the artist.

Unpublished text, original silkscreen enhanced by hand and signed.

Unpublished text, signed original screenprint.

A commission examines a sample of 92 persons subject to an enigmatic obsession with birdwatching and flying: a fictional investigation playing with the codes of documentary journalism which served as a script for Greenaway's film The Falls.

A commission examines a sample of 92 persons subject to an enigmatic obsession with birdwatching and flying: a fictional investigation playing with the codes of documentary journalism which served as a script for Greenaway's film The Falls.

The libretto to the opera Rosa, with music by the Dutch composer Louis Andriessen.

The libretto to the opera Rosa, with music by the Dutch composer Louis Andriessen.

This diary recounts the artist's thirtieth birthday, during which he photographed every person he met and every place he visited, from May 8, 1991 to May 8, 1992.

Five texts by Franck-André Jamme on Vyakul, with a selection of works.

This publication presents landscapes photos by Bernard Faucon, on which the artist wrote in wooden letters various sentences.

A study of German Renaissance painters and the social movements of the time.

Unpublished text, signed, and a paper marie-louise.

Sketchbook.

Unpublished text, original and signed collotype.

Unpublished text, original lithograph enhanced with Roland Topor's fingerprints and signed.

Drawings and photographs by the artist / text by Lydia Lunch (hand numbered limited edition).

Monograph dedicated to the work of French television filmmaker, producer, scenarist, and video art pioneer Jean-Christophe Averty.

Anselm Kiefer's universe revisited by the philosopher Jean-Noël Vuarnet.

A series of paintings realized on the famous Vichy pattern of Tati stores. A dialogue from Paris, Texas accompanies the paintings.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.

Inspired by a short story by Alvaro de Carvalhal, a Portuguese writer who died in 1861 at the age of 23, and who was the author of unusual tales which were published posthumously, this libretto, written by Oliveira, is a complete transcription of his filmed opera The Cannibals.

This book reproduces a series of gouache drawings by Jean-Charles Blais, which uses a hand bandaged as pattern, drawn in very close-up.

Artist's book: an album of twelve black and white boards realized specially for the project.

Drowning by Numbers tells the story of three women from different age groups named Cissie Colpitts who each have murdered their husbands by drowning them. The narrative structure of the film underlies a numerical order based on the number 100. A fascinating riddle on man's relationship with death and time.

The first monograph to explore the entire work of the master of Portuguese film (interview with and visual lay-out by Manoel de Oliveira).

Nine oils and collages on canvas.