A "copy and paste" fiction.

Three interviews with the President for life of the Ouest-Lumière Company.

The first comprehensive publication on Canadian artist Alex Morrison. Best known for his documentations on the skater culture, Morrison's videos, photographs and drawings reveal the growing aestheticisation of the political within the cultural spectrum.

A tribute to the artist who passed away in 2004.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

When the personal becomes political.

Monograph with texts by Eva González-Sancho, Michel Gauthier, Line Herbert-Arnaud and Richard Klein, exploring different aspects of Downsbrough's work (movies, maps, space...).

An essay on Paul Tisseyre Ananké, the military officer in saharian French colonies and writer, which proposes a linguistic and biographic approach, accompanying the reedition of Ananké's book, denouncing the horrors of the French colonisation in Africa.

A new approach of Duchamp's keywords.

Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter.

Mark Lewis' location photographs.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

Extensive monograph with serigraphs.

Mapping collaboration in Swiss art.

Turkish: A Dictionary of Delights is a sui generis work and lexical tour de force which uses the dictionary genre to inject polemic into certain forbidden discourses that are currently suppressed both within and around the subjects of Turkish language, politics, sexuality and history, making the book extremely timely in light of contemporary debates around the question of Turkey's entry into the EU. It also introduces the Turkish universe in all its intimacy from the perspective of a personal "Wirkungsgeschichte". The “definitions” are presented with a sense of wit and political incorrectness that one doesn't usually associate with sacred Ottoman subjects such as the hamman and revered political icons such as Ataturk. This explains why initial shipments of the book sent to Istanbul were refused by postal authorities, ironically contributing to the cult status the book quickly acquired in artistic circles of Istanbul, where the book can only be purchased “under the counter” at certain galleries. The authorship and origin of "Turkish: A Dictionary of Delights" are a subject of considerable speculation. There is some question as to whether the dictionary's putative author, Adnan Onart, even exists. The editor is Roger Conover, the well-known art publisher and secret author of a number of books which have been appearing over the years in such hidden contexts and limited print runs that they exist almost more as rumours than publications.

A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum's Chronology was presented in frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence."

An assemblage of photographs taken from distinct series. The tensions and correspondences resulting from the editorial choices broaden the scope of images (artist's book).

An artist's book in the extension of an exhibition: a reflexion on global urbanisation.

For this luxurious artist's book (transparent cover and pages, leaflets, inserted pages).

Gathering images and texts, this artist's book sums up two years of work with French disabled war veterans.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

With Shahrzads newest publication, the focus is on the mise-en-scene of contemporary historiography in today's Euroamerica.

First monograph devoted to the Spanish artist, between an artist's book and an exhibition catalogue.

New drawings, designs and an essay by American graphic artist and filmmaker.

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.

Conceived by the artist, this book gathers unpublished manuscripts, well-known as well as unshown works from his personal collection, erotic cartoons, fan's photographs, photographs of “white trash” suburbs and studio shots.

John Armleder's 404 Team yellow pages.

A re-edition of the original cult book of well known Swiss photographer.

German artist's "word-images" (early works).

Inside the artist's apartment and studio.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

DVD-book including all the exhibition films and discussions of 3 workshops at the 2004 International Biennale in Venice, on the theme of sustainable development and urban metamorphoses (a programme of about 2h).

An exemplary look at the work of Bernhard Willhelm, the German fashion designer whose sartorial skills have been hailed by both the fashion industry and the art world.

A set of drawings and two series of photos by Anna Gaskell: a journey through the dreamlike and strange universe of the American artist.

A comprehensive overview of the artist's body of work.

A monograph that imitates a jewelry catalogue, dedicated to Kelley's most recent body of works.

A video triptych.

An urban journey.

Catalogue.

Honegger' eclectic writings since 50 years.

An electric rock performance seen as an attempt to free literature from the realm of the book (illustration cover by Thomas Hirschhorn).

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

First monograph.

First monograph on Irish artist.

Artist's book (photographies).

An exploration of the body in contemporary culture (artist's book / collection of texts).

This first monograph (both a study and an essay) highlights the diversity and span of Adrian Schiess' work.